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Catching Up With 9 Advertising Icons

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There's a lot of buzz around this year's slate of Super Bowl ads. But will you even remember these commercials next year? Let's catch up with nine advertising icons who've managed to stick around for at least a generation—in our memories, at least.

1. Crazy Eddie

Crazy Eddie dominated the New York airwaves from the mid-seventies until bankruptcy in 1989. Not until Eddie Antar fled to Israel to escape fraud charges did I realize the TV spokesnut and CEO were not the same person. (I was 10, and in my defense probably hadn't given this much thought.)


Crazy Eddie (the actor) was played by Jerry Carroll, a DJ for WPIX-FM in New York. Since 1989, Carroll has appeared in commercials for 6th Avenue Electronics and Neil's Auto Group, a Long Island car dealership. He started an advertising agency with his wife called East Coast Media. And he reprised his role during the unsuccessful Crazy Eddie relaunch.

After his extradition in 1992, Crazy Eddie (the CEO) was sentenced to 12.5 years in jail. One of the U.S. Attorneys prosecuting him was former Secretary of Homeland Security Michael Chertoff. The verdict was thrown out, and Eddie later accepted a plea agreement that put him behind bars for nearly seven years. An attempt to revive Crazy Eddie (the store) as an online retailer was not successful.

2. The Gerber Baby

babyjpg1.jpgMystery author Ann Turner Cook found fame early in life, as the model for the Gerber logo. As a four-month-old, she was the subject of a simple charcoal sketch by her Westport, CT, neighbor, Dorothy Hope Smith "“ an artist who specialized in drawing children.


After a lifetime of teaching literature, Cook wrote three novels: Trace Their Shadows, Shadow Over Cedar Key, and Homosassa Shadows.

While we're on the subject, Snopes has debunked the sub-Saharan legend that Africans believed jars of Gerber actually contained liquefied Caucasian baby.

3. Wendy

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Founded in 1969, Wendy's was named for Dave Thomas' daughter, Melinda Lou (nicknamed Wendy by her siblings). She went on to attend the University of Florida. And now Wendy takes her kids to the restaurant that bears her name every day. Just like her father.

As of 2007, in addition to her frequent dining, she was operating 32 Wendy's restaurants with her siblings.

4. Little Miss Coppertone

coppertone.jpg Joyce Ballantyne Brand used her 3-year-old daughter, Cheri, as the model for Little Miss Coppertone in 1959. Today Cheri works as a personal trainer at a YMCA in Florida. According to the St. Petersburg Times, her mother has lived a fascinating life. "She spent two years at the University of Nebraska and two years at the American Academy of Art in Chicago. She met and married her first husband, artist Eddie Augustiny. She said she drew pictures for dictionaries, did maps for Rand McNally, painted murals for movie theaters and learned to fly a plane. She was barely 25."


Ms. Ballantyne Brand went on to create memorable work for Pampers, Ovaltine and Schlitz. In the mid-1970s, she and her husband moved from Chicago to Ocala, Florida. She passed away in 2006.

5. Dutch Boy

dutchboy.jpgThe Dutch Boy was, in fact, an Irish kid from Montclair, New Jersey. The Dutch boy idea came from a series of sketches by Rudolph Yook, which were to be refined by portrait artist Lawrence Earle in 1907. He spotted Michael Brady and offered him a $2/day cash windfall for posing duties.


Dave Yates has written about Dutch Boy, explaining what Brady did with his paycheck: "Arrangements were made: wooden shoes, blue coveralls and the cap were purchased, and Michael was asked to wear them for a few days so they'd look natural on him. His playmates had great fun at his expense until they discovered he was being paid the princely sum of $2 per day, which in 1907 bought great gobs of candy and soda pop for him and his friends. He consumed so much himself that, by the third day, he became ill and the family doctor was summoned to diagnose a mysterious stomach ailment!"

Brady grew up to become a political cartoonist, whose work was published by the Brooklyn Eagle.

6. Sailor Jack

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Boxes of Cracker Jack featured Sailor Jack and his faithful dog, Bingo. Jack was inspired by Robert Rueckheim, the grandson of the company's founder. Robert tragically died of pneumonia when he was only eight. The image of Sailor Jack is etched into his tombstone at St. Henry's Cemetery in Chicago.

7. The FedEx Fast Talker/The MicroMachines Guy

fedex.gifJohn Moschitta, Jr., has talked his way into commercials for both Federal Express and Micro Machines. He's done a stint on Sesame Street, served as the announcer on the new Hollywood Squares, and lent his voice to Transformers: The Movie. Moschitta has also rapidly summarized our greatest literature in Ten Classics in Ten Minutes.


He was #6 on a recent list of the Ten Creepiest Advertising Icons (Crazy Eddie also made the list, at #10). More recently, he parodied his fast-talking self on Robot Chicken.

8. Little Debbie

LittleDebbie.jpg"Little Debbie" is Debbie McKee, granddaughter of founder O.D. McKee. She's parlayed her child modeling into a career with McKee Foods, where she's currently on the Board of Directors.


Little Debbie now sponsors NASCAR, but on her terms. According to a 2007 press release: "The McKee family wanted an association with a NASCAR team, but on terms that upheld its convictions. Typical sponsors want maximum exposure. That's what they pay for. Little Debbie may seem to be everywhere, but come Saturday, you won't find her at a NASCAR NEXTEL Cup Series track. The McKee family observes its Sabbath from sundown Friday to sundown Saturday. They are Seventh day Adventists and while their products may be sold on their Sabbath, the business of promoting sales stops for one day each week."

9. Mikey

mikey.jpgContrary to popular belief, Mikey did not die in a tragic Pop Rocks/soda accident. I enjoyed how Wikipedia put it: "The myth — long since disproved as both nonfactual (as John Gilchrist is still alive) and scientifically improbable (as the chemicals in both Pop Rocks and soda are not capable of exploding a human stomach) — still resurfaces every few years, usually surrounding an identifiable child actor."

Gilchrist went on to appear in over 250 commercials in his teenage years. As of 2000, John Gilchrist had found a home on the other side of the camera. Or more accurately, in a different room entirely, with cameras not involved at all. He found work as an advertising salesman for WKTU, a New York radio station.

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20 Facts About Your Favorite Coen Brothers’ Movies
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Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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