Secrets of Past Elections Revealed! (1992)

After every presidential election since 1984, Newsweek has printed the best gossipy stories, revealing all the whining and backbiting of America's greatest spectacle. Linda Rodriguez has gone through Newsweek's archives to pick out some memorable moments from recent elections, and we'll be posting her stories throughout the week.

George Bush the elder had just spent four years trying to refashion America into a "kinder and gentler" nation. But by the 1992 election, the American people didn't so much feel like being kinder or gentler with George Bush, especially with the economy in the crapper, rising violence in the nation's urban centers, and high deficit spending. Clinton had such a lock on the election that Newsweek didn't wait until after the votes were in to publish their behind-the-scenes, inside-the-campaign tell-all, instead publishing on November 1st.

No really, there was a nefarious plot"¦

When Texas billionaire Ross Perot abruptly dropped out of 1992 presidential election, his surprisingly numerous supporters felt blindsided, disappointed and a little angry. It wasn't until a few months later that they found away why Perot had walked away from what was becoming a real campaign. During an interview on 60 Minutes, Perot claimed that he did it to protect his daughter. According to Perot, his daughter Carolyn's wedding was in danger of being disrupted by a nefarious Republican plot to embarrass her with lurid and ostensibly doctored photographed. And this same nefarious plot included some sort of disruption of the wedding day itself. And there was this other nefarious plot to tap his phones. Perot had no proof that either plot existed, but hey, a man can't be too careful with his daughter's happiness, now can he? (It was later discovered that the man who told Perot about the plots actually made it up, in an effort to discredit Bush.)

Perot jumped back in the race in September, after he was able to get his name on ballots in 50 states, but he was never able to regain the momentum he had in July. Still, Perot was a real candidate: He was the first third-party candidate to participate in the final televised presidential debate and he ultimately carried 18.9 percent of the popular vote.

I'd like to thank the Academy

After Bill Clinton won the election, the third call he took—after George Bush's concession and Dan Quayle's congratulations—was from Whoopi Goldberg. Still, you can't accuse Clinton for being entirely a slave to celebrity—when Ivana Trump dropped by the Arkansas Governor's Mansion to pay an unannounced visit to the President Elect, she was politely turned away.

The original flip-flopper?

clinton-sax.jpgDespite their dissatisfaction with President George Bush, voters still had a little difficulty getting on board with the Clinton campaign. Perhaps unsurprisingly, some voters felt that they couldn't trust him and Clinton's campaign knew it. Clinton's handlers had conducted a covert operation they called the "Manhattan Project" in which they asked a series of focus groups what they didn't like about the candidate. Reactions from Allentown, PA, included: "Two-faced"; "He just goes with the flow"; and, "If you asked his favorite color, he'd say, "˜Plaid.'"

Even Clinton's lead strategist, the Ragin' Cajun James Carville, reportedly said once, "I've had blind dates with women I've known more about than I know about Clinton." (On another James Carville-related note, it was just after this election that he married Mary Matalin "“ lifelong Republican and one of Bush's chief strategists.)

Bush almost didn't run for re-election

Bush very sincerely considered not running for re-election. His 1988 campaign had left him battered and scarred, primarily by his own campaign's meanness and willingness to go for the jugular. Barbara didn't exactly love White House life and Bush hated the burden his presidency had put on his family. Bush not only hadn't started campaigning, but he hadn't even decided whether or not to run by January 1992; all the while, Democrats were landing broadsides, publicly taking Bush to task for the declining state of the economy (of course, voters of 2008 might teach the voters of 1992 a thing or two about a declining economy).

The dynamic duo of Waffle Man and Ozone and Bush's last stand

During the last weeks of the campaign, Bush seemed to be closing the gap on Clinton, who for most of the campaign season had boasted polling points far and away above Bush's. After months of being so far down, the President was jazzed like a 10-year-old on Red Bull at a Hannah Montana concert. He traveled around the country, railing against Clinton and Gore, referring to them respectively as "the Waffle Man" and "Ozone," at one campaign stop, even calling the candidates "those two bozos." Barbara and Bush's handlers thought that last one might have gone too far. "Jeez, you guys, lighten up," Bush replied. "I was just being funny."

Bush, by this time, was in revolt. He was tired of losing, tired of being told what to do "“ especially since it didn't appear to be winning any elections for him "“ and ready to get petulant. His favorite bumper sticker at this point: ANNOY THE MEDIA: RE-ELECT BUSH. He even refused to let his hair grow out, even though his team said it looked better on television a little longer, and refused to give up his favorite, so loud it was shrieking red, white and blue necktie. "You're in full-throttle handler revolt," one of his handlers told him one day.

Bush's reprieve from loser-land lasted only a short time "“ after an Iran-contra case court filing indicated that Bush had supported the American hostages for weapons swap, Clinton soared ahead again, and the rest is political history.

Previously: 1988, 1984

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Warner Bros.
19 Shadowy Facts About Tim Burton's Batman
Warner Bros.
Warner Bros.

Superhero movies are bigger than they’ve ever been before, but we arguably wouldn’t be here at all without 1989’s Batman. Produced at a time before comic book movies were considered big business, Tim Burton’s dark look at a superhero then best known for a goofy TV show is a pop culture landmark, and the story of how it was made is almost as interesting as the film itself. So, to celebrate Batman—which was released on this day in 1989—here are 19 facts about how it came to the screen.

1. AN EARLY MOVIE IDEA RELIED ON THE CAMPINESS OF THE CHARACTER.

As development of a Batman movie began, studio executives were still very tied to the campiness embodied by the Batman television series of the 1960s. According to executive producer Michael Uslan, when he first began attempting to get the rights to make a film, he was told that the only studio who’d expressed interest was CBS, and only if they could do a Batman In Outer Space film.

2. IT TOOK 10 YEARS TO MAKE.

Uslan lobbied hard for the rights to Batman, and finally landed them in 1979. At that point, the fight to convince a studio to make the film ensued, and everyone from Columbia Pictures to Universal Pictures turned it down. When Warner Bros. finally agreed to back the film, the issue of developing the right script had to be settled, and that took even more time. In 1989, after years of battling, Batman was finally released, and Uslan has been involved in some form in every Batman film since.

3. AN EARLY SCRIPT FEATURED BOTH THE PENGUIN AND ROBIN.

When Uslan finally got the chance to develop the film, he drafted legendary screenwriter Tom Mankiewicz, who had been a consultant on Superman, to write the script. The Mankiewicz script included The Joker, corrupt politician Rupert Thorne, a much greater focus on Bruce Wayne’s origin story, The Penguin, and the arrival of Robin late in the film. The script was ultimately scrapped, but you can see certain elements of it in Batman Returns.

4. TIM BURTON WASN’T THE FIRST POTENTIAL DIRECTOR.

Though Warner Bros. ultimately chose Tim Burton to helm Batman, over the course of the film’s development a number of other choices emerged. At various points on the road to Batman, everyone from Gremlins director Joe Dante to Ghostbusters director Ivan Reitman was in line for the gig.

5. MANY STARS OF THE TIME WERE CONSIDERED FOR BATMAN.

The casting process for Batman was a long one, and involved a number of major stars of the day. Among the contenders for the title role were Mel Gibson, Bill Murray (yes, really), Kevin Costner, Willem Dafoe, Tom Selleck, Harrison Ford, Charlie Sheen, Ray Liotta, and Pierce Brosnan, who later regretted turning down the role.

6. TIM BURTON HAD TO FIGHT TO CAST MICHAEL KEATON.

At the time, Michael Keaton was best known for his comedic roles in films like Mr. Mom and Night Shift, so the thought of casting him as a vigilante of the night seemed odd to many. Michael Uslan remembers thinking a prank was being played on him when he heard Keaton’s name pop up. Burton, who’d already worked with Keaton on Beetlejuice, was convinced that Keaton was right for the role, not just because he could portray the obsessive nature of the character, but because he also felt that Keaton was the kind of actor who would need to dress up as a bat in order to scare criminals, while a typical action star would just garner “unintentional laughs” in the suit. Burton ultimately won the argument, and Keaton got an iconic role for two films.

7. JACK NICHOLSON WAS THE FIRST CHOICE FOR THE JOKER, BUT HE WASN’T THE ONLY CHOICE.

From the beginning, Uslan concluded that Jack Nicholson was the perfect choice to play The Joker, and was “walking on air” when the production finally cast him. He certainly wasn’t the only actor considered, though. Among Burton’s considerations were Willem Dafoe, James Woods, Brad Dourif, David Bowie, and Robin Williams (who really wanted the part).

8. TIM BURTON WON JACK NICHOLSON OVER WITH HORSEBACK RIDING.

When Nicholson was asked to discuss playing The Joker, he invited Burton and producer Peter Guber to visit him in Aspen for some horseback riding. When Burton learned that was what they’d be doing, he told Guber “I don’t ride,” to which Guber replied “You do today!” So, a “terrified” Burton got on a horse and rode alongside Nicholson, and the star ultimately agreed to play the Clown Prince of Crime.

9. EDDIE MURPHY WAS ONCE CONSIDERED TO PLAY ROBIN.

Though the character of Robin was ultimately scrapped because it simply didn’t feel like there was room for him in the film, he did appear in early drafts of the script, and at one point producers considered casting Eddie Murphy—who, you must remember, was one of the biggest movie stars of the 1980s—for the role. 

10. SEAN YOUNG WAS THE ORIGINAL VICKI VALE.

Burton initially cast Blade Runner star Sean Young as acclaimed photographer Vicki Vale, who would become Bruce Wayne’s love interest. Young was part of the pre-production process on Batman for several weeks until, while practicing horseback riding for a scene that was ultimately cut, she fell from her horse and was seriously injured. With just a week to go until shooting, producers had to act fast to find a replacement, and decided on Kim Basinger, who essentially joined the production overnight.

11. TIM BURTON WASN’T OFFICIALLY HIRED UNTIL BEETLEJUICE BECAME A HIT.

Though he was basically already a part of the production, Burton wasn’t officially the director of Batman right away. Warner Bros. showed interest in him working on the film after the success of Pee-wee’s Big Adventure, but according to Burton they only officially hired him after the first weekend grosses for Beetlejuice came in.

“They were just waiting to see how Beetlejuice did,” Burton said. “They didn’t want to give me that movie unless Beetlejuice was going to be okay. They wouldn’t say that, but that was really the way it was.”

12. DANNY ELFMAN THOUGHT HE WAS GOING TO BE FIRED UNTIL HE PLAYED THE MAIN THEME.

Danny Elfman is now considered one of our great movie composers, but at the time Batman was released he didn’t have any blockbuster credits to his name. He recalls meeting with Burton (with whom he had worked on Pee-wee’s Big Adventure) and producer Jon Peters to go over some of the music he’d already written for the film, and feeling “a lot of skepticism” over whether he should be the composer for Batman. It wasn’t until Burton said “Play the march,” and Elfman went into what would become the opening credits theme for the film, that he won Peters over.

“Jon jumped out of his chair, really just almost started dancing around the room,” Elfman said.

13. THE JOKER WASN’T ALWAYS GOING TO KILL BATMAN’S PARENTS.

In the final film, The Joker (then named Jack Napier) is revealed to be the gangster who guns down Bruce Wayne’s parents in the streets of Gotham City. It’s a twist that some comic book fans still dislike, and according to screenwriter Sam Hamm, it definitely wasn’t his fault.

“That was something that Tim had wanted from early on, and I had a bunch of arguments with him and wound up talking him out of it for as long as I was on the script. But, once the script went into production, there was a writer’s strike underway, and so I wasn’t able to be with the production as it was shooting over in London, and they brought in other people.”

Hamm also emphasizes that it was also not his idea to show Alfred letting Vicki Vale into the Batcave.

14. THE CLIMACTIC SCENE WAS WRITTEN MIDWAY THROUGH SHOOTING.

Though much of the film is still derived from Hamm’s script, rewrites continued to happen during shooting, and one of them involved the final confrontation between Batman and The Joker in a Gotham City clock tower. According to co-star Robert Wuhl, the climax was inspired by Jack Nicholson and Jon Peters, who went to see a production of The Phantom of the Opera midway through filming and watched as the Phantom made his final stand in a tower. Together, they somehow determined that a final fight in the tower was what Batman needed.

“The next day, they started writing that scene … the whole ending in the tower,” Wuhl said.

15. MICHAEL KEATON’S BATMAN MOVEMENTS WERE INSPIRED BY THE RESTRICTIONS OF THE COSTUME.

Batman fans still love to make jokes about the original costume, and Michael Keaton’s inability to turn his head (there’s even a dig at that in Christopher Nolan’s The Dark Knight), but the restrictions of the costume actually inspired how Keaton performed as the Dark Knight. In 2014, Keaton revealed that his performance as Batman was heavily influenced by a moment when, while trying to actually turn his head in the suit, he ended up ripping it.

“It really came out of the first time I had to react to something, and this thing was stuck to my face and somebody says something to Batman and I go like this [turning his head] and the whole thing goes, [rriipp]! There was a big f***ing hole over here,” he said. “So I go, well, I've got to get around that, because we've got to shoot this son of a bitch, so I go, 'You know what, Tim [Burton]? He moves like this [like a statue]!’”

“I'm feeling really scared, and then it hit me—I thought, 'Oh, this is perfect! This is perfect.' I mean, this is, like, designed for this kind of really unusual dude, the Bruce Wayne guy, the guy who has this other personality that's really dark and really alone, and really kind of depressed. This is it.”

16. GOTHAM CITY WAS REAL, AND IT WAS EXPENSIVE.

Production designer Anton Furst put a lot of work into the incredibly influential designs for the film’s version of Gotham City, and the production was committed to making them pay off. The production ultimately spent more than $5 million to transform the backlot of London’s Pinewood Studios into Gotham City, and you can see the dedication to practical effects work in the final film.

17. PRINCE WAS PART OF THE PRODUCTION EVEN BEFORE HE JOINED IT.

Batman famously features original songs by Prince, who wrote so much new material for the production that he basically produced a full album. Even before the Purple One was drafted to write for the film, though, he was influencing it. Burton played Prince songs on set during the parade sequence and the Joker’s rampage through the museum.

18. THE FILM’S MARKETING WAS SO EFFECTIVE THAT IT INSPIRED CRIMES.

By the time Batman was actually on its way to release, it was becoming a phenomenon, and the marketing for the film was inspiring a frenzy among fans. People were buying tickets to other films just to see the first trailer, and selling bootleg copies of the early footage. The poster, featuring the iconic logo, was so popular that, according to Uslan, people were breaking into bus stations just to steal it.

19. IT WAS A BOX OFFICE LANDMARK.

Though studio executives resisted the idea of a “dark” Batman movie for years, the film ultimately set a new standard for box office success. It was the first film to ever hit $100 million in 10 days, the biggest film in Warner Bros.’ history at the time, and the box office’s biggest earner of 1989—and that’s not even counting the massive toy and merchandising sales it generated.

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