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More Than Just a Toaster

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In a world where computers, music players, game systems, and automobiles come and go, we manage to become attached to our toasters. This simple appliance makes our bread warm enough to melt butter and crisp enough to hold honey or jam. An oven or even a stovetop will do the same thing, but you'll rarely find a kitchen that doesn't have a toaster.

Your Childhood Friend

The Brave Little Toaster is the hero of the book and movie (and their sequels) about a group of appliances that are not merely machines, they are old friends. The way Toaster and his owner feel about each other gives us a clue about our fondness for toasters: for many people, using a toaster is our first childhood cooking experience. And there's nothing like eating bread you toasted yourself when you're four years old.

Toast Imprinting


Mom used to imprint faces on soft bread with a spoon or knife, which would show up on toast and make kids eager to eat breakfast. Now there are specialty toasters that will brand your bread with all kinds of symbolism. The Hello Kitty Toaster is one example. You might prefer to have your toast embossed with a pirate's skull and crossbones, with the Totenkopf Toaster SKULL-Toast.

Toaster Casemod


Like building a better mousetrap, we tend to tinker with even the most perfect machines. the toaster is no exception. Adam Bertram made a computer casemod with a vintage toaster. The result: smiles for everyone who sees it.

Computer Toaster


A few years ago, the NetBSD Project combined a working computer with a working toaster! The heat didn't affect the computer and the toast is just what you need while coding or surfing the 'net.

The Toast Cannon


Besides the ability to cook by ourselves, as children we were impressed by the pop-up action of our toasters. Freddie Yauner took that fascination to the limit with the Moaster CO2 gas-powered toaster. This is the world's highest-popping toaster, certified last month by the Guiness Book of World Records when the machine launched toast 8.5 feet (2.6 meters) high.

Transparent Toaster


The Inventables Concept Studio proposed making a more beautiful toaster by giving it transparent walls. A lovely idea, but years later, it's still a concept.

Roller Toaster


Designer Jaren Goh developed the Roller Toaster, the smallest toaster ever, since it doesn't have to hold the bread. Push your bread in on one side and it "rolls" through while the hot element toasts it from side to side. I can't find it for sale anywhere.

The Toaster as Art


Our beloved toaster can be an art medium. North Carolina artist Joel Haas made this Toaster Mutt from an old toaster and other kitchen implements. It's still a functioning toaster!


Toasters are also art subjects. Kevin O'Callaghan of the Manhattan School of Visual Arts recycled 39 old Yugos into an art project, part of which is the Yugo Toaster.

Toaster Museum


The Toaster Museum Foundation has been so popular online that the management is looking for a permanent space to display toaster and toaster history in the real world. You can read about the history of the toaster at the Cyber Toaster Museum and see pictures of thousands of different toaster styles from the past 100 years. You'll probably find a picture of the toaster you remember using when you were a kid, or maybe even the toaster you use now!

Now excuse me, I think my breakfast is ready.

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Wireless Recording Device Captures Studio-Quality Songs on the Go
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When they aren’t near a studio, some musicians settle for recording snippets of songs on their smart phones during the writing process. Spire Studio offers a better way: Small enough to fit inside a purse, the recording device allows artists to record and mix professional-grade tracks without stepping foot inside a recording booth.

According to Fast Company, Spire Studio is a new product from iZotope, a Massachusetts-based company that’s been in the recording business for more than 15 years. The sleek, cylindrical gadget is designed to be a modern tool for making music. Using it is simple, with a button for one-touch recording and a studio-quality microphone built in. It automatically adjusts levels for a smoother sound and gives musicians the choice to layer tracks on top of one another.

Once the actual music has been captured, users can move to the Spire Studio app to edit it. The device wirelessly connects to a smartphone where mixing and polishing tracks is easy even for a beginner to do. And if a friend wants to improve upon the song further, the file can easily be shared for them to play with it.

Spire Studio is designed to be accessible to musicians of all experience levels, but that’s no reason for serious recording artists look down upon it. Some professional bands, including The Ultramods and Gorillaz, have composed entire albums using nothing but iPad apps. Songwriters looking to graduate past the Voice Memos app on their phone can purchase Spire Studio for $350 when it hits the market this fall.

[h/t Fast Company]

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Mike Mozart, Flickr // CC BY 2.0
Fart Gallery: A Novel History of Spencer Gifts
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Mike Mozart, Flickr // CC BY 2.0

When U.S. Army Corps bombardier Max Spencer Adler was shot down over Europe and imprisoned by the Nazis during World War II, it’s not likely he dreamed of one day becoming the czar of penis-shaped lollipops and lava lamps. But when Adler became a free man, he decided to capitalize on a booming post-war economy by doing exactly that—pursuing a career as the head of a gag gift mail-order empire that would eventually stretch across 600 retail locations and become a rite of passage for mall-trekking teens in the 1980s and 1990s.

To sneak into a Spencer Gifts store against your parents' wishes and revel in its array of tacky novelties and adult toys felt a little like getting away with something. Glowing with lasers and stuffed with Halloween masks, the layout always had something interesting within arm’s reach. But stocking the stores with such provocations sometimes carried consequences.

A row of lava lamps on display at Spencer Gifts
Dean Hochman, Flickr // CC BY 2.0

Returning from the war, Adler sensed a wave of relief running through the general population. Goods no longer had to be rationed, and toy factories could return to making nonessential items. The guilt of spending time or money on frivolous items was disappearing.

With his brother Harry, Adler started Spencer Gifts as a mail-order business in 1947. Their catalog, which became an immediate success, was populated with items like do-it-yourself backyard skating rinks and cotton candy makers [PDF]—items no one really needed but were inexpensive enough to indulge in. In some ways, the Spencer catalogs resembled the mail-order comic ads promising X-ray glasses and undersea fish kingdoms. Instead of kids, Adler was targeting the deeper pockets of adults.

Bolstered by that early success, Adler moved into a curious category: live animals. He had small donkeys transported from Mexico and marketed them as the new trend in domestic pets. LIFE magazine took note of the fad in 1954, observing the $85 burros, being sold at a clip of 40 a day, “except for stubbornness, are very placid.”

Burro fever foreshadowed the direction of Spencer’s in the years to come. The Adlers opened their first physical location—minus livestock—in Cherry Hill, New Jersey in 1963, expanding on their notion to peddle unique gift items like the Reduce-Eze girdle, which promised to shave inches off the wearer’s stomach. That claim caught the attention of the Federal Trade Commission, which chastised the company for advertising the device could reduce body weight without exercise [PDF]. The FTC also took them to task for implying their jewelry contained precious metals [PDF] when the items did not.

Offending the FTC aside, Spencer’s did a brisk enough business to garner the attention of California-based entertainment company Music Corporation of America, Inc. (MCA), which purchased the brand and proceeded to expand it in the rapidly growing number of malls across the country in the 1970s and 1980s. (The mail order business closed in 1990.)

Brick and mortar retail was ideal for their inventory, which encouraged perusal, store demonstrations, and roving bands of giggling teenagers. The company wanted its stores to capture foot traffic by stuffing its aisles with items that had a look-at-this factor—a novelty that invited someone to pick it up and show it to a friend. When executives saw specific categories taking off, they “Spencerized,” or amalgamated them. When there was a resurgence of interest in Rubik’s Cubes and merchandise from the 1983 Al Pacino film Scarface, visitors were soon greeted in stores by stacks of Scarface-themed Rubik’s Cubes.

Mike Mozart via Flickr

Apart from its busy aesthetic—“like the stage from an old Poison video,” as one journalist put it—Spencer's was also known for its inventory of risqué adult novelty items. Pole-dancing kits and sex-themed card games occupied a portion of the store’s layout. The toys captured a demographic that might have been too embarrassed to visit a dedicated adult store but felt that browsing in a mall was harmless.

Sometimes, the store’s blasé attitude toward stocking such items drew critical attention. In 2010, police in Rapid City, South Dakota seized hundreds of items because Spencer's had failed to register as an “adult-oriented business,” something the city ordinance required. As far back as the 1980s, parents in various locales had complained that suggestive material was viewable by minors. In 2008, ABC news affiliate WTVD in Durham, North Carolina dispatched two teenage girls with hidden cameras to see what they would be allowed to buy. While they were shooed away from a back-of-store display, they were able to purchase “two toy rabbits that vibrate, moan, and simulate sex” as well as a penis-shaped necklace.

As a possible consequence of the internet, there are fewer incidences of parental outrage directed at Spencer’s these days. And despite the general downturn of both malls and retail shopping, the company bolsters its bottom line with the seasonal arrival of Spirit Halloween, a pop-up store specializing in costumes. Despite only being open two months out of the year, their Spirit locations contribute to roughly half of Spencer's $250 million in annual revenue.

Today, the chain’s 650 stores remain a source for impulse shopping. They still occasionally court controversy over items that appear to stereotype the Irish as drunken oafs or other inflammatory merchandise. With traditional mall locations expected to shrink by as much as 25 percent over the next five years, it’s not quite clear whether their assortment of novelties will continue to have a large retail footprint. But so long as demand exists for fake poop, fart sprays, and penis ring toss kits, Spencer’s will probably have a home.


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