6 Bizarre Explanations From the Set of Roseanne

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Getty Images

Someday, when that Big Book of Sitcom Pitfalls to Avoid is published, Roseanne will definitely be the first entry listed under "star megalomania." What started out as a successful comedy about a struggling blue-collar Midwestern family eventually turned into a platform for its namesake's (often) bizarre and radical viewpoints. Of course, even before Roseanne Barr got in touch with her multiple personalities, there was stress and dissension behind the scenes. There were also a few plot/character inconsistencies and other mysteries regarding the show that we'll try to clear up in this week's column.

1. WHY ROSEANNE BOYCOTTED HER OWN SHOW (AND WORE AN ARMBAND).

When Roseanne first contracted for her television series with Carsey-Werner Productions, producer Matt Williams spent several days at her home taking notes as he watched her interact with her family. He also studied tapes of her stand-up act, and interviewed his star for hours on end. Much to Roseanne's dismay, however, when the credits rolled on that pilot episode Williams was listed as the "creator" of the show, instead of "developer" (which she thought was a more appropriate title). As time went on, relations between Williams and Roseanne became even more heated and came to a head when she boycotted an episode over one line of dialogue. Of course, the show must go on, and this one did so with its star only appearing in the opening scene and the tag (wearing an armband in protest).

That episode, "An Officer and a Gentleman," centered around an absent Roseanne and sister Jackie taking over the Conner household for a few days. It was so well-received that Williams asked Laurie Metcalf and John Goodman if they'd be willing to continue with the show if Roseanne suddenly quit. Both actors refused and later reported the meeting to Barr, winning her loyalty and support for the rest of the series' run. Matt Williams left the show after the first season and went on to co-create the Tim Allen sitcom Home Improvement.

2. WHY THE ORIGINAL DJ DIDN'T STICK AROUND.

Eagle-eyed viewers have often commented on how different DJ looked in the pilot as compared to later episodes. That's because the character of the youngest Conner son was originally played by Sal Barone. Shortly after the pilot was filmed in 1988, the Writers Guild went on strike. When production resumed after the long hiatus, it was discovered that Barone had grown. Not to NBA proportions, but enough to make the producers nervous: if he'd gained half an inch of height at age eight, how long would it be before DJ got taller than his older sisters? Additionally, his mother not only agreed that he was probably too old to play DJ, who was six-going-on-seven at the beginning of the series, but she'd also witnessed the backstage fights between her son and Sara Gilbert, who played Darlene. By mutual agreement, Sal Barone left the show and was replaced by Roseanne-lookalike Michael Fishman.

3. WE'VE GOT TO TALK ABOUT KEVIN.

Roseanne first met Johnny Galecki when he worked with her on a made-for-TV movie called Backfield in Motion. She was impressed with him enough to cast him as Darlene's love interest (and eventual husband) on her sitcom. When he was first introduced, he was presented as Mark's younger brother Kevin. Of course, in subsequent episodes Darlene's boyfriend was known as "David." Roseanne had wanted to call the character David from the get-go, but when Galecki was first hired, he was still co-starring on a Head of the Class spin-off called Billy, and his character on that show was named David. Once Billy was canceled, Kevin became David, and the explanation for his name change was revealed on a later episode during a Roseanne rant about Darlene's controlling behavior: "David's not even his real name, Darlene made it up!"

4. EXPLAINING JACKIE'S PREGNANCY.

One famous Roseanne story arc centered around Jackie's romance with a much younger hunk named Fisher. Eventually it was revealed that Fisher was abusive and had beat Jackie up (which landed Dan in jail when he sought retribution for his sister-in-law). In a somewhat ironic twist, Laurie Metcalf and Matt Roth (the actor who played Fisher) fell in love while working together, and the pair eventually married. Metcalf's real-life pregnancy was written into the show, albeit a bit late. In the "Stash from the Past" episode, Jackie's pregnancy had yet to be announced, but she was very obviously sporting a large baby bump when she hunkered in the bathtub while bemoaning that she didn't have anyone in the world except for her ganja. Just a few episodes later it was revealed that Jackie had been impregnated after a one-night stand with Fred, Dan's co-worker.

5. HOW LIL' JERRY GARCIA CAME ABOUT.

Roseanne the character announced her pregnancy in Season 7, about three months before Roseanne the person actually conceived via IVF, which explains why the TV character carried her baby for just over a year in TV time. To further confuse matters, in the "Maybe Baby" episode, Roseanne and Dan were informed by her obstetrician (after an amniocentesis) that she was carrying a girl. Of course, during a later Halloween episode Roseanne gave birth to a baby boy whom she named Jerry Garcia Conner. The reason for the switch was two-fold; Roseanne Barr Pentland Arnold Thomas wanted her show to reflect her real life (and her real-life baby, Buck, was a boy), plus she wanted to honor the (then) recently deceased Grateful Dead singer, Jerry Garcia.

6. ROSEANNE'S PARENTS ON USING THE FORCE.

Back in the day when Roseanne was still hot and heavy with Tom Arnold, he confessed to her that he'd been molested as a young boy by his babysitter. That revelation triggered a truckload of repressed memories for Roseanne, who soon appeared in the press and on various talk shows bemoaning her sexual abuse at the hands of her parents from age six months until she moved out of their house at 17. When real-life Roseanne discovered retroactively that her parents were evil, she rewrote her TV parents to be equally abusive and dysfunctional. In the early seasons, Grandpa Al's only faults were his fondness for playing "pull my finger" and retelling the same old stories. Suddenly, in Season Four, Al was revealed to be an unfeeling child-beater who hung a razor strop on the living room wall as a "reminder" to his daughters to toe the line. Mom Bev went from being a typical clucking-over-her-brood mother hen to a shrill harpy who turned a blind eye when her husband whipped his daughters.

Well, we're at the end of our allotted space and still haven't covered the revolving Beckies, Roseanne's changing face courtesy of plastic surgery, and the mind-boggling final episode. Stay tuned for a part two to our Roseanne saga ...

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
UpgradedPoints.com

An Atlantica travel poster
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A Disney-inspired poster
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A Disney-inspired poster
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A Lion King travel poster
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A Neverland travel poster
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11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

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