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Georgia On My Mind

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Since Georgia O'Keeffe (1887-1986) is one of the most popular American artists, it's no wonder she's also one of the most requested artists on "Feel Art Again," with votes from readers Gillian, nutmeag, Nerak, and AMT. While most of you have seen at least one of her paintings before, there's much you probably don't know about this iconic painter.

1. Georgia O'Keeffe could trace her American roots all the way back to the Mayflower, which one of her ancestors, Edward Fuller, traveled on to reach the New World. He was one of the signers of the Mayflower Compact.

2. Her high school years were a bit crazy, with stints at Sacred Heart Academy (where she was a boarder), Madison High School, and Chatham Episcopal Institute (where she was again a boarder), and a move from Wisconsin to Virginia, O'Keeffe still managed to serve as art editor of her senior year yearbook, the Mortar Board, at Chatham Episcopal.

3. Any account of O'Keeffe's life will always make mention of her husband, Alfred Stieglitz. Many fail to mention, though, that Stieglitz began living with O'Keeffe while he was still married to his first wife, Emmeline, and that he married O'Keeffe only a few months after his divorce from Emmeline was finalized.

4. O'Keeffe was one of the few female artists who enjoyed great success and wealth during her lifetime. In 1928, the sale of six of her calla lily paintings for $25,000 set a record at the time for the largest sum ever paid for a group of paintings by a living American artist. She received two very large, important commissions: a $1,500 mural commission for Radio City Music Hall and a $10,000 commission from Elizabeth Arden for a large painting to hang in a New York "exercise salon." The Museum of Modern Art honored her with a one-woman retrospective in 1946, their first ever retrospective for a female artist. And, of course, the awards rolled her way, with the Medal of Honor from President Gerald Ford and the Medal of the Arts from President Ronald Reagan, as well as 10 honorary degrees from various schools.

5. Although O'Keeffe is most famous for her large paintings of flowers (like "Light Iris" above), she also painted many scenes of 1920s New York City (like "The Radiator Building At Night" above). Apparently she didn't even like flowers all that much, as she was quoted saying, "I hate flowers. I only paint them because they're cheaper than models and they don't move."

6. Like any fabulously successful artist, O'Keeffe's circle of friends included quite a few famous faces. In addition to Stieglitz, who, as a photographer, enjoyed success on par with O'Keeffe's, her regular crowd included the photographer Paul Strand and his wife, artist Rebecca Strand. She was visited in New Mexico by D.H. Lawrence and the Charles Lindberghs, among others, and she met Frida Kahlo and Diego Rivera during a trip to Mexico in 1951.

A larger version of "Light Iris" (1924) is available here; a larger version of "The Radiator Building At Night" (1927) is available here.

Fans should check out the Georgia O'Keeffe Museum; the Norton Museum of Art's video on an O'Keeffe exhibit; this PBS special on her life in New Mexico; and, for the kids, this O'Keeffe guide from the National Gallery of Art.

Current O'Keeffe Exhibits:
Georgia O'Keeffe and Ansel Adams: Natural Affinities (Santa Fe, NM: through September 7, 2008)
Georgia O'Keeffe and the Camera (Portland, ME: through September 7, 2008)
Georgia O'Keeffe and the Women of the Stieglitz Circle (San Diego: through September 28, 2008)

"Feel Art Again" appears every Tuesday, Thursday, and Saturday. E-mail us at with details of current art exhibitions or suggestions of artists.

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iStock // Ekaterina Minaeva
Man Buys Two Metric Tons of LEGO Bricks; Sorts Them Via Machine Learning
May 21, 2017
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iStock // Ekaterina Minaeva

Jacques Mattheij made a small, but awesome, mistake. He went on eBay one evening and bid on a bunch of bulk LEGO brick auctions, then went to sleep. Upon waking, he discovered that he was the high bidder on many, and was now the proud owner of two tons of LEGO bricks. (This is about 4400 pounds.) He wrote, "[L]esson 1: if you win almost all bids you are bidding too high."

Mattheij had noticed that bulk, unsorted bricks sell for something like €10/kilogram, whereas sets are roughly €40/kg and rare parts go for up to €100/kg. Much of the value of the bricks is in their sorting. If he could reduce the entropy of these bins of unsorted bricks, he could make a tidy profit. While many people do this work by hand, the problem is enormous—just the kind of challenge for a computer. Mattheij writes:

There are 38000+ shapes and there are 100+ possible shades of color (you can roughly tell how old someone is by asking them what lego colors they remember from their youth).

In the following months, Mattheij built a proof-of-concept sorting system using, of course, LEGO. He broke the problem down into a series of sub-problems (including "feeding LEGO reliably from a hopper is surprisingly hard," one of those facts of nature that will stymie even the best system design). After tinkering with the prototype at length, he expanded the system to a surprisingly complex system of conveyer belts (powered by a home treadmill), various pieces of cabinetry, and "copious quantities of crazy glue."

Here's a video showing the current system running at low speed:

The key part of the system was running the bricks past a camera paired with a computer running a neural net-based image classifier. That allows the computer (when sufficiently trained on brick images) to recognize bricks and thus categorize them by color, shape, or other parameters. Remember that as bricks pass by, they can be in any orientation, can be dirty, can even be stuck to other pieces. So having a flexible software system is key to recognizing—in a fraction of a second—what a given brick is, in order to sort it out. When a match is found, a jet of compressed air pops the piece off the conveyer belt and into a waiting bin.

After much experimentation, Mattheij rewrote the software (several times in fact) to accomplish a variety of basic tasks. At its core, the system takes images from a webcam and feeds them to a neural network to do the classification. Of course, the neural net needs to be "trained" by showing it lots of images, and telling it what those images represent. Mattheij's breakthrough was allowing the machine to effectively train itself, with guidance: Running pieces through allows the system to take its own photos, make a guess, and build on that guess. As long as Mattheij corrects the incorrect guesses, he ends up with a decent (and self-reinforcing) corpus of training data. As the machine continues running, it can rack up more training, allowing it to recognize a broad variety of pieces on the fly.

Here's another video, focusing on how the pieces move on conveyer belts (running at slow speed so puny humans can follow). You can also see the air jets in action:

In an email interview, Mattheij told Mental Floss that the system currently sorts LEGO bricks into more than 50 categories. It can also be run in a color-sorting mode to bin the parts across 12 color groups. (Thus at present you'd likely do a two-pass sort on the bricks: once for shape, then a separate pass for color.) He continues to refine the system, with a focus on making its recognition abilities faster. At some point down the line, he plans to make the software portion open source. You're on your own as far as building conveyer belts, bins, and so forth.

Check out Mattheij's writeup in two parts for more information. It starts with an overview of the story, followed up with a deep dive on the software. He's also tweeting about the project (among other things). And if you look around a bit, you'll find bulk LEGO brick auctions online—it's definitely a thing!

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Stephen Missal
New Evidence Emerges in Norway’s Most Famous Unsolved Murder Case
May 22, 2017
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A 2016 sketch by a forensic artist of the Isdal Woman
Stephen Missal

For almost 50 years, Norwegian investigators have been baffled by the case of the “Isdal Woman,” whose burned corpse was found in a valley outside the city of Bergen in 1970. Most of her face and hair had been burned off and the labels in her clothes had been removed. The police investigation eventually led to a pair of suitcases stuffed with wigs and the discovery that the woman had stayed at numerous hotels around Norway under different aliases. Still, the police eventually ruled it a suicide.

Almost five decades later, the Norwegian public broadcaster NRK has launched a new investigation into the case, working with police to help track down her identity. And it is already yielding results. The BBC reports that forensic analysis of the woman’s teeth show that she was from a region along the French-German border.

In 1970, hikers discovered the Isdal Woman’s body, burned and lying on a remote slope surrounded by an umbrella, melted plastic bottles, what may have been a passport cover, and more. Her clothes and possessions were scraped clean of any kind of identifying marks or labels. Later, the police found that she left two suitcases at the Bergen train station, containing sunglasses with her fingerprints on the lenses, a hairbrush, a prescription bottle of eczema cream, several wigs, and glasses with clear lenses. Again, all labels and other identifying marks had been removed, even from the prescription cream. A notepad found inside was filled with handwritten letters that looked like a code. A shopping bag led police to a shoe store, where, finally, an employee remembered selling rubber boots just like the ones found on the woman’s body.

Eventually, the police discovered that she had stayed in different hotels all over the country under different names, which would have required passports under several different aliases. This strongly suggests that she was a spy. Though she was both burned alive and had a stomach full of undigested sleeping pills, the police eventually ruled the death a suicide, unable to track down any evidence that they could tie to her murder.

But some of the forensic data that can help solve her case still exists. The Isdal Woman’s jaw was preserved in a forensic archive, allowing researchers from the University of Canberra in Australia to use isotopic analysis to figure out where she came from, based on the chemical traces left on her teeth while she was growing up. It’s the first time this technique has been used in a Norwegian criminal investigation.

The isotopic analysis was so effective that the researchers can tell that she probably grew up in eastern or central Europe, then moved west toward France during her adolescence, possibly just before or during World War II. Previous studies of her handwriting have indicated that she learned to write in France or in another French-speaking country.

Narrowing down the woman’s origins to such a specific region could help find someone who knew her, or reports of missing women who matched her description. The case is still a long way from solved, but the search is now much narrower than it had been in the mystery's long history.

[h/t BBC]