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The Quick 10: The Ten

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I have to admit, the long weekend has made me a little lazy today. This was my thought process in thinking of my Quick 10 Topic: "Quick 10"¦ Quick 10"¦ 10"¦ Ten. The Ten. A Quick 10 of The Ten. Yes. Brilliant."
The Ten is a group of 10 American Impressionist painters who quit the Society of American Artists in the late 1800s when they felt it had become too commercial. But who were they? I'm happy to oblige"¦

The Quick 10: The Ten

Seated, left to right: Edward Simmons, Willard L. Metcalf, Childe Hassam, J. Alden Weir, Robert Reid
Standing, left to right: William Merritt Chase, Frank W. Benson, Edmund C. Tarbell, Thomas Wilmer Dewing, Joseph Rodefer De Camp

1. Childe Hassam. Hassam's most famous works are the series of 22 flag paintings he started in 1916. They show Fifth Avenue, 57th Street and other streets near Hassam's gallery at the time.

2. J. Alden Weir. Weir was the first president of the Association of American Painters and Sculptors but resigned only a year after being named when the society sponsored the modernist Armory show. His brother was a well-known landscape artist.

3. John Henry Twachtman. Twatchman is famous among art historians for his personal style "“ his interpretation of Impressionism was much more experimental than his contemporaries.

4. Robert Reid. Reid was a mostly "decorative" painter "“ many of his works were of young women sitting in the middle of a field of flowers. He was an instructor at the School of the Museum of Fine Arts, Boston, of which he was also an alumnus.

5. Willard Metcalf. Speaking of the School of the Museum of Fine Arts, Boston, Willard Metcalf was a student there as well. He is thought to have been the first American painter to visit Giverny, the location of Claude Monet's home and garden. He ended up marrying one of the models he used in a mural for a New York courthouse - Marguerite Beaufort Hailé, a stage performer 20 years younger than him. She ended up leaving him for one of his students. In 1923, his work Benediction sold for $13,000 "“ at the time, a record selling price for an American artist who was still alive.

6. Frank Weston Benson. Benson wasn't really considered an Impressionist until after he joined The Ten. Prior to that he had been working on decorative murals for the Library of Congress. Late in his career, Benson became famous for his depictions of his wife and daughters exploring nature at their summer home in Maine. After 1920, however, he started painting a plethora of wildlife. In 1995, a Benson oil painting sold for $4.1 million. More recently, a Benson was donated to Goodwill, which put the work up for auction on its site. It started at $10, but once the piece was verified as an authentic Benson, it ended up selling for $165,002.

7. Edmund Charles Tarbell. Tarbell developed quite the following in Boston "“ in fact, his followers were called the Tarbellites. Like Benson, Tarbell used his wife and children as models in much of his work"¦ except, of course, when he was doing portraits. His portraits included U.S. Presidents Woodrow Wilson, Calvin Coolidge and Herbert Hoover and can still be found in the White House.

8. Thomas Wilmer Dewing. Look at Dewing's paintings and you'll probably notice a theme: women. Women playing instruments, women writing letters, women standing, women sitting. Lots of women. In fact, some critics call him sexist, saying he painted empty-eyed women lounging around in pretty dresses doing nothing.

9. Joseph DeCamp. Probably one of the lesser-known of The Ten, but with good reason: in 1904, his Boston studio caught on fire and hundreds of his works were destroyed, including pretty much all of his landscapes.

10. Edward Simmons. Simmons was probably best known for his murals. After graduating from Harvard, he went on to win the first commission of the Municipal Art Society. They had him paint a series inside of the Criminal Courthouse in Manhattan. He also did murals for the Waldorf-Astoria in New York, the Library of Congress and the Capital at Saint Paul, Minn.

Stones, Bones, and Wrecks
A Chinese Museum Is Offering Cash to Whoever Can Decipher These 3000-Year-Old Inscriptions

During the 19th century, farmers in China’s Henan Province began discovering oracle bones—engraved ox scapulae and tortoise shells used by Shang Dynasty leaders for record-keeping and divination purposes—while plowing their fields. More bones were excavated in subsequent years, and their inscriptions were revealed to be the earliest known form of systematic writing in East Asia. But over the decades, scholars still haven’t come close to cracking half of the mysterious script’s roughly 5000 characters—which is why one Chinese museum is asking member of the public for help, in exchange for a generous cash reward.

As Atlas Obscura reports, the National Museum of Chinese Writing in Anyang, Henan Province has offered to pay citizen researchers about $15,000 for each unknown character translated, and $7500 if they provide a disputed character’s definitive meaning. Submissions must be supported with evidence, and reviewed by at least two language specialists.

The museum began farming out their oracle bone translation efforts in Fall 2016. The costly ongoing project has hit a stalemate, and scholars hope that the public’s collective smarts—combined with new advances in technology, including cloud computing and big data—will yield new information and save them research money.

As of today, more than 200,000 oracle bones have been discovered—around 50,000 of which bear text—so scholars still have a lot to learn about the Shang Dynasty. Many of the ancient script's characters are difficult to verify, as they represent places and people from long ago. However, decoding even just one character could lead to a substantial breakthrough, experts say: "If we interpret a noun or a verb, it can bring many scripts on oracle bones to life, and we can understand ancient history better,” Chinese history professor Zhu Yanmin told the South China Morning Post.

[h/t Atlas Obscura]

6 Eponyms Named After the Wrong Person
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Salmonella species growing on agar.

Having something named after you is the ultimate accomplishment for any inventor, mathematician, scientist, or researcher. Unfortunately, the credit for an invention or discovery does not always go to the correct person—senior colleagues sometimes snatch the glory, fakers pull the wool over people's eyes, or the fickle general public just latches onto the wrong name.


In 1885, while investigating common livestock diseases at the Bureau of Animal Industry in Washington, D.C., pathologist Theobald Smith first isolated the salmonella bacteria in pigs suffering from hog cholera. Smith’s research finally identified the bacteria responsible for one of the most common causes of food poisoning in humans. Unfortunately, Smith’s limelight-grabbing supervisor, Daniel E. Salmon, insisted on taking sole credit for the discovery. As a result, the bacteria was named after him. Don’t feel too sorry for Theobald Smith, though: He soon emerged from Salmon’s shadow, going on to make the important discovery that ticks could be a vector in the spread of disease, among other achievements.


An etching of Amerigo Vespucci
Henry Guttmann/Getty Images

Florentine explorer Amerigo Vespucci (1451–1512) claimed to have made numerous voyages to the New World, the first in 1497, before Columbus. Textual evidence suggests Vespucci did take part in a number of expeditions across the Atlantic, but generally does not support the idea that he set eyes on the New World before Columbus. Nevertheless, Vespucci’s accounts of his voyages—which today read as far-fetched—were hugely popular and translated into many languages. As a result, when German cartographer Martin Waldseemüller was drawing his map of the Novus Mundi (or New World) in 1507 he marked it with the name "America" in Vespucci’s honor. He later regretted the choice, omitting the name from future maps, but it was too late, and the name stuck.


A black and white image of young women wearing bloomers
Hulton Archive/Getty Images

Dress reform became a big issue in mid-19th century America, when women were restricted by long, heavy skirts that dragged in the mud and made any sort of physical activity difficult. Women’s rights activist Elizabeth Smith Miller was inspired by traditional Turkish dress to begin wearing loose trousers gathered at the ankle underneath a shorter skirt. Miller’s new outfit immediately caused a splash, with some decrying it as scandalous and others inspired to adopt the garb.

Amelia Jenks Bloomer was editor of the women’s temperance journal The Lily, and she took to copying Miller’s style of dress. She was so impressed with the new freedom it gave her that she began promoting the “reform dress” in her magazine, printing patterns so others might make their own. Bloomer sported the dress when she spoke at events and soon the press began to associate the outfit with her, dubbing it “Bloomer’s costume.” The name stuck.


Execution machines had been known prior to the French Revolution, but they were refined after Paris physician and politician Dr. Joseph-Ignace Guillotin suggested they might be a more humane form of execution than the usual methods (hanging, burning alive, etc.). The first guillotine was actually designed by Dr. Antoine Louis, Secretary of the Academy of Surgery, and was known as a louisette. The quick and efficient machine was quickly adopted as the main method of execution in revolutionary France, and as the bodies piled up the public began to refer to it as la guillotine, for the man who first suggested its use. Guillotin was very distressed at the association, and when he died in 1814 his family asked the French government to change the name of the hated machine. The government refused and so the family changed their name instead to escape the dreadful association.


Alison Bechdel
Alison Bechdel
Steve Jennings/Getty Images

The Bechdel Test is a tool to highlight gender inequality in film, television, and fiction. The idea is that in order to pass the test, the movie, show, or book in question must include at least one scene in which two women have a conversation that isn’t about a man. The test was popularized by the cartoonist Alison Bechdel in 1985 in her comic strip “Dykes to Watch Out For,” and has since become known by her name. However, Bechdel asserts that the idea originated with her friend Lisa Wallace (and was also inspired by the writer Virginia Woolf), and she would prefer for it to be known as the Bechdel-Wallace test.


Influential sociologist Robert K. Merton suggested the idea of the “Matthew Effect” in a 1968 paper noting that senior colleagues who are already famous tend to get the credit for their junior colleagues’ discoveries. (Merton named his phenomenon [PDF] after the parable of talents in the Gospel of Matthew, in which wise servants invest money their master has given them.)

Merton was a well-respected academic, and when he was due to retire in 1979, a book of essays celebrating his work was proposed. One person who contributed an essay was University of Chicago professor of statistics Stephen Stigler, who had corresponded with Merton about his ideas. Stigler decided to pen an essay that celebrated and proved Merton’s theory. As a result, he took Merton’s idea and created Stigler’s Law of Eponymy, which states that “No scientific discovery is named after its original discoverer”—the joke being that Stigler himself was taking Merton’s own theory and naming it after himself. To further prove the rule, the “new” law has been adopted by the academic community, and a number of papers and articles have since been written on "Stigler’s Law."


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