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The Melancholy of Misattribution: Constance Charpentier

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Most of the artists featured in "Feel Art Again" to this point have been men, with only four exceptions: Elisabeth-Louise Vigée-Lebrun, Mary Cassatt, Lady Laura Alma-Tadema, and Artemisia Gentileschi. Not only was it more difficult in the past for women to attend art schools and exhibit, but female artists were often quickly forgotten or their works were attributed to their male teachers and colleagues.

Constance Charpentier suffered such a fate, with many of her works forgotten or attributed to her teacher, Jacques-Louis David. "Melancholy" is one of the few paintings attributed to Charpentier with certainty. The following facts are basically all that is known about Constance Charpentier.

1. During her time, Constance Charpentier was well-recognized for her talent. In 1788, when she was only 21, she received a Prix d'Encouragement. She exhibited at the Salon for 24 years, from 1795 to 1819; in 1819, she received a gold medal.

2. Charpentier exhibited "Melancholy" at the 1801 Salon. At the time, there was a renewed interest in "terror and melancholy," and two other artists, François André Vincent and Jean-Antoine Gros, exhibited paintings with similar subject matter.

3. A 1904 art history text counts "Ulysses Finding Young Astyanax at Hector's Grave" and "Alexander Weeping at the Death of the Wife of Darius" as Charpentier's best-known works. Both were considered "extraordinary as the work of a woman," as they were large canvases with life-sized figures.

4. In 1951, the Metropolitan Museum of Art discovered that one of their most popular portraits by Jacques-Louis David, that of Mlle. Charlotte du Val d'Ognes, was not actually painted by him. Using a catalogue from the Salon of 1801, Charles Sterling, Louvre curator and foreign adviser to the Met, attributed the painting to Constance Charpentier. As a result, Charpentier gained more recognition, but the critical respect for the painting declined, as did the market value of the painting. Since then, the painting has been re-attributed, this time to another female painter, Marie-Denise Villers, and is now known as "Young Woman Drawing" at the Met.

5. Born in 1767, Constance Charpentier lived a long life, dying in 1849 at the age of 82.

A larger version of "Melancholy" is available here. A portrait of Constance Charpentier is available from the Art Renewal Center.

'Feel Art Again' appears every Tuesday and Thursday.

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iStock // Ekaterina Minaeva
Man Buys Two Metric Tons of LEGO Bricks; Sorts Them Via Machine Learning
May 21, 2017
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iStock // Ekaterina Minaeva

Jacques Mattheij made a small, but awesome, mistake. He went on eBay one evening and bid on a bunch of bulk LEGO brick auctions, then went to sleep. Upon waking, he discovered that he was the high bidder on many, and was now the proud owner of two tons of LEGO bricks. (This is about 4400 pounds.) He wrote, "[L]esson 1: if you win almost all bids you are bidding too high."

Mattheij had noticed that bulk, unsorted bricks sell for something like €10/kilogram, whereas sets are roughly €40/kg and rare parts go for up to €100/kg. Much of the value of the bricks is in their sorting. If he could reduce the entropy of these bins of unsorted bricks, he could make a tidy profit. While many people do this work by hand, the problem is enormous—just the kind of challenge for a computer. Mattheij writes:

There are 38000+ shapes and there are 100+ possible shades of color (you can roughly tell how old someone is by asking them what lego colors they remember from their youth).

In the following months, Mattheij built a proof-of-concept sorting system using, of course, LEGO. He broke the problem down into a series of sub-problems (including "feeding LEGO reliably from a hopper is surprisingly hard," one of those facts of nature that will stymie even the best system design). After tinkering with the prototype at length, he expanded the system to a surprisingly complex system of conveyer belts (powered by a home treadmill), various pieces of cabinetry, and "copious quantities of crazy glue."

Here's a video showing the current system running at low speed:

The key part of the system was running the bricks past a camera paired with a computer running a neural net-based image classifier. That allows the computer (when sufficiently trained on brick images) to recognize bricks and thus categorize them by color, shape, or other parameters. Remember that as bricks pass by, they can be in any orientation, can be dirty, can even be stuck to other pieces. So having a flexible software system is key to recognizing—in a fraction of a second—what a given brick is, in order to sort it out. When a match is found, a jet of compressed air pops the piece off the conveyer belt and into a waiting bin.

After much experimentation, Mattheij rewrote the software (several times in fact) to accomplish a variety of basic tasks. At its core, the system takes images from a webcam and feeds them to a neural network to do the classification. Of course, the neural net needs to be "trained" by showing it lots of images, and telling it what those images represent. Mattheij's breakthrough was allowing the machine to effectively train itself, with guidance: Running pieces through allows the system to take its own photos, make a guess, and build on that guess. As long as Mattheij corrects the incorrect guesses, he ends up with a decent (and self-reinforcing) corpus of training data. As the machine continues running, it can rack up more training, allowing it to recognize a broad variety of pieces on the fly.

Here's another video, focusing on how the pieces move on conveyer belts (running at slow speed so puny humans can follow). You can also see the air jets in action:

In an email interview, Mattheij told Mental Floss that the system currently sorts LEGO bricks into more than 50 categories. It can also be run in a color-sorting mode to bin the parts across 12 color groups. (Thus at present you'd likely do a two-pass sort on the bricks: once for shape, then a separate pass for color.) He continues to refine the system, with a focus on making its recognition abilities faster. At some point down the line, he plans to make the software portion open source. You're on your own as far as building conveyer belts, bins, and so forth.

Check out Mattheij's writeup in two parts for more information. It starts with an overview of the story, followed up with a deep dive on the software. He's also tweeting about the project (among other things). And if you look around a bit, you'll find bulk LEGO brick auctions online—it's definitely a thing!

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Opening Ceremony
These $425 Jeans Can Turn Into Jorts
May 19, 2017
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Opening Ceremony

Modular clothing used to consist of something simple, like a reversible jacket. Today, it’s a $425 pair of detachable jeans.

Apparel retailer Opening Ceremony recently debuted a pair of “2 in 1 Y/Project” trousers that look fairly peculiar. The legs are held to the crotch by a pair of loops, creating a disjointed C-3PO effect. Undo the loops and you can now remove the legs entirely, leaving a pair of jean shorts in their wake. The result goes from this:


Opening Ceremony

To this:


Opening Ceremony

The company also offers a slightly different cut with button tabs in black for $460. If these aren’t audacious enough for you, the Y/Project line includes jumpsuits with removable legs and garter-equipped jeans.

[h/t Mashable]