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Only the Creepiest Photos Ever Taken

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Mourning is a strange thing, and different cultures deal with it in vastly different ways. But there are reasons people associate the Victorians with morbidity and death, and one of them is memento mori.

The fact is, postmortem photographs like this were taken more than any other kind of photograph in the Victorian era -- especially in the U.S. -- and in many cases these carefully arranged, meticulously staged pictures were the only ones ever taken of their subjects. From Stanley Burns' book Sleeping Beauty: Memorial Photography in America:

These photographs were a common aspect of American culture, a part of the mourning and memorialization process. Surviving families were proud of these images and hung them in their homes, sent copies to friends and relatives, wore them as lockets or carried them as pocket mirrors. Nineteenth-century Americans knew how to respond to these images. Today there is no culturally normative response to postmortem photographs.

So, given your lack of a "culturally normative response" to these pictures, dear reader, we advise the faint of heart among you to click elsewhere.

"Child in Coffin at the Death Room"
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From PBS.com: "This portrait appears to have been taken in the formal parlor of a family home. The parlor, or "death room," was an important part of funerary rituals for most of the 19th century, the place where deceased family members were laid out for final respects. This image dates to c. 1890-1905, a time when many funerals were still taking place at home. Soon, however, death would begin to leave the home and by end of World War I most Americans will receive their health care in doctor's offices and hospitals and most funerals will take place in funeral homes. As the funeral "parlor" came into vogue, the home parlor was rechristened a "living room." A 1910 issue of Ladies Home Journal declared the "death room" to be a term of the past."

Also, did you notice the strange silhouette on the right side of the picture? That's the photographer's assistant, holding the casket lid open for the shot.

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For me, though, more intriguing than the dead are the living who pose with them -- usually stoic and reserved, it's the little bit of emotion their faces betray that make these portraits so compelling ... and heartbreaking. (Above and below: siblings with their brothers.)

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Another common theme in Victorian-era postmortem photography was the staged scene of mourning, which was often highly melodramatic, like this one, "Orphans at Their Mother's Grave":
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The photograph above also reveals another Victorian preoccupation: spirit photography. Likely a double-exposure featuring an "actress" portraying the childrens' mother, this style seems to me a highly theatrical way to deal with one's grief.

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Another style was the photograph in which the dead were posed to look alive -- the first in this series, at the top of this post, is an "eyes-open" example. The use of props like this man's newspaper was less common; perhaps it was included to distract from the unnatural rigidness of his hands, among other giveaways.

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Space
Google Street View Now Lets You Explore the International Space Station

Google Street View covers some amazing locations (Antarctica, the Grand Canyon, and Stonehenge, to name a few), but it’s taken until now for the tool to venture into the final frontier. As TechCrunch reports, you can now use Street View to explore the inside of the International Space Station.

The scenes, photographed by astronauts living on the ISS, include all 15 modules of the massive satellite. Viewers will be treated to true 360-degree views of the rooms and equipment onboard. Through the windows, you can see Earth from an astronaut's perspective and a SpaceX Dragon craft delivering supplies to the crew.

Because the imagery was captured in zero gravity, it’s easy to lose a sense of your bearings. Get a taste of what ISS residents experience on a daily basis here.

[h/t TechCrunch]

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photography
This Is What Flowers Look Like When Photographed With an X-Ray Machine
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Dr. Dain L. Tasker, “Peruvian Daffodil” (1938)

Many plant photographers choose to showcase the vibrant colors and physical details of exotic flora. For his work with flowers, Dr. Dain L. Tasker took a more bare-bones approach. The radiologist’s ghostly floral images were recorded using only an X-ray machine, according to Hyperallergic.

Tasker snapped his pictures of botanical life while he was working at Los Angeles’s Wilshire Hospital in the 1930s. He had minimal experience photographing landscapes and portraits in his spare time, but it wasn’t until he saw an X-ray of an amaryllis, taken by a colleague, that he felt inspired to swap his camera for the medical tool. He took black-and-white radiographs of everything from roses and daffodils to eucalypti and holly berries. The otherworldly artwork was featured in magazines and art shows during Tasker’s lifetime.

Selections from Tasker's body of work have been seen around the world, including as part of the Floral Studies exhibition at the Joseph Bellows Gallery in San Diego in 2016. Prints of his work are also available for purchase from the Stinehour Wemyss Editions and Howard Greenberg Gallery.

Dr. Dain L. Tasker, “Philodendron” (1938)
Dr. Dain L. Tasker, “Philodendron” (1938)

X-ray image of a rose.
Dr. Dain L. Tasker, “A Rose” (1936)

All images courtesy of Joseph Bellows Gallery.

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