The Weekend Links

"¢ If you are one of those savvy TV viewers who gives a knowing nod when, say, Britney Spears or Cher suddenly shows up on your favorite network show ("sweeps!" says I), some of these ridiculous celebrity cameos will probably look familiar.

"¢ The ultimate show of fandom—how about a person who makes the entire Godfather script into a piece of art? I tried to do the same thing with Drillbit Taylor, and have been banned for life from the LA art scene.

"¢ Sure, talk of third ears and buttocks injections are all fun and games when you're talking about jocks ... but what about geeks? reports on the rampant use of "enhancement" drugs by a faction of the populous you may not expect.

"¢ Sometimes it's just best to walk away: a story on why, forty years ago, LBJ chose to bow out.

"¢ Reader Lance directs our attention to, host to a sundry of interesting queries. Sometimes they compile information, but the best is when they go searching for it, such as how to make the most of an all-you-can-eat buffet...


...and which pro sports teams fail to own their own domain names.

"¢ A story on the strange power of slow-mo that offers up clips and history on the process that makes the mundane become so gloriously dramatic.

"¢ It was a big deal at Emory when they added a Visual Arts minor, but what if you could major in a person? Say ... Joe Pa? ESPN Page 2's dubious sources have uncovered a test from Penn State for those taking the Joe Paterno class.

"¢ After being saturated by news of the pregnant man, here's a fresh look at the matter: a blogger who takes on a labor of love—24 hours of male pregnancy.

"¢ This oldie but goodie, just because.

"¢ An in-depth look at some of the theories on how Deja Vu works. I experience it myself from time to time ... just a glitch in the Matrix, right?

"¢ Ah, now this is what I log on for. Radar counts down 10 personalities we love to hate on the internet. Would you rather be loved and forgotten, or hatefully remembered? Most of these people would probably choose the latter (but not Tony K, I love that guy). [via]

"¢ Yikes—some truly terrifying comic book covers from the 1950s. Would these be allowed today? Imagine the Congressional hearings ... (via


"¢ More good stuff from WebUrbanist: 8 Remarkable Palace, Fort and Castle Hotels: Living it Up in (Ancient) Luxury Around the World. Can we convince this guy to guest blog for us?

"¢ Great list of pet peeves from McSweeney's. Some are funny, but you may find some to be very familiar and true (Thanks Stuart!)

"¢ If you haven't heard about the Chinese Democracy album and Dr Pepper's promise of one beverage for every American if it's ever released, educate yourself on the latest happenings. (Much thanks as always to Kevin).

"¢ As Jerry Seinfeld says, "There's no such thing as dry cleaning. There's no way of cleaning with dry. If I gave you a filthy shirt and said, 'I want this immaculate. And no liquids!' what are you going to do? Shake it? Tap it? Blow on it? Give me a break. You almost can't get something dirty with dry, let alone cleaning it." Here's a clip on the science of dry cleaning and how it can be environmentally friendly ... but yeah, using liquids.

OK guys, I go into the link trenches every week to suffer out the link mines (and make my friends do the same), so help a comrade out! Send in your links and internet oddities to Helping me, helping you.

Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures
10 Monster Facts About Pacific Rim
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures

Legendary Pictures took a gamble on Pacific Rim, Guillermo del Toro’s 2013 monster/robot slugfest. Since it wasn’t based on a preexisting franchise, it lacked a built-in fanbase. That can be a serious drawback in our current age of blockbuster remakes and reboots. The movie underperformed domestically; in America, it grossed just over $100 million against its $180 million budget. Yet Pacific Rim was a huge hit overseas and acquired enough fans to earn itself a sequel, Pacific Rim Uprising, which arrives in theaters this week. Here are 10 things you might not have known about the movie that started it all.


Idris Elba in 'Pacific Rim' (2013)
Warner Bros.

One foggy day in 2007, Beacham—who’d recently moved to California—was walking along Santa Monica Beach. As he looked out at the Ferris wheel on the city’s eponymous pier, he pictured a looming sea monster. Then he imagined an equally large robot gearing up to fight the beast. “They just sort of materialized out of the fog, these vast godlike things,” Beacham said. He decided to pursue the concept further after coming up with the idea of human co-pilots who’d need to operate their robot as a team, which added a new thematic dimension.

“I didn’t know I had something I wanted to write until I realized these robots are driven by two pilots, and what happens when one of those people dies? What happens to the leftovers? Then it became a story about loss, moving on after loss, and dealing with survivor’s guilt," Beacham said. "That made the monsters scarier because now you care about the people who are in these robots.”


Pacific Rim was picked up by Legendary Pictures and handed over to director Guillermo del Toro. A huge fan of monster cinema, del Toro enthusiastically co-wrote the final screenplay with Beacham. Sixteen concept artists were hired to sketch original robot and creature designs for the film. “We would get together every day like kids and draw all day,” del Toro told the New York Daily News. “We designed about a hundred Kaijus and about a hundred Jaegers and every week we would do an American Idol and we would vote [some of] them out.”


In “Charlie Kelly: King of the Rats,” the tenth episode of It's Always Sunny in Philadelphia's sixth season, Charlie Day’s character gives us a darkly comedic monologue about rodent extermination. Little did the actor know that the performance would open a big opportunity for him. Impressed by the rat speech, del Toro offered Day the part of Dr. Newton Geizler, Pacific Rim’s socially-inept kaiju expert. “He said to himself, ‘That’s my guy. That guy should be in my next movie because if he killed rats, he can kill the monster,’” Day recalled during an appearance on Late Night with Jimmy Fallon. On the movie set, del Toro often joked about how much he enjoys It’s Always Sunny. As a way of repaying his director, Day helped get del Toro a minor role in the series.


Most of the film’s special effects were computer-generated, but not everything was digital. For the robot cockpit scenes, del Toro had his team build the interior of a full-scale Jaeger head. The finished product stood four stories tall and weighed 20 tons. And like a Tilt-A-Whirl from hell, it was designed to rock around violently on its platform via a network of hydraulics. Once inside, the actors were forced to don 40-pound suits of armor. Then the crew strapped their feet into an apparatus that Charlie Hunnam has compared to a high-resistance elliptical machine.

Certain shots also required del Toro to dump gallons of water all over his exhausted, physically-strained stars. So yeah, the experience wasn’t much fun. “We saw every one of the actors break down on that set except for the female lead actress Rinko Kikuchi," del Toro said. "She’s the only actor that didn’t snap."


Del Toro wanted Gipsy Danger, his ‘bot, to have the self-confident air of a wild west gunslinger. To that end, he and concept artist Oscar Chichoni developed a swaggering gait that was based on John Wayne’s signature hip movements. The Jaeger’s Art Deco-like design was influenced by the Chrysler and Empire State Buildings.


Hailed as the “fortieth greatest guitarist of all time” by Rolling Stone, Rage Against the Machine's Tom Morello rocked the MTV generation with hits like “Bulls on Parade” and “Killing in the Name.” Pacific Rim bears his mark as well. The film’s lead composer was Ramin Djawadi, whose other works include the Game of Thrones theme. Wanting to add a “rock element” to the Pacific Rim soundtrack, he and del Toro reached out to Morello. The guitarist didn’t need much persuading.

“When they asked me to put some giant robot riffs and screaming underwater monster licks on the film score, I was all in,” Morello said. Djwadi was pleased with the rocker's contributions to the project. As he told the press: “Tom’s unique style and sounds really defined our robots.”


A definite highlight of this movie is Gipsy Danger’s duel with the winged kaiju Otachi in downtown Hong Kong. Both characters were computer-generated, as were the majority of the streets, cars, and towers in this epic sequence. However, there is one moment which was at least partly realized with practical effects. Gipsy punches through the wall of an office building early in the fight. We see her fist rip through a series of cubicles and gradually decelerate until it lightly taps a chair with just enough force to set off a Newton’s Cradle desktop toy. For that shot, effects artists at 32Ten Studios constructed a miniature office building interior featuring 1/4-scale desks, cubicles, and padded chairs. The level of detail here was amazing: 32Ten’s staff adorned each individual workspace with lamps, computers, wastebaskets, and teeny, tiny Post-it notes.


Rinko Kikuchi in 'Pacific Rim' (2013)
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures

Audiences reacted strongly to Kikuchi’s character Mako Mori, who inspired an alternative to the famous Bechdel test. Some critics praised the culmination of her relationship with Raleigh Beckett (Hunnam). Although it’s common practice for the male and female leads in an action flick to end their movie with a smooch, Mori and Beckett share a platonic hug as Pacific Rim draws to a close. Del Toro revealed that he shot three different versions of that final scene. “We did one version where they kiss and it almost felt weird. They’re good friends, they’re pals, good colleagues,” del Toro said.


At the end of the credits, there’s a tribute that reads: “This film is dedicated to the memories of monster masters Ray Harryhausen and Ishiro Honda.” Harryhausen passed away on May 7, 2013—two months before Pacific Rim’s release. A great stop-motion animator, he breathed life into such creatures as the towering Rhedosaurus in 1953’s The Beast From 20,000 Fathoms.

Ishiro Honda was another giant of the kaiju genre, having directed Rodan, War of the Gargantuas, and numerous Godzilla films. Del Toro has great respect for both men. When Harryhausen died, the director said, “I lost a member of my family today, a man who was as present in my childhood as any of my relatives.” He also adores the Japanese monster classics and says he’d love to see a Pacific Rim-Godzilla crossover someday. Maybe it’ll happen.


If you’re not familiar with the practice of “Sweding,” let us fill you in: The 2008 comedy Be Kind, Rewind is about two co-workers at a VHS rental store who accidentally erase every tape in stock. Hoping to save their skins, they create ultra low-budget remakes of all the films they’ve destroyed using cardboard sets and cheap costumes. It’s a process these guys call “Sweding” as a ploy to convince everyone that their (unintentionally hilarious) knockoffs were produced in Sweden. Since Be Kind, Rewind was released, Sweding has become a legitimate art form.

When Pacific Rim’s first trailer debuted in 2013, YouTubers Brian Harley and Brodie Mash created a shot-for-shot, Sweded duplicate of the preview. Instead of state-of-the-art CG effects, their version used toy helicopters, duct-tape monster masks, and an ocean of packing peanuts—and del Toro loved it. At WonderCon 2013, he praised the video, saying that it inspired the editing used in Pacific Rim’s third trailer. Harley and Mash happened to be at the same gathering. When del Toro met the comedic duo, he exclaimed “I loved it! My daughters loved it, we watched it a bunch of times!” Then he invited the Sweding duo to attend Pacific Rim’s premiere in Hollywood.

Composite by Mental Floss. Illustrations, iStock.
The DEA Crackdown on Thomas Jefferson's Poppy Plants
Composite by Mental Floss. Illustrations, iStock.
Composite by Mental Floss. Illustrations, iStock.

The bloom has come off Papaver somniferum in recent years, as the innocuous-looking plant has come under new scrutiny for its role as a building block in many pain-blunting opiates—and, by association, the opioid epidemic. That this 3-foot-tall plant harbors a pod that can be crushed and mixed with water to produce a euphoric high has resulted in a stigma regarding its growth. Not even gardens honoring our nation's Founding Fathers are exempt, which is how the estate of Thomas Jefferson once found itself in a bizarre dialogue with the Drug Enforcement Administration (DEA) over its poppy plants and whether the gift shop clerks were becoming inadvertent drug dealers.

Jefferson, the nation's third president, was an avowed horticulturist. He spent years tending to vegetable and flower gardens, recording the fates of more than 300 varieties of 90 different plants in meticulous detail. At Monticello, his Charlottesville, Virginia plantation, Jefferson devoted much of his free time to his sprawling soil. Among the vast selection of plants were several poppies, including the much-maligned Papaver somniferum.

The front view of Thomas Jefferson's Monticello estate
Thomas Jefferson's Monticello estate.

"He was growing them for ornamental purposes,” Peggy Cornett, Monticello’s historic gardener and curator of plants, tells Mental Floss. “It was very common in early American gardens, early Colonial gardens. Poppies are annuals and come up easily.”

Following Jefferson’s death in 1826, the flower garden at Monticello was largely abandoned, and his estate was sold off to help repay the debts he had left behind. Around 115 years later, the Garden Club of Virginia began to restore the plot with the help of Jefferson’s own sketches of his flower borders and some highly resilient bulbs.

In 1987, Monticello’s caretakers opened the Thomas Jefferson Center for Historic Plants, complete with a greenhouse, garden, and retail store. The aim was to educate period-accurate gardeners and sell rare seeds to help populate their efforts. Papaver somniferum was among the offerings.

This didn’t appear to be of concern to anyone until 1991, when local reporters began to obsess over narcotics tips following a drug bust at the University of Virginia. Suddenly, the Center for Historic Plants was fielding queries about the “opium poppies” in residence at Monticello.

The Center had never tried to hide it. “We had labels on all the plants,” says Cornett, who has worked at Monticello since 1983 and remembers the ensuing political scuffle. “We didn’t grow them at the Center. We just collected and sold the seeds that came from Monticello.”

At the time, the legality of growing the poppy was frustratingly vague for the Center’s governing board, who tried repeatedly to get clarification on whether they were breaking the law. A representative for the U.S. Department of Agriculture saw no issue with it, but couldn’t cite a specific law exempting the Center. The Office of the Attorney General in Virginia had no answer. It seemed as though no authority wanted to commit to a decision.

Eventually, the board called the DEA and insisted on instructions. Despite the ubiquity of the seeds—they can spring up anywhere, anytime—the DEA felt the Jefferson estate was playing with fire. Though they were not a clandestine opium den, they elected to take action in June of 1991.

“We pulled up the plants," Cornett says. “And we stopped selling the seeds, too.”

Today, Papaver somniferum is no longer in residence at Monticello, and its legal status is still murky at best. (While seeds can be sold and planting them should not typically land gardeners in trouble, opium poppy is a Schedule II drug and growing it is actually illegal—whether or not it's for the express purpose of making heroin or other drugs.) The Center does grow other plants in the Papaver genus, all of which have varying and usually low levels of opium.

As for Jefferson himself: While he may not have crushed his poppies personally, he did benefit from the plant’s medicinal effects. His personal physician, Robley Dunglison, prescribed laudanum, a tincture of opium, for recurring gastric issues. Jefferson took it until the day prior to his death, when he rejected another dose and told Dunglison, “No, doctor, nothing more.”


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