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The 10 Most Bizarre Athlete Superstitions

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Since their livelihoods rely on consistently replicating physical motions, it's hardly surprising that professional athletes are creatures of habit. However, some stars take these rituals beyond their logical extremes. Jumping over the baselines when taking the field in baseball? Pretty standard. Wearing the same cup from high school on through your pro career like Mark McGwire reportedly did? Now we're getting a little more peculiar. Here are ten of our favorite truly absurd superstitions.

1. Kevin Rhomberg // MLB

Rhomberg played just 41 games in parts of three seasons with the Cleveland Indians from 1982-84. But in that short span, the outfielder managed to establish himself as possibly the big leagues' most superstitious player ever. Rhomberg's most peculiar superstition was that if someone touched him, he had to touch that person back. Although this compulsion was not as much of a liability as it might have been in basketball or football, it still led to some odd situations. If Rhomberg was tagged out while running the bases, he'd wait until the defense was clearing the field at the inning's end to chase down the player who'd touched him.

Rhomberg also refused to make right turns while on the field--his logic was that baserunners are always turning left. So if a situation forced him to make a right turn, he'd go to his left and make a full circle to get moving in the correct direction.

2. Caron Butler // NBA

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When most of us want a glass of something heavily caffeinated that fluoresces green, we can just reach for a Mountain Dew. Sadly for veteran small forward Caron Butler, he can't do the Dew whenever he wants anymore. As Butler told Dan Steinberg of D.C. Sports Bog, during his All-American years at the University of Connecticut and his early seasons in the NBA, his game routine included guzzling a two-liter bottle of the sugary soda. Butler would throw down half the bottle before tip-off and finish it off at halftime. That is, until he joined the Washington Wizards in 2005. The Wiz forced Butler to switch to a more traditional sports drink: Water.

3. Mike Bibby // NBA

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Like fellow NBA star LeBron James, Bibby was known to nervously bite and chew his nails during games. When relegated to the bench for a breather during games with the Sacramento Kings, Bibby would obsessively pick at his nails until he stumbled across a better solution: Using fingernail clippers on the bench. The clippers became his superstition, and whenever Bibby came to the bench for timeouts, someone would hand him a set so he could go to work on his nails.

4. Jason Terry // NBA

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Bibby and Terry, college teammates at Arizona, started another odd superstition while playing for the Wildcats. The restless pair slept in their uniform shorts the night before Arizona's appearance in the 1997 NCAA championship game against Kentucky on the logic that it would make the game feel like it was starting sooner. When Terry broke into the NBA with the Atlanta Hawks, he decided to start wearing the shorts of the next day's opponent instead. This ritual is required Terry to procure a pair of uniform shorts from each opposing NBA team. Although his network of connections with equipment managers and former teammates has helped him out, it isn't fool-proof. While playing for Dallas in the 2006 NBA Finals he had to wear Mavericks shorts before each game since he couldn't find a pair of trunks from the opposing Miami Heat. 

That's not Terry's only superstition, though. He wears knee-high socks as a tribute to his father, which seems normal. The catch is that Terry wears five pairs of them whenever he's on the court; he claims the extra hosiery is more comfortable. Like former third baseman Wade Boggs, Terry also insists on eating chicken before each game, a practice he also says started with Bibby at Arizona, making the 1997 Wildcats the most superstitious team to ever win the NCAA title.

5. Moises Alou // MLB

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Most baseball players wear batting gloves to absorb some of the shock of making contact with the ball and to improve their grip on the bat. A handful eschew gloves in favor of a barehanded approach, though, most famously outfielder Alou. Alou did have a system for avoiding calluses and hardening his skin: He urinated on his hands throughout the season. Longtime New York Yankees catcher Jorge Posada also employed this superstition to aid in his gloveless approach at the plate. The trick may be more gross than helpful, though: a 2004 piece in Slate questioned the value of this superstition since urine contains urea, a key ingredient in moisturizers that actually soften the skin.

6. Bruce Gardiner // NHL

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Gardiner spent five years as a forward in the NHL, most notably with the Senators. His superstition was even more unsettling than Alou's: before each game, Gardiner would dip the blade of his stick in the locker room toilet. Gardiner's strange superstition started in his rookie reason in Ottawa in 1996. After going several games without a point, he asked veteran Tom Chorske for advice. Chorske told Gardiner he was treating his stick too well and needed to teach the wood to respect him by dunking it in the toilet.

Although Gardiner was initially skeptical, after his cold streak extended for a few more games, he took Chorske's advice. He then got hot and started scoring, and he kept on hitting the bathroom before games. Gardiner eventually backed off of dunking his stick regularly, but he'd still go back to the tactic to end a slump. As he told NHL.com in 2007, "You tape it, you dunk it, and you don't touch it. I'd do anything for a couple of goals."

7. Ecuadorian National Soccer Team

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Ecuador's national team knew they needed help if they were to succeed at the 2006 World Cup in Germany. Even after practicing and preparing as well as they could, they were still looking for an edge. They found it in Tzamarenda Naychapi, a mystic who The Guardian called a "witch doctor-cum-shaman-cum-priest-type-fella," to help enlist the aide of supernatural spirits. Naychapi supposedly visited each of the twelve stadiums being used in the World Cup and chased away any lingering evil spirits and worked a little magic on the pitches and goals themselves. By all accounts the magic worked; although Ecuador is not a traditional soccer powerhouse they defeated Poland and Costa Rica in group play to advance to the Round of 16, where they lost to England 1-0 on a David Beckham goal.

8. Turk Wendell // MLB

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The eccentric reliever pitched for four teams between 1993 and 2004, posting some solid seasons in that span. However, he's most remembered for his bizarre superstitions. Among Wendell's more notable quirks was his requirement that he chew four pieces of black licorice while pitching. At the end of each inning, he'd spit them out, return to the dugout, and brush his teeth, but only after taking a flying leap over the baseline. Wendell, an avid hunter, also took the mound wearing a necklace adorned with trophies from animals he had harvested, including mountain lion claws and the teeth of wild pigs and buffalo. When compared to these superstitions, Wendell's other little oddities (drawing three crosses in the dirt on the mound, always throwing the rosin bag down as hard as he could, and insisting figures in his contract end in 99 as a tribute to his jersey number) don't seem so strange.

9. NASCAR Drivers

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Drivers have their share of superstitions, including green cars being bad luck and reservations about carrying $50 bills. Possibly the most inexplicable, though, is their adamant refusal to deal with peanuts in their hulls. Specifically, the hulls seem to bother drivers since shelled peanuts or nuts in candy bars are perfectly kosher for the track.

No one is quite sure from where this superstition springs, but it has almost certainly been around since NASCAR's beginnings. One theory explored by Snopes traces the tradition back to a 1937 race in Nashville in which peanut shells were sprinkled on the cars of five drivers, all of whom crashed during the race. Another possible story holds that a member of NASCAR legend Junior Johnson's crew was eating peanuts when an engine blew, and the blame fell on the nuts themselves. Others claim that when racing was gaining popularity in the 1930s, mechanics would often find peanut shells from the nearby grandstands in the cylinders of engines that had failed. 

10. John Henderson // NFL

Lining up across from longtime Jacksonville Jaguars defensive tackle Henderson would have been pretty terrifying under the best circumstances since he stands 6'7" and weighed 335 pounds in his playing days. The former University of Tennessee star had an even more intimidating pregame superstition during his days in Jacksonville, though: He would have assistant team trainer Joe Sheehan slap him open-handed across the face as hard as Sheehan possibly can. According to the Florida Times-Union, Henderson and Sheehan began the ritual during the 2003 season as a way to get Henderson amped up for the game by taking the day's first hit in a controlled environment in the locker room. Apparently the strategy worked, as Henderson twice made the Pro Bowl after Sheehan started unloading on him. This video above illustrates the superstition in all its glory with some NSFW language.

This piece originally appeared in 2008.

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12 Surprising Facts About Bela Lugosi
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On October 20, 1882—135 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

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How to Carve a Pumpkin—And Not Injure Yourself in the Process
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Wielding a sharp knife with slippery hands around open flames and nearby children doesn't sound like the best idea—but that's exactly what millions of Halloween celebrations entail. While pumpkin carving is a fun tradition, it can also bring the risk of serious hand injuries. According to the American Society for Surgery of the Hand (ASSH), some wounds sustained from pumpkin misadventure can result in surgery and months of rehabilitation.

Fortunately, there are easy ways to minimize trauma. Both ASSH and CTV News have compiled safety tips for pumpkin carvers intended to reduce the chances of a trip to the emergency room.

First, it's recommended that carvers tackle their design with knives made specifically for carving. Kitchen knives are sharp and provide a poor grip when trying to puncture tough pumpkin skin: Pumpkin carving knives have slip-resistant handles and aren't quite as sharp, while kitchen knives can get wedged in, requiring force to pull them out.

Carvers should also keep the pumpkin intact while carving, cleaning out the insides later. Why? Once a pumpkin has been gutted, you’re likely to stick your free hand inside to brace it, opening yourself up to an inadvertent stab from your knife hand. When you do open it up, it's better to cut from the bottom: That way, the pumpkin can be lowered over a light source rather than risk a burn dropping one in from the top.

Most importantly, parents would be wise to never let their kids assist in carving without supervision, and should always work in a brightly-lit area. Adults should handle the knife, while children can draw patterns and scoop out innards. According to Consumer Reports, kids ages 10 to 14 tend to suffer the most Halloween-related accidents, so keeping carving duties to ages 14 and above is a safe bet.

If all else fails and your carving has gone awry, have a first aid kit handy and apply pressure to any wound to staunch bleeding. With some common sense, however, it's unlikely your Halloween celebration will turn into a blood sacrifice.

[h/t CTV News]

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