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4 Famous TV Co-workers (who struggled to get along)

Every work environment has its personality conflicts "“ that one co-worker that gets on your last nerve. Sure, you can do your best to avoid that person. But what happens if it's someone you absolutely have to "make nice with" in front of millions of TV viewers and your career depends on it? The following are 4 great examples of just that.

1. The Shlemiel and Shlimazel between Laverne and Shirley

Penny Marshall and Cindy Williams originally appeared as the characters Laverne DeFazio and Shirley Feeney on an episode of Happy Days. Producer Garry Marshall (Penny's brother) thought that the pair worked well together, and that a Happy Days spin-off could become a ratings success. Williams was reluctant from the get-go, thinking that her co-star might get preferential treatment since her brother was the producer. One of the first concessions made for Williams was "cross billing" "“ when the opening credits rolled, the actresses' names appeared simultaneously, with Marshall's name at the lower left of the screen, and Williams' at the upper right. (This way, neither was considered the show's "top" star.) Nevertheless, Williams complained to TV Guide in 1977 that the writers gave Laverne more lines. Williams' manager once appeared on the set with a stopwatch to "prove" that Laverne had more speaking time than Shirley. Before long, the raging arguments over such things as the square footage of dressing rooms became so heated that actors working on nearby sets could hear them. When Williams became pregnant in 1982, the producers proposed filming as many episodes as possible before she "showed," and then having her sit out the next 10 episodes. Cindy sued, and was ultimately written out of the series.

2. Little Love between Ethel and Fred

a.fred.jpgOnscreen, Vivian Vance and William Frawley had terrific chemistry as Ethel and Fred Mertz on I Love Lucy. Offscreen, they loathed each other. It all started on the first day of rehearsals, when Vance found out that Frawley, 22 years her senior, had been cast as her husband. "He's old enough to be my father!" she complained. Unfortunately, Frawley had been within earshot when she made the remark, and the battle lines were drawn. One of Bill's more printable nicknames for Viv was "that sack of doorknobs." Desi Arnaz proposed a "Mertz" spin-off series to Frawley and Vance. Even though Bill was amenable, Vivian absolutely refused.

3. Cybill Wars: Bruce Willis and Cybill Shepherd's Moonlighting spats

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Director Peter Bogdanovich spotted Cybill Shepherd on the cover of Glamour magazine in 1970 and was smitten. He cast her in The Last Picture Show, and the two began an intimate relationship. Her career didn't take off as expected, and she appeared in a string of B-movies before eventually being cast as Maddie Hayes in ABC's Moonlighting. The understanding was that Shepherd, who'd spent many years in the business, was to be the star of the show. But no one anticipated the charisma of her then unknown co-star, Bruce Willis. With his sardonic smirk and cocky insouciance, his portrayal of David Addison quickly became an audience favorite, which did not sit well with Shepherd. She resented the producers slowly turning David into a hero while making Maddie increasingly more shrewish. When the writers finally had David and Maddie "get horizontal" (in order to explain Shepherd's real-life pregnancy), Willis felt that the sexual tension between the characters had been destroyed, and that the basic premise of the show had been ruined. By the time Willis was tapped to star in Die Hard, he and Cybill were barely speaking. In fact, they filmed their scenes separately whenever possible.

4. Survey Says: Richard Dawson vs. the Match Game producers

a.match.jpgGene Rayburn was the host of Match Game, but Richard Dawson was the show's star. The British-born actor had a quick wit, and even when he playfully poked fun at a contestant's truly dreadful answer, he still remained a gentleman. He was also highly intelligent and was the overwhelming favorite when it came to choosing a panelist for the Head-to-Head match. In 1976, Mark Goodson tapped Dawson to host a new game show called Family Feud. It was an immediate hit, and as its popularity grew, numerous nighttime "specials" were also filmed. Meanwhile, Richard was still committed to filming both the daytime and evening versions of Match Game. Feeling burned out, he asked to be released from his Match Game contract. The producers refused his request, so he rebelled by becoming sullen on the set; he no longer joked or flirted with contestants, and he stopped speaking to his co-panelists. He left Match Game in 1978 and went on to win a Daytime Emmy for his work on Family Feud. Be sure to click here to watch Dawson on bad behavior.

What other backstage feuds have you heard about? Shelley Long being difficult on the Cheers set? Kim Cattrall versus Sarah Jessica Parker? Succumb to your inner Hedda Hopper and dish!

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9 Behind-the-Scenes Secrets of Hollywood Body Doubles
Hugh Jackman and his Real Steel body double, Taris Tyler
Hugh Jackman and his Real Steel body double, Taris Tyler
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When you see the back of an actor’s head in a movie, it may not be the actor you think it is. In addition to stunt performers, most movies employ body doubles (or photo doubles) with a passing resemblance to the principal actors. While some body doubles are brought on set for specific skills—like helping an actor pass as a professional athlete—the job can often involve just being a body, whether that means being nude on camera, having photogenic hands, or appearing in place of actors who can’t be on set for some reason. Here are nine secrets of the job:

1. THEY MIGHT ONLY BE MODELING ONE BODY PART.

Body double Danielle Sepulveres has played the hands of other actors in plenty of roles in her career, on TV and in beauty commercials featuring close-up shots of her holding moisturizer or makeup. She’s drizzled dressing on salad in place of Brooke Shields. She regularly slides files across tables, makes lists, and pours wine in the place of actresses on The Good Wife. (She has also played Jill Flint's butt on the show.) “I knew only glimpses of my hands might make it into a shot, or part of my shoulder along with a wisp of hair,” she wrote of one of her jobs in Good Housekeeping in 2016. But she overheard the director complaining that her wrists looked “vastly different” than those of the principal actress in the movie, 2015’s Mania Days. “Luckily, I didn't get fired in spite of my wrists, but I wouldn't have been surprised had it happened.”

2. THEY’RE NOT JUST THERE TO SHOW THEIR BUTTS.

Yes, body doubles are often brought in if an actor doesn’t want to bare it all on camera. But they are hired for other reasons, too. For one thing, union rules mandate the actors get 12 hours off between when they leave set for the day and their next call time, so if the shoots are running long, the crew might employ someone else to stand in. Other times, it's a matter of particular talents. Most actors may be able to sing, dance, and cry on camera, but few also have the athletic skills to allow them to pass as a sports legend. In Battle of the Sexes (2017), Emma Stone plays Billie Jean King, one of the best tennis players of all time. To realistically represent King’s skills on the court, the movie makers brought in tennis doubles to play in place of Stone and her co-star, Steve Carell. Stone’s double was chosen for her playing style, which resembled King’s, and worked with King on-set to perfect her imitation. The effort was, according to The Wall Street Journal, a huge success. “Not only is the tennis believable, it’s a meticulous representation of the type of tennis played in that era: serve and volley, chipping and charging to the net, touch volleys and soft hands.”

3. ACTORS CAN GET TOUCHY ABOUT WHO PLAYS THEM.

When you are tasked with choosing a celebrity doppelgänger, you’ve got to keep egos in mind. “The choice reflects on the principal actor,” DeeDee Ricketts, the casting director for Titanic, told Vanity Fair in 2016. “We have to take into consideration that they can’t be too thin, or more beautiful, or too heavy, or too old, or else the principal actor will think, That’s how they see me?” Actors often get to give input on who will be their double, and sometimes have final approval rights written into their contracts. When she was being considered for the job of Janet Leigh's body double in Psycho's iconic shower scene, model and Playboy covergirl Marli Renfro had to strip down for both Alfred Hitchcock and Leigh herself so that they could make sure her body looked enough like Leigh's, as Renfro recently revealed at a Brooklyn screening of the documentary 78/52: Hitchcock's Shower Scene. In the case of nude scenes, actors might even have final approval on what physical moves their doubles are allowed to make.

4. THEY MIGHT NEVER MEET THEIR DOUBLE ...

If you’re working as an actor’s double, by definition, you’re not going to have scenes with them, and so some body doubles never meet the stars they’re pretending to be. Danish actor Elvira Friis, who worked as a body double for Charlotte Gainsbourg (and her character’s younger self, played by Stacy Martin) during the racier scenes of Lars von Trier’s Nymphomaniac (2013), never met the actor. “The closest I got to Charlotte Gainsbourg was that I was wearing her dress,” Friis told The Wall Street Journal.

5. OR THEY MIGHT SPEND A LOT OF TIME WITH THE PEOPLE THEY'RE PORTRAYING.

But how much time an actor spends with their doppelgänger really depends on the role. Some actors spend plenty of time with their doubles on set helping them get into the role. In What Happened to Monday (2017), Noomi Rapace plays the roles of seven identical sisters, making body doubles a necessity on set. Rapace helped direct her doubles during filming, “as they needed to know how the star would play the scene for each character so that it would sync up when she performed the part herself,” according to The Hollywood Reporter. Game of Thrones star Lena Headey (who plays Cersei) worked closely with her double Rebecca Van Cleave for a nude scene in the show’s fifth season finale. Headey walked Van Cleave through her character’s thinking and movements for each shot. Then, Headey did the same performance herself, wearing a beige dress that could later be edited out. In the final product, Headey’s facial expressions were merged with Van Cleave’s nude body.

6. THEY DON’T ALWAYS LOOK EXACTLY LIKE THEIR COUNTERPARTS.

Because body doubles are often only seen from the back or side, they may not look quite as much like their acting counterpart as you’d think. Brett Baker, who worked as Leonardo DiCaprio’s body double for Titanic, is several inches shorter than DiCaprio and seven years older. From the front, you wouldn’t peg him as a Jack Dawson lookalike. But with the same clothes and haircut, shot from above and behind, he passed easily as DiCaprio. Once Leo’s closeups were done, according to Vanity Fair, Baker was often brought in to stand opposite Kate Winslet as she played through her half of the scene. In some cases, he didn’t make it into the final shot at all, but still had to be on set for those 14-hour days.

7. THESE DAYS, THEY GET A BOOST FROM CGI.

With the help of technology, filmmakers can put their leading actor’s face on a body double’s torso, so they don’t have to limit their body doubles to just back-of-the-head or partial shots. This allows them to seamlessly meld both the main actor and the body double’s performances in post-production. That can allow directors to get exactly the scene they want in shows like Orphan Black, which features Tatiana Maslany playing multiple roles, or in cases where actors don't want to get totally naked on-camera. In rare cases, it can also be used to bring actors back from the dead. When Paul Walker died in a car crash midway through filming Furious 7 (2015), the filmmakers used his brothers and another actor as body doubles, superimposing computer-generated images of Walker’s face on their performances. Around 260 shots featuring Walker’s doubles appeared in the final cut.

8. IF AN ACTOR CAN’T ALTER THEIR WEIGHT FOR A ROLE, A BODY DOUBLE CAN FILL IN.

When Matt Damon was filming The Martian (2015), he wanted to lose 30 to 40 pounds to portray astronaut Mark Watney after he had been surviving on meager rations for years. But the filming schedule made that impossible, so a body double had to be brought in for some shots. “I was going to lose a bunch of weight in the third act of the movie, then put the weight back on,” Damon told Maclean’s. However, as the schedule shook out, they filmed the NASA interiors in Hungary, then immediately went to Jordan, which doubled as the Red Planet for the film’s purposes, and shot all the exterior shots from the beginning, middle, and end of the movie, with no time for Damon to lose a significant amount of weight. The skinny body double isn’t on screen for long. “It was, like, two shots,” Damon describes. (Still, fans noticed.)

9. SOMETIMES THEY NEVER MAKE IT IN FRONT OF THE CAMERA AT ALL.

When it comes to nude scenes, sometimes body doubles are hired but never used. Veteran body double Laura Grady was cast as Robin Wright’s lookalike for State of Play (2009), but didn’t shoot a single scene. “I just sat in my trailer, ready to go, and then at the end, [Wright] decided to do her own scenes,” Grady told Vulture in 2014. “That happens sometimes. Sometimes they just get a body double because they think they might need one, and then all of a sudden the actress is comfortable and she’s like, ‘No, I’ll just do it.’ Or they change a scene and they don’t make it as risqué.” Don’t worry, though—the double still gets paid.

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Bob Ross’s Happy Little Menagerie Is Getting the Funko Treatment, Too
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Back in August, the pop culture-loving toy fiends at Funko introduced a happy little Pop! Vinyl figurine of beloved painter/television icon Bob Ross, decked out in his trademark jeans and button-down shirt with a painter’s palette in his hand and his legendary perm (which he hated) atop his tiny little vinyl head. This Joy of Painting-themed addition to the Funko lineup proved to be an instant hit, so the company added a couple of additional toys to its roster—this time incorporating members of Ross’s happy little menagerie of pets, who were almost as integral to the long-running series as the painter himself.


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If you’re looking to score one of these toys before Christmas, it’s going to have to be a limited edition one—and it’s going to cost you. In collaboration with Target, Funko paired Ross with his favorite pocket squirrel, Pea Pod, which will set you back about $40. For just a few dollars more, you can opt to have the happy accident-prone painter come with Hoot the owl.


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On Friday, December 8, the company will release a Funko two-pack that includes Ross with a paintbrush and Ross with an adorable little raccoon.


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If you’d prefer to save a few dollars, and are willing to wait out the holiday season, you can pre-order Ross with just the raccoon for delivery around December 29.

So many happy little options, so little time.

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