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8 Weird Theme Parks We'd Be Willing to Wait in Line For

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Amusement parks aren't all fun and games. Some are strange, some are boring. But those are exactly the ones we've been hunting for.

1. The Ocean Dome

Located in Miyazaki, Japan, Ocean Dome is the world's largest indoor water park. It features a massive (460x278 feet) heated fresh-water "ocean" bedded by 600 tons of polished marble chips and filled with 13,500 tons of water, all surrounded by a three-story promenade of shops. The Dome also has its own rainforest and a volcano that erupts hourly. The whole park is covered by a retractable roof that lets the sun shine in on Japanese tanners. Sounds great, right? A place that lets Japanese urbanites get a taste of the great outdoors. Not quite. The Ocean Dome is less than 1000 feet from a real beach.

2. Grutas Park

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"Josef Stalin" and "amusement" aren't two words you normally associate with each other; but amusing or not, Lithuania's Grutas Park recreates life under the reign of the Man of Steel.

Grutas, a short drive south of the Lithuanian capital, features a zoo and a playground and a recreated gulag with guard towers and an electrified fence (you know, the same kind that Stalin imprisoned hundreds of thousands of Lithuanians in back in the day).

The real draw, though, is the 1.2-mile-long sculpture exposition, which is home to 82 Communist-era sculptures that were dismantled following the restoration of Lithuanian independence. Most of the sculptures were tossed into storehouses, people's yards and anywhere else there was room. Poor handling and storage damaged some of them, while others fell prey to scrap metal pickers. In 1998, Viliumas Malinauskas, a mushroom tycoon and former heavyweight wrestler, answered an open call from the Ministry of Culture to create a space that would preserve and display the statues. Municipalities and private citizens, desperate to dump the hunks of metal and the memories of Stalin on someone else, sent Malinauskas statues en masse. Where the petting zoo came into things, I have no idea.

3. The Nintendo Amusement Park

Why would the website for a video game theme park proclaim that there's "nothing digital"¦nothing projected"¦nothing virtual" about it? That sounds about as much fun as feeding the ducks at the gulag. What gives?

Well, the Nintendo Amusement Park has little to do with the Nintendo Corporation, less to do with video games, and isn't even really a park. It's a single "user-controlled interactive ride" (read: obstacle course) that "players" navigate using a mechanically powered harness to give them a sense of being inside a video game. If you ever wondered what a real-world Mario would look like, grab a chubby, mustachioed friend and watch as he bounces from platform to platform while strapped to a crane.

The ride is only a prototype right now, and its creators, who are just "borrowing" the Nintendo name and aesthetic, are still seeking venture capital and a contact at either Nintendo or Disney to develop a partnership.

4. BonBon-Land

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BonBon-Land is an amusement park in Denmark based on a line of Danish candy. It's sort of like Pennsylvania's Hershey Park, except most of the rides involve toilet humor and the giant anthropomorphic candy people have been replaced by topless anthropomorphic hippos.

A day at BonBon-Land treats candy-loving Danes to rides like The Crazy Turtle, The Horse Dropping and Hundeprutterutchebane. That last one, which loosely translates to "Dog Fart Switchback," is a roller coaster that takes riders on an exciting journey around giant mounds of dog poo, while speakers around the track blare fart sounds the whole while. [Image courtesy of ThemeParkReview.com.]

5. Diggerland

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Dog poo not your thing, but you still want to get down and dirty? Then head on down to one of four Diggerland locations in jolly ol' England, where you can "ride in, and drive, different types of construction machinery, including Dumper Trucks, Mini Diggers and Giant Diggers."

When they're done playing with heavy machinery, park visitors can take in a show put on by the Dancing Diggers, a stunt team that performs inside a front-end loader. [Image courtesy of midsurreylink.org.]

6. Suoi Tien Park

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Siddhartha Gautama, the historical Buddha, was a prince that gave up his material possessions, became an ascetic and sought Enlightenment through meditation. But just look at those tubby Buddha statues; there's something about the guy that screams "snow cones and water slides."

Suoi Tien Park is a Buddhist-themed amusement park in Vietnam that injects a little fun into the daily grind of unenlightened life. There are thrills like race cars, water slides and roller coasters. There are chills like the "bat cave with innumerable bats" and an air bike suspended over a crocodile farm ("which cause fearful feeling for tourist"). And then there's the serious side of the park, a Pirates of the Caribbean-style journey through 12 animatronics Hells. [Image courtesy of henrybechtold.freewebspace.com.]

7. Dracula Land

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We're cheating a little on this one, since it doesn't actually exist, and probably won't for some time. What an idea, though: A Disney-style theme park revolving around the life and times of Vlad the Impaler, Romanian folk hero and inspiration for Count Dracula. A few years ago, the Romanians drew up plans for Dracula Land and Tourism Minister Agathon Dan made big promises like underground tunnels, live bats, thousands of gallons of fake blood, millions of dollars a year in revenue and 3,000 jobs for a nearby village. But alas, foreign investors weren't impressed the Romanians couldn't finance the park by themselves.

Romania has since dropped plans to build the massive park in Transylvania. Funding was one issue, but the stake in its heart was the risk of environmental damage. The proposed site of the park is an old-growth forest that's home to 400-year-old oak trees. But Dracula Land may rise from the grave yet. Recently, there's been talk of building closer to Bucharest, or near the site of Vlad's real castle (pictured).

8. Dickens World

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Brutal dictatorships. The torments of Hell. Dog poop. Yessir, we've covered some pretty un-amusing stuff in this list. But what could be further from fun than the literary work of Mr. Charles Dickens?

If you want to experience poverty in 19th century London for yourself but don't have a time machine, then Dickens World is for you. It features the Great Expectations Boat Ride, the Haunted House of Ebenezer Scrooge and a Victorian School Room. Fun! Just stay away from that street urchin, kids, he looks like he might have a touch of cholera.

Matt Soniak is our newest intern. (Well, he's tied.) You can learn lots more about him here, or read his own blog here.

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20 Facts About Your Favorite Coen Brothers’ Movies
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Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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Art
‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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