8 Underappreciated Undefeated Seasons

By now, you're probably aware that the New England Patriots are one win away from knocking the 1972 Miami Dolphins from their perch as the only NFL team to finish a season undefeated. If it happens, Tom Brady and Co. will also join this abbreviated list of sports history's other notable (and not-as notable) undefeated teams:

1. 1948 Cleveland Browns

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Coached by their namesake, Paul Brown, the Cleveland Browns were the model franchise of the All-American Football Conference. The Browns compiled a 52-4-3 and won all four titles during the league's existence, including a perfect season in 1948 that was capped by a 49-7 win over Buffalo. (Apparently the Bills' inability to win the big game wasn't just an early 90s fad.) The Browns' dominance actually helped contribute to the downfall of the AAFC, as the team was so good that Cleveland fans stopped coming to games. It's a wonder that Patriots games sold out this season.

An afterthought because: The NFL doesn't recognize the Browns' perfect season, or any other AAFC records.

If you remember nothing else, remember this: Fittingly, Cleveland's first AAFC game was against the franchise from the city associated with pro football perfection since 1973. The Browns stomped the Miami Seahawks, 44-0.

2. 2007 Bronx Gridlock

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The Queens of Pain rolled into the City College gym seeking a third-straight Gotham Girls Roller Derby championship, but members of the Bronx Gridlock weren't about to let a royal pain get in the way of their quest for perfection. According to this incredibly detailed account of the game, the Gridlock held off a fierce rally, as the Queens of Pain made up 31 points in four jams. Ultimately, the loss of Greta Turbo, who fractured her tibia and fibula in practice, was too much for the Queens of Pain to overcome, and Beatrix Slaughter's 32 points carried the Bronx to victory. [Photo courtesy of Derby News Network.]

An afterthought because: For most people, jam is something you put on toast or do with a guitar.

If you remember nothing else, remember this: How physically brutal is roller derby? The Bronx Gridlock's perfect season consisted of exactly three bouts.

3. 1986 Texas Women's Basketball

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Jody Conradt's Texas Longhorns completed the first perfect season in women's college basketball history with a 97-81 win over Cheryl Miller and Southern California in the championship game. The Longhorns also defeated Missouri, Oklahoma, Ole Miss, and Western Kentucky en route to the title in the 40-team tournament. Texas freshman Clarissa Davis was named the "Most Outstanding Player" after registering 56 points and 32 rebounds in two Final Four games.

An afterthought because: In addition to the fact that women's basketball had even fewer casual fans at the time, Geno Auriemma's UConn Huskies have attained perfection two times within the last 13 years.

If you remember nothing else, remember this: Clarissa Davis, who later became Clarissa Davis-Wrightsil, was ejected from the inaugural American Basketball League all-star game in 1996 for punching Cindy Brown.

4. 1939 LIU Brooklyn Men's Basketball

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Legendary head coach Clair Bee led the Long Island University Blackbirds "“ or Busy Bees, as they were more often called "“ to a 31-0 record in 1939. LIU capped its perfect season with a win over Loyola of Chicago in the championship game of the NIT, which was then the premier college basketball postseason tournament. After LIU cruised to yet another win at Madison Square Garden midway through the season, Arthur J. Daley wrote in The New York Times, "The last lingering doubts about the sheer class of the Long Island University basketball team fled like chaff before the wind on Wednesday when Coach Clair Bee's Busy Bees turned back Marquette in a game of such superlative mechanical excellence that court fans are still talking about it."

An afterthought because: It's hard to shake the stigma that the NIT has developed since 1939.

If you remember nothing else, remember this: Bee led LIU to a 43-game winning streak from 1935-1936 (the 1936 team is pictured above). The streak was snapped at Madison Square Garden, as Stanford's Hank Luisetti introduced a "strange new maneuver" to the sport of basketball "“ the jump shot.

5. 1992-2003 De La Salle Football

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The Concord, Calif., high school won an absurd 151 straight games and was named national champion by USA Today five times from 1992-2003 before losing to Bellevue (Wash.) 39-20. The Spartans' undoing in defeat? They couldn't stop the run, as Bellevue rushed 54 times for 463 yards. Afterward, De La Salle head coach Bob Ladouceur told reporters it was time for his team to lose: "I'm all for there being a lot of king of the hills, not just one." Can you imagine Bill Belichick uttering those words?

An afterthought because: It's high school football.

If you remember nothing else, remember this: De La Salle graduates in this year's Super Bowl include New York Giants wide receiver Amani Toomer and New England Patriots backup quarterback Matt Gutierrez, who is pictured above.

6. 1951 University of San Francisco Football

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After punctuating their perfect regular season with a 20-2 win over Loyola of Los Angeles, the 9-0 Dons waited anxiously for a bowl invite that never came. While some bowl officials claimed they passed over the team because the Dons weren't well enough known to draw fans to their games, San Francisco sportscaster Ira Blue reported that Gator Bowl President Sam Wolfson said his bowl, and at least two others, wanted to avoid teams with "Negro" players. USF boasted two African-Americans, Ollie Matson and Burl Toler, and the Dons refused to accept invites that came with the stipulation that Matson and Toler had to stay home.

An afterthought because: Without the money that a trip to a bowl game would've brought in, USF dropped football after the 1951 season.

If you remember nothing else, remember this: Nine players from the 1951 USF team went on to play in the NFL, including future Hall of Fame inductees Gino Marchetti, Bob St. Clair, and Matson. Toler suffered a career ending injury in 1952, but later became the first African-American official in the NFL.

7. 1993 Buffalo Bandits

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One year after winning a championship in their inaugural season, the Buffalo Bandits defeated Philadelphia 13-12 in the championship game of the Major Indoor Lacrosse League to cap its 10-0 season. Buffalo remains the only team to finish a season undefeated in the history of the league, which later became the National Lacrosse League. The general manager of that team, Johnny Mouradian, will be elected into the National Lacrosse League Hall of Fame later this month.

An afterthought because: You probably can't name another team in the National Lacrosse League.

If you remember nothing else, remember this: Darris Kilgour, Buffalo's first ever draft pick in 1992, now coaches the Bandits.

8. 1998 Raleigh Wings

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Women's national soccer team captain Carla Overbeck and fellow UNC graduate Robin Confer helped lead Raleigh of the W-League to a 17-0 record in 1998. Confer had two goals in the tournament and garnered MVP honors for Raleigh, which defeated the Boston Renegades in the championship game.

An afterthought because: The franchise is now defunct, among other reasons.

If you remember nothing else, remember this: Overbeck would go on to play every minute of every game for the U.S. National team in the 1999 World Cup. She scored the first goal of the penalty kick shootout that ended with teammate Brandi Chastain's memorable game-winner in the final against China.

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Shout! Factory
10 Surprising Facts About Mr. Mom
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Shout! Factory

John Hughes penned the script for 1983's Mr. Mom, a comedy about a family man named Jack Butler (Micheal Keaton) who loses his job. To ensure their three kids are taken care of, his wife, Caroline (Teri Garr), goes back to work—leaving Jack to fight off a vacuum cleaner and learn why it's never a good idea to feed chili to a baby.

In 1982, Keaton turned in a star-making role in Ron Howard’s Night Shift, but Mr. Mom marked the first time he headlined a movie, and it launched his career. Hughes had written National Lampoon's Vacation, which—oddly enough—was released in theaters the weekend after Mr. Mom. But Hughes himself was still a relative unknown, as it would be another year before he entered the teen flick phase of his career, which would make him iconic.

In the meantime, Mr. Mom hit home for a lot of viewers, as the economy was on the downturn and more and more women were entering (or reentering) the workforce. But some people think that the movie's ending—which sees the couple revert to traditional gender roles—sidelined the movie's message. Still, on the 35th anniversary of its release, Mr. Mom remains an ahead-of-its-time comedy classic.

1. IT'S BASED ON A TRUE STORY.

Mr. Mom producer Lauren Shuler Donner came across a funny article John Hughes had written for National Lampoon. Based on that, she contacted him and the two became friends. “One day, he was telling me that his wife had gone down to Arizona and he was in charge of the two boys and he didn’t know what he was doing,” Donner told IGN. “It was hilarious! I was on the floor laughing. He said, ‘Do you think this would make a good movie?’ And I said, ‘Yeah, this is really funny.’ So he said, ‘Well, I have about 80 pages in a drawer. Would you look at it?’ So I looked at it and I said, ‘This is great! Let’s do it!’ We kind of developed it ourselves.” In the book Movie Moguls Speak, Donner mentioned how Hughes “had never been to a grocery store, he had never operated a vacuum cleaner. John was so ignorant, that in his ignorance, he was hilarious.”

The players involved with the movie told Donner and Hughes they thought it should be a TV movie. Hughes had a TV deal with Aaron Spelling, who came aboard to executive produce. “Then the players involved were upset because John was writing out of Chicago instead of L.A.,” Donner said in Movie Moguls Speak. “They fired John and brought in a group of TV writers. In the end, John and I were muscled out. It was a good movie, but if you ever read John’s original script for Mr. Mom, it’s far better.”

2. JOHN HUGHES REJECTED THE IDEA OF DIRECTING MR. MOM.

Stan Dragoti ended up directing the film, but only after Hughes turned it down, because he preferred to make his movies in Chicago, not Hollywood. “I don’t like being around the people in the movie business,” Hughes told Roger Ebert. “In Hollywood, you spend all of your time having lunch and making deals. Everybody is trying to shoot you down. I like to get my actors out here where we can make our movies in privacy.” Hughes remained in Chicago and filmed his directorial debut, Sixteen Candles, there.

3. MICHAEL KEATON GOT THE ROLE BECAUSE OF NIGHT SHIFT.

In 1982’s Night Shift, Keaton’s character works at a morgue and starts a prostitution ring with co-worker Henry Winkler. Donner had an agent friend, Laurie Perlman, who represented the not-yet-famous actor. She contacted Donner and pitched Keaton to her. “’Look, I represent this guy who is really funny. Would you meet with him?’" Donner recalled of the conversation. "So I met with him. Usually I don’t like to do this unless we’re casting, but I met with him because she was my friend. And then she said, ‘You have to see this movie Night Shift that he’s in.’ So I went to see Night Shift, and midway through I couldn’t wait to get out of that theater to give Mr. Mom to Michael Keaton. Fortunately, he liked it."

Keaton told Grantland that he turned down one of the main roles in Splash to play Jack Butler. “I just remember at the time thinking I wanted to get away from what I’d just done on Night Shift,” he said. “I thought if I do it again, I might get myself stuck. So then Mr. Mom came along. So I said no [to Splash] so I could set up this framework right away where I could do different things.”

4. THE FILM BROKE NEW GROUND.

Teri Garr, Michael Keaton, Taliesin Jaffe, Frederick Koehler, and Martin Mull in Mr. Mom (1983)
Shout! Factory

In 1983, more women stayed at home than worked, so it was a novelty for a man to be a stay-at-home dad. Today, an estimated 1.4 million men are stay-at-home dads, and 7 million men are their children's primary caregiver. “Mr. Mom became part of the vernacular,” Donner told Newsweek. “Mr. Mom represented a segment of men who were at home dealing with the kids who, up until then, really hadn’t been heard from. That’s what really told me about the power of film, because it spoke for a lot of men. It also helped women, because I think that women sometimes, if you’re a housewife, you’re not really appreciated for what you do. This sort of made women feel better about what they did because they knew that men were understanding it.”

5. TODAY, “MR. MOM” IS CONSIDERED A PEJORATIVE TERM.

More than 30 years after the film’s release, stay-at-home dads feel the term “Mr. Mom” should die. The National At-Home Dad Network launched a campaign to terminate the phrase and instead have people refer to men as “Dad.” In 2014 Lake Superior State University voted to banish “Mr. Mom” from the lexicon.

“At least, the pop-culture image of the inept dad who wouldn’t know a diaper genie from a garbage disposal has begun to fade,” wrote The Wall Street Journal, after declaring “Mr. Mom is dead.”

6. TERI GARR DIDN’T KNOW IT WAS A MESSAGE MOVIE.

The movie redefined gender roles, but when the producers pitched the premise to Garr, they hid the plot reversal. “They just told me it was about a guy who does the work that a woman does, because it’s so easy,” she told The A.V. Club. “And I went, ‘Oh, yeah. Ha ha.’ It’s so easy. All the women I know who stay home and take care of their kids, they go, ‘Oh yeah, this is easy.’ Hmm.”

7. MARTIN MULL IMPROVISED THE “220, 221” LINE.

The quote everyone remembers from the movie comes from Jack, holding a chainsaw, standing next to Ron Richardson (Martin Mull) and discussing what kind of wiring Jack will use in renovating the house: “220, 221, whatever it takes,” Jack says.

“We’re doing the scene and it was okay,” Keaton told Esquire. “And I remember saying to the prop guy, ‘Go find me a chainsaw.’ When he comes back with it, he says, ‘You wanna wear these?’ And he holds up some goggles. I go, ‘Yeah.’ You know, they make me look crazy. And when Martin shows up, I know I should look under control, I’m not sweating it. I’m a dude. So we’re standing there, Martin pulls me aside and says, ‘You know what you ought to say? When I ask about the wiring, you oughta just deadpan: ‘220, 221.’ I died. It was perfect. I may have added ‘whatever it takes.’ But it was his.”

“That was a little ad-lib that we just threw in, but every carpenter or construction person I’ve ever worked with, they’re always quoting that line from Mr. Mom,” Mull told The A.V. Club.

8. MR. MOM OUTGROSSED HUGHES’S OTHER 1983 SUMMER MOVIE—VACATION.

Mr. Mom only opened on 126 screens on July 22, 1983, but managed to gross $947,197 during its opening weekend. Once the film went wide a month later to 1235 screens, it hit number one at the box office and spent five weeks at the top. By the end of its run, the film had grossed just shy of $65 million, making it the ninth highest-grossing film of 1983 (just between Staying Alive and Risky Business). National Lampoon’s Vacation, Hughes’s other film that summer, came out July 29 and ended its theatrical run with $61,399,552 (at its height, it showed on 1248 screens). Vacation finished the year in 11th place.

9. THE MOVIE LED TO HUGHES BEING CALLED “A PURVEYOR OF HORNY SEX COMEDIES.”

During a 1986 interview with Seventeen magazine, Molly Ringwald asked the writer-director why he never showed teen sex in Sixteen Candles or The Breakfast Club. “In Sixteen Candles, I figured it would only be gratuitous to show Samantha and Jake in anything more than a kiss,” he said. “The kiss is the most beautiful moment. I was really amused when someone once called me a ‘purveyor of horny sex comedies.’ He listed The Breakfast Club and Mr. Mom in parentheses. I thought, ‘What kind of sex?’ Yes, in Mr. Mom there’s a baby in a bathtub and you see its bare butt.”

10. MR. MOM WAS MADE INTO A TV MOVIE AFTER ALL.

In the beginning, producers wanted Mr. Mom to be a TV movie, not a feature film. But a year after the film came out in theaters, ABC produced a TV movie called Mr. Mom, with the same characters and premise. Barry Van Dyke played Jack and Rebecca York played Caroline. A People magazine review of the movie stated: “They and their three kids are immediately likable … But it goes downhill from there as the script lobotomizes all its characters. Here’s a textbook case in how TV takes a cute idea—and a script that does have some good lines—and leeches the wit out of it.”

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Prepositions in Band Names
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