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David Simon on Writing, America, and TV

I've written about The Wire before, and its final season began last night, bringing a fresh set of dark themes to the series. In my previous post, I pointed to several interviews with and profiles of David Simon, the show's creator and head writer. But one of the best interviews -- a Believer interview by Nick Hornby from last August -- only had a brief excerpt available online. The full interview is now online, and it's worth a read not just for fans of The Wire, but for writers, and for anyone interested in how TV is made in America.

In the interview, Simon engages in several long-form rants (with plenty of expletives -- this is not for kids or those who disapprove of coarse language!) about the nature of writing, the state of TV, and even the War of 1812 -- he kicks in some interesting Baltimore trivia about that last topic.

Here's a sample of the Believer interview (David Simon is speaking), now available in its entirely online:

There are two ways of traveling. One is with a tour guide, who takes you to the crap everyone sees. You take a snapshot and move on, experiencing nothing beyond a crude visual and the retention of a few facts. The other way to travel requires more time—hence the need for this kind of viewing to be a long-form series or miniseries, in this bad metaphor—but if you stay in one place, say, if you put up your bag and go down to the local pub or shebeen and you play the fool a bit and make some friends and open yourself up to a new place and new time and new people, soon you have a sense of another world entirely. We're after this: Making television into that kind of travel, intellectually. Bringing those pieces of America that are obscured or ignored or otherwise segregated from the ordinary and effectively arguing their relevance and existence to ordinary Americans. Saying, in effect, This is part of the country you have made. This too is who we are and what we have built. Think again, [expletive]s.

And the only difference between what we're doing and a world traveler getting off the beaten path is that our viewers don't really have to play the fool. They don't even have to put their ass out of the sofa. They now have a sense of what is happening on a drug corner, or in a homicide unit, or inside a political campaign—and our content, if gently massaged to create drama, is nonetheless rooted in accurate reporting and experience.

Read the entire interview (warning: much coarse language!), and check out my previous post on The Wire for more links.

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Afternoon Map
The Most Searched Shows on Netflix in 2017, By State

Orange is the New Black is the new black, at least as far as Netflix viewers are concerned. The women-in-prison dramedy may have premiered in 2013, but it’s still got viewers hooked. Just as they did in 2017, HighSpeedInternet.com took a deep dive into Netflix analytics using Google Trends to find out which shows people in each state were searching Netflix for throughout the year. While there was a little bit of crossover between 2016 and 2017, new series like American Vandal and Mindhunter gave viewers a host of new content. But that didn’t stop Orange is the New Black from dominating the map; it was the most searched show in 15 states.

Coming in at a faraway second place was American Vandal, a new true crime satire that captured the attention of five states (Illinois, Kansas, Massachusetts, Minnesota, and Wisconsin). Even more impressive is the fact that the series premiered in mid-September, meaning that it found a large and rabid audience in a very short amount of time.

Folks in Alaska, Colorado, and Oregon were all destined to be disappointed; Star Trek: Discovery was the most searched-for series in each of these states, but it’s not yet available on Netflix in America (you’ve got to get CBS All Access for that, folks). Fourteen states broke the mold a bit with shows that were unique to their state only; this included Big Mouth in Delaware, The Keepers in Maryland, The OA in Pennsylvania, GLOW in Rhode Island, and Black Mirror in Hawaii.

Check out the map above to see if your favorite Netflix binge-watch matches up with your neighbors'. For more detailed findings, visit HighSpeedInternet.com.

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The Jim Henson Company
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entertainment
The Dark Crystal Is Coming Back to Theaters
The Jim Henson Company
The Jim Henson Company

In 1982, Jim Henson and Frank Oz dared to venture into somewhat gloomier territory with the release of The Dark Crystal. Though the film, which centers on two Gelflings (a sort of creepy elf-like creature) attempting to save their species and restore peace to the world, wasn’t a huge hit at the box office, it has developed a large cult following in the more than 35 years since its release—even among those kids it scared the hell out of back in the day. Now, as Netflix preps its prequel series, The Dark Crystal: Age of Resistance, for release later this year, Nerdist reports that the original film will make its way back into theaters next month.

As part of Fathom Events’s ongoing effort to breathe big-screen life back into classic films with limited releases across the country, The Dark Crystal will be playing in more than 500 theaters nationwide on February 25 and February 28. In addition to the original film, the screenings will also feature a brand-new introduction courtesy of Lisa Henson, Jim’s daughter and current president/CEO of The Jim Henson Company, who will talk about the making of the film and how it fit within her father's creative legacy.

To find out whether The Dark Crystal will be coming back to a theater near you, log onto Fathom’s web page for the movie and type in your ZIP code; tickets are on sale now.

[h/t: Nerdist]

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