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14 Stories You May Not Know About Robert F. Kennedy

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My wife was away last weekend, leaving the dog and me to fend for ourselves. What wild and crazy stuff went on in her absence? Well, after watching a two-hour American Experience documentary on the life of Robert Kennedy, I rented Bobby and borrowed a few RFK biographies. Oh, and I ordered Baja Fresh. Take-out. Raucous, indeed.

I learned a lot "“ and not just about how un-fun I've become. Here are fourteen of the tidbits I stumbled across.

1. He worked for Senator Joe McCarthy, and almost had Roy Cohn's job.

Picture-11.jpgJoe Kennedy had asked Senator McCarthy to appoint his son as staff director of the Senate Permanent Subcommittee on Investigations. McCarthy opted instead for Roy Cohn, who had helped convict atomic bomb spies Julius and Ethel Rosenberg (and would be portrayed by Al Pacino in Angels in America a half-century later). Kennedy was appointed Assistant Counsel in December of 1952, but resigned the following summer. In January of 1954, he rejoined the committee when the Democrats appointed him Minority Counsel. [Source]

2. He may have prevented an Indianapolis riot the night Dr. King was killed.


3. He wasn't above a bar fight.

"Shortly after his twenty-first birthday, Kennedy celebrated by buying his first beer. Soon he was buying rounds for everyone in the bar. Some of the patrons began singing 'Happy Birthday' to someone else, and Kennedy, inebriated for the first time in his life, became enraged at their ingratitude. He smashed a beer bottle over one man's head and refused entreaties by [Kenneth] O'Donnell to apologize." [Source]

4. He inspired Jerry Springer (the man, not the show).

"In 1968, [Springer's] life changed during a dinner meeting with then New York Senator Robert Kennedy, who was running for president behind the force of social change. Springer signed on with the Kennedy campaign, but shortly thereafter felt the horror of Kennedy's assassination along with the rest of the world. That moment in history compelled him to the political action he has never abandoned." [Source]

5. He debated Ronald Reagan in 1967.

RFK-Reagan1.jpgOn May 15, 1967, the giants of the left and right met on CBS News. The topic: "The Image of America and the Youth of the World." This debate, which featured questions from students in London, is not mentioned in any of the great Kennedy biographies (well, at least not Robert Kennedy: His Life, Robert Kennedy and His Times or Up Close.)

Newsweek called Reagan the victor: "To those unfamiliar with Reagan's big-league savvy, the ease with which he fielded questions about Vietnam may have come as a revelation." They continued: "Political rookie Reagan...left old campaigner Kennedy blinking when the session ended." According to the National Review, "Kennedy himself conceded defeat to Reagan, telling his aides after the debate to never again put him on the same stage with 'that son-of-a-bitch.' Kennedy was heard to ask immediately after the debate, 'Who the f—- got me into this?' Frank Mankiewitz was that aide, as Kennedy was quick to remind him a few weeks later: 'You're the guy who got me into that Reagan thing.'"

[You can read the complete transcript and score it yourself.]

6. He was the first to climb Mount Kennedy.

mountkennedy.jpgIn 1965, with a three-man team on an excursion sponsored by the National Geographic Society, RFK reached the summit of the 13,000 foot Canadian mountain. He had no previous climbing experience. Up to that point, Mount Kennedy was the highest unclimbed peak in North America. It had been named after President John F. Kennedy earlier that year.

RFK was zinged by his brother Ted in a quote given to The New York Times: "I wish to point out for the record he is not the first Kennedy to climb a mountain. I climbed the Matterhorn in 1957, which is higher, and I didn't need the help of the Royal Canadian Mounted Police."

7. He tried to talk LBJ out of the VP job he'd already accepted.

JFK-LBJ.jpgFrom the PBS.org companion to the aforementioned American Experience piece: "At around 11 a.m. on the day a nominee was to be presented, John Kennedy visited Johnson in his hotel suite and offered him the [VP] job. Robert Kennedy maintained afterward that his brother offered the job to Johnson only as a courtesy, and then felt trapped when he accepted. 'Now what do we do?' the candidate asked, then answered by sending Bobby back to talk Johnson out of it. Around 4 p.m., with tensions running high all around, John Kennedy called Johnson to assure him he was the one. Ignore Bobby, he said, because 'he's been out of touch and doesn't know what's happening.'" [Here's a YouTube montage of awkward moments between RFK and LBJ.]

8. His house was a zoo.

rfkdog.jpgIn August of 1962, The New York Times wrote about Attorney General Kennedy's dog Brumus (not sure if that's him in the photo), who was a regular visitor to the Justice Department. "He usually stays at home with the children," Kennedy explained. "But the children are away on vacation and he gets very lonely. So I bring him down here and get pretty girls to take him for walks." The article ended by listing the rest of Kennedy's animal friends: "two other dogs, ponies, horses, geese, a burro, a sea lion (!?), Hungarian pigeons, twenty goldfish, rabbits, turtles and a salamander."

9. He repeated the third grade.

"In Berlin, at the German-American community school, Ethel urged a group of third-graders not to be discouraged if they did not always do well at their lessons. 'After all, Bobby had to repeat third grade,' she said brightly, a fact that had never appeared in any of the history books. Ethel's revelation embarrassed and annoyed the Attorney General." [Source]

10. He was one of America's Ten Outstanding Young Men of 1954.

Time listed the honorees named by the Junior Chamber of Commerce: "Lawyer Robert F. Kennedy, 29, younger brother of Senator John Kennedy, and minority counsel of Joe McCarthy's Senate Subcommittee on Investigations, for assembling the facts which persuaded owners of 242 vessels not to trade with Iron Curtain countries."

11. He and Ted embarrassed the family at JFK's wedding.

rfk-ted-jfk.jpg"At his brother Jack's wedding to Jacqueline Bouvier in September 1953, Bobby had behaved like a naughty teenager, stealing a policeman's hat. Joe Kennedy was furious. He summoned Bobby and his co-conspirators, his brother Teddy and some younger cousins, and gave them a lecture about disgracing the family name." [Source]

12. He's been portrayed by everyone from Martin Sheen to Andrew McCarthy.

RFKs.jpg
Sheen (The Missiles of October) and McCarthy (TV movie Jackie Bouvier Kennedy Onassis) are just two of many actors to play RFK. IMDb has the complete list, which includes Stephen Culp (Thirteen Days and Norma Jean & Marilyn; he's pictured above), Zeljko Ivanek (TV movie The Rat Pack), John Shea (1983 miniseries Kennedy; Martin Sheen played JFK), and Robert Knepper (The Women of Camelot).

13. Some say he got around.

Like his brother, RFK was romantically linked to several prominent figures "“ from Marilyn Monroe to Candice Bergen, sister-in-law Jackie O. to male ballerina Rudolf Nureyev. Though these stories came from the trashier novels. We can't confirm. I wasn't there.

14. He's not forgotten by the social networking crowd.

His 1968 campaign has a MySpace page. RFK Facebook groups include the Bobby Kennedy Fan Club, Bobby Kennedy's Vision, and even a fantasy group called RFK Wins California, Midwest to Defeat Nixon, 283-209. (I'm pretty sure these links will only work for Facebook users.)

If you've got an RFK story not listed here, by all means leave a comment. And let me thank my favorite library scientist friend, who helped find sources for all these facts.

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20 Facts About Your Favorite Coen Brothers’ Movies
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Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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