Marching to the Beat of a Different Slide Instrument

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As a companion piece to Jason Plautz's College Football Traditions quiz, Steven Clontz is here to make sure the marching band gets its due. Here's a picture of him with his trombone, to prove he's qualified.

Over the next few months, he'll be contributing a series of band-related stories, including the definitive list of celebrity marching band alums (Know of any? Make his research easy and leave names in the comments -- rock stars, musicians, CEOs, politicians, etc.) His first story explores the seedy underbelly of the pseudotrombone world. Enjoy.

Talk to me for ten minutes, ten minutes tops, and I'll probably mention that I'm a member of my university's marching band. This is because we take marching band seriously around these parts, calling ourselves "band athletes" and running rehearsals until half the clarinet section is unconscious from heat stroke. But this aura of solemnity ends right at the edge of the field where you can find my own section warming up, the trombones. In fact, the only thing we take seriously is our dedication to slacking off. And I'm sure that more than once, our director has considered giving us the boot because of it. The highest organization of marching ensembles, Drum Corps International, doesn't even include trombones on its list of approved instruments, opting for the more valve-centric euphonium.

I suppose, though, that we're pretty safe in our inclusion on marching bands across the country. We are, after all, the only mainstream brass instrument that uses a slide rather than valves in order to change pitch. (Brass instruments in general change notes by changing the length of the instrument being blown through; the longer the instrument, the lower the pitch. Aside from the trombone, however, most do this by pressing valves, which then redirect air through extra tubing, before returning to the instrument proper.) So I'd argue we're protected by some sort of bizarre musical affirmative-action.

However, we are not the ONLY slided instrument to grace God's green Earth. So let's take a moment to look over some of the lesser-known pseudotrombones, and I'll thank my lucky stars that I get to play the real thing.

5. Sackbut

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This funny-sounding instrument (at least its name sounds a little funny) is actually the great-granddaddy of the modern trombone. Alternate spellings include "sacbut", "sagbut", "shagbolt" and "shakbusshe". (Gesundheit!) While its exact origins aren't certain, we do know that it was being regularly used by the 1500s, being mentioned and illustrated in documents from the time. Those brave enough to play the sackbut in modern times experience the musical equivalent of "roughing it". Many of the precious amneties we trombone players enjoy today were not present in the ancient sackbut. There was a smaller bore (the hole a mouthpiece is inserted into), a smaller bell, no lock for the slide, no tuning slide, and no water key (a nice way to say "spit valve" for those of you not in the know). While the range of a typical tenor sackbut is similar to the modern trombone, it produces a much more mellow sound. Judging from the loud, edgy tone many of my peers like to produce on the trombone, I'd doubt there'd be much of a market for the sackbut today.

4. Soprano Trombone

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The poor, poor soprano trombone. This little bugger is, in many ways, identical to the typical tenor trombone played by most trombonists. The main difference being, of course, it's so small. Created in the late 1600s, it was used to play the treble parts of chorales, which are typically covered by trumpets or cornets in modern orchestral ensembles. This is with good reason, as well. Soprano trombones often prove difficult to play in tune, as slight movements of the slide cause a much greater discrepancy in pitch as compared to the larger tenor or bass trombones. In fact, due to its short slide, it often has small gaps in its playable range, such as a concert B natural, which may require more than the full extended length of the slide in order to be played in tune. I'll begrudgingly admit that a trumpet is often better suited for the job of playing the treble clef, as long as you promise not to tell any of my trumpet-playing friends I said so.

3. Slide Whistle

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Okay, maybe this is more of a joke than anything. The slide whistle just isn't given much respect; in my experience, it's used mostly for gimmicky sections of marching band shows where a bit of a comic flair is needed, or as a sound effect on Wheel of Fortune. Actually, slide whistles are more closely related to recorders, flutes, and other woodwinds rather than the brassy trombone. Notes are played by blowing into a mouthpiece known as a "fipple", which directs air towards a bladed edge, located at the big hole you'll see at the top of most whistles. This causes the instrument to resonate, and produce a sound. Similarly to the trombone, the slide whistle changes notes by moving the slide out in order to lower the pitch.

2. Electric Trombone

So, for all intents and purposes, the electric trombone is basically a pimped-out regular trombone. One of the biggest proponents of the electric trombone is jazz trombonist and bandleader Robin Eubanks. He describes the electric trombone as an "acoustic trombone [with] a microphone on the bell [run] into a bank of processors; usually a basic guitar multi-effects processor that's been around for decades." The result? Well, listen to it for yourself. Eubanks has a piece called Blues for Jimi Hindrex, which you can check out on YouTube.

1. Superbone

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It's a bird! It's a plane! Actually, it's hardly either! The Superbone takes the precision of a slided instrument, and combines it with the speed and reliability of a valved instrument. Sometimes referred to as a "valide trombone", the term "Superbone" was coined by the legendary bandleader Maynard Ferguson, who used it in many of his charts. At first, the Superbone seems exactly like a regular trombone, with a slide that is maneuvered using the player's right hand. However, just past the slide comes a set of valves controlled with the left hand. In theory, the Superbone can be played like a regular slide trombone by ignoring the valves, or it can be played like your typical valve trombone by ignoring the slide. However, those who are true experts at the device can use both in tandem, providing many alternate positions to play a given note, and thus allowing for a greater combined speed and accuracy than your AverageJoeBone. The Superbone also has a cousin for trumpet players known as the Firebird, which is a valved trumpet with an attached slide. I am, tragically, not enough of a man to wield either with much success, but it's good to know that somewhere out there, there is an instrument that can do it all. Just don't try playing it near any shiny green rocks.

September 29, 2007 - 1:00am
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