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The First Time News Was Fit To Print, VIII

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Today we continue our journey through the archives of The New York Times. If you're new to the series, we've been digging up first mentions worth mentioning. Let's get right to it.

Bob Dylan

September 29, 1961

20-Year-Old Singer Is Bright New Face At Gerde's Club
Resembling a cross between a choir boy and a beatnik, Mr. Dylan has a cherubic look and a mop of tousled hair he partly covers with a Huck Finn black corduroy cap. His clothes may need a bit of tailoring, but when he works his guitar, harmonica or piano and composes new songs faster than he can remember them, there is no doubt that he is bursting at the seams with talent.
* * * * *
But if not for every taste, his music-making has the mark of originality and inspiration, all the more noteworthy for his youth. Mr. Dylan is vague about his antecedents and birthplace, but it matters less where he has been than where he is going, and that would seem to be straight up.

New York Jets

April 16, 1963

Titans Get A New Coach (Ewbank) And A New Name (Jets)
NYJets.jpgWilbur (Weeb) Ewbank, as expected, was appointed yesterday as coach and general manager of New York's American Football League team for three years. But the name he will be expected to cover with gridiron glory was, unexpectedly, announced as the Jets. It used to be the Titans. The Jets, which rhymes with Mets, was selected from more than 300 possible names submitted by friends, enemies and advertising agencies.
* * * * *
The Jets symbolizes the site of Shea Stadium (where the Jets think they'll play this fall) between two major airports, the spirit of modern times and the speed and eagerness of all concerned. Gothams, Borros and Dodgers were other leading contenders. Dodgers was discarded because the baseball people were not in favor. Borros (a pun on boroughs) was discarded because there was fear the team would be called the jackasses, and Gothams was dismissed because someone said that it would be shortened to Goths "“ "and you know they weren't such nice people."

Read on for The McLauhlin Group, David Sedaris, war on terror and Barbie.

The McLaughlin Group

October 20, 1982

Now Playing At The Zoo
mclaughlin-john-crop.jpg A weekend visitor to the National Zoo was surprised to discover a group of apes peering through the bars of their cage at a television set, looking like many other Washington viewers, reasonably attentive to the political talk show being broadcast but not stirred to excitement. The apes were following The McLaughlin Group on the local NBC channel in which four journalists discuss current events under the guidance of John J. McLaughlin. He is a former Jesuit priest who served as a special assistant in the Nixon White House.
* * * * *
Research determined that the apes have been watching television for years and are the only zoo inmates so privileged. The 12-inch portable is shifted periodically between the gorillas and the orangutans; they have no voice in the programming, which is determined by the keeper. No one has tried to determine whether the specialized audience favors Days of Our Lives, say, over reruns of Wild Kingdom.

David Sedaris

July 4, 1993

He Does Radio And Windows
sedaris.jpg As his celebrity sprouted this spring, David Sedaris was visited in New York by a fan from Dallas, who asked him excitedly, "What's it like to wake up in the morning and be David Sedaris?" On a recent hot summer morning, being David Sedaris meant sticking your hand into the toilet in the Gramercy Park apartment of a personal trainer and doing a vigorous scrub. It meant washing the man's dishes and cleaning his cat's litter box, changing the sheets and vacuuming the worn carpet. Then it meant going to another apartment and doing roughly the same thing. Most mornings, Mr. Sedaris said, with his high-tech retractable feather duster sticking from his back pocket, "I'm a maid."
* * * * *
But earlier that morning, not long before he started cleaning for $10 an hour, Mr. Sedaris's high-pitched, acidic voice was heard by the estimated one million people who listen to "Morning Edition" on National Public Radio as he read excerpts from the diaries he has kept for 15 years. Each month, as the show broadcasts his thoughts on being an unrepentant smoker, on falling in love too easily, on soap operas and on men who love women who grow too much (and are subjects in Giantess magazine), Mr. Sedaris becomes more of a minor phenomenon.
* * * * *
Larry Charles called Mr. Sedaris to discuss the possibility of his writing for Seinfeld, but the producer said last week that he now thinks Mr. Sedaris might be too idiosyncratic even for Seinfeld. "He seems like a guy who's really committed to his art," Mr. Charles said. "He would clean apartments so he can read these things on the radio."

War On Terror

December 4, 1934

Soviet Arrests 71 In War On 'Terror'
USSR.jpg Spurred by the assassination of Sergei M. Kiroff, the Soviet Government has struck its heaviest blow in years at those whom it regards as plotters of terroristic acts against Soviet officials. With dramatic suddenness it was announced early this morning that seventy-one persons had been arrested and haled to trial before the military collegium of the Supreme Court of the USSR. Thirty-two of these were seized in the Moscow region and thirty-nene in the Leningrad region. They are stigmatized as "White Guards" and accused of plotting terroristic activities.
* * * * *
By the terms of a decree adopted by the central government immediately after the Kremlin received the news of M. Kiroff's death, terrorists and plotters are to be tried swiftly and to be executed immediately without opportunity for appeal.

Barbie

February 7, 1959

Booming Business Built By Husband And Wife Team
barbie.jpegFifteen years ago Elliott and Ruth Handler were a suburban couple doing spare-time tinkering with handicrafts in their garage. Today they head a $14 million-a-year business that has been mushrooming at a rate of 50% a year and is third in its field. The field: toys.
* * * * *
The operations of their company, Mattel, Inc., are so rigorously organized that the Handlers sometimes wonder why they are still making toys. "With our system," Ruth said whimsically, "we might just as well be turning out real airplanes or missiles."
* * * * *
To balance the heavy male emphasis in toy guns, the Handlers this year are bringing out a doll "“ eleven inches high and named "Barbie," after their 17-year-old daughter....The doll has a teen-age figure, contrasting with the infantile rotundity traditionally given dolls to simplify clothes-making. To produce at a feasible cost "Barbie's" twenty-two costume wardrobe, the Handlers have opened a production branch in Japan's even though it means paying a 35% import tariff. They also are making a line of doll furniture in Japan. Their experience "“ bolstered by a brigade of slide-rule artists "“ gives them confidence that this time they'll make a profit on it.

Got a suggestion for Volume IX? Leave it in the comments.
The First Time News Was Fit To Print, I
The First Time News Was Fit To Print, II
The First Time News Was Fit To Print, III
The First Time News Was Fit To Print, IV
The First Time News Was Fit To Print, V
The First Time News Was Fit To Print, VI
The First Time News Was Fit To Print, VII

T.jpgWant complete access to The New York Times archives, which go all the way back to 1851? Become an NYT subscriber.

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Courtesy of Crumbs & Whiskers
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Animals
Inside Crumbs & Whiskers, the Bicoastal Cat Cafe That's Saving Kitties' Lives
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Courtesy of Crumbs & Whiskers

It took a backpacking trip to Thailand and a bit of serendipity for Kanchan Singh to realize her life goal of saving cats while serving lattes. “I met these two guys on the road [in 2014], and we became friends,” Singh tells Mental Floss about Crumbs & Whiskers, the bicoastal cat cafe she founded in Washington, D.C. in 2015 which, in addition to selling coffee and snacks, fosters adoptable felines from shelters. “They soon noticed that I was feeding every stray dog and cat in sight," and quickly picked up on the fact that their traveling companion was crazy about all things furry and fluffy.

On Singh’s final day in Thailand, which happened to be her birthday, her friends surprised her with a celebratory trip to a cat cafe in the city of Chiang Mai. “I remember walking in there being like, ‘This is the coolest, most amazing, weirdest thing I’ve ever done,'” Singh recalls. “I just connected with it so much on a spiritual level.”

Singh informed her friends that she planned to return to the U.S., quit her corporate consulting job, and open up her own cat cafe in the nation’s capital. They thought she was joking. But three years and two storefronts later, the joke is on everyone except for Singh—and the kitties she and her team have helped to rescue.

A customer pets cats while drinking coffee at the flagship Washington, D.C. location of cat cafe Crumbs & Whiskers.
A customer pets cats while drinking coffee at the flagship Washington, D.C. location of cat cafe Crumbs & Whiskers.
Courtesy of Crumbs & Whiskers

Washington, D.C. customers stroke a furry feline while enjoying coffee at cat cafe Crumbs & Whiskers.
Washington, D.C. customers stroke a furry feline while enjoying coffee at Crumbs & Whiskers.
Courtesy of Crumbs & Whiskers

Crumbs & Whiskers—which, in addition to its flagship D.C. location, also has a Los Angeles outpost—keeps a running count of the cats they've saved from risk of euthanasia and those who have been adopted. At press time, those numbers were 776 and 388, respectively, between the brand’s two locations.

Prices and services vary between establishments, but customers can typically expect to shell out anywhere from $6.50 to $35 to enjoy coffee time with cats (food and drinks are prepared off-site for health and safety reasons), activities like cat yoga sessions, or, in D.C., an entire day of coworking with—you guessed it—cats. Patrons can also participate in the occasional promotion or campaign, ranging from Black Friday fundraisers for shelter kitties to writing an ex-flame's name inside a litter box around Valentine's Day (where the cats will then do their business).

Cat cafes have existed in Asia for nearly 20 years, with the world’s first known one, Cat Flower Garden, opening in Taipei, Taiwan in 1998. The trend gained traction in Japan during the mid 2000s, and quickly spread across Asia. But when Singh visited Chiang Mai, the cat cafe craze—while alive and thriving in Thailand—had not yet hit the U.S. "Why does Thailand get this, but not the U.S.?" Singh remembers thinking.

Once she arrived back home in D.C., Singh set her sights on founding the nation’s first official cat cafe, launching a successful Kickstarter campaign that helped her secure a two-story space in the city’s Georgetown neighborhood. Ultimately, though, she was beat to the punch by the Cat Town Cafe in Oakland, California, which opened to the public in 2014, followed shortly after by establishments like New York City’s Meow Parlour.

LA customers at cat cafe Crumbs & Whiskers
LA customers at cat cafe Crumbs & Whiskers
Courtesy of Crumbs & Whiskers

Still, Crumbs & Whiskers—which officially launched in D.C. in the summer of 2015—was among the nation’s first wave of businesses (and the District's first) to offer customers the chance to enjoy feline companionship with a side of java, along with the opportunity to maybe even save a tiny life. Ultimately, the altruistic concept proved to be so successful that Singh, sensing a market for a similar storefront in Los Angeles, opened up a second location there in the fall of 2016. "I always felt like what L.A. is, culturally, just fits with the type of person that would go to a cat café," she says.

Someday, Singh hopes to bring Crumbs & Whiskers to Chicago and New York, and “for cat cafes as a concept, as an industry, to grow,” she says. “I think that it would be great for this to be the future of adoptions and animal rescues.” Until then, you can learn more about Crumbs & Whiskers (and the animals they rescue) by stopping by if you're in D.C. and LA, or by visiting their website.

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MGM
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entertainment
15 Inconceivable Facts About The Princess Bride
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MGM

It's no wonder The Princess Bride is such a beloved film: It's action-packed but still lighthearted, sweet but not saccharine, silly but still smart—and, of course, endlessly quotable. Fortunately, in 2012, the movie's leading man Cary Elwes was inspired to write a behind-the-scenes book about the making of the movie in honor of its 25th anniversary, for which he interviewed nearly all of the key cast and crew (sadly, André the Giant, who played Fezzik, passed away in 1993).

Pulling from the impressively detailed text of As You Wish: Inconceivable Tales from the Making of The Princess Bride and various interviews Elwes and others have given over the years, we rounded up a series of fun facts and anecdotes sure to delight any fan of the film, which was released 30 years ago today.

1. IT WAS WRITTEN FOR THE AUTHOR'S DAUGHTERS.

William Goldman, who wrote the novel The Princess Bride in 1973 and penned the screenplay, told Entertainment Weekly that, "I had two little daughters, I think they were 7 and 4 at the time, and I said, 'I’ll write you a story. What do you want it to be about?' One of them said 'a princess' and the other one said 'a bride.' I said, 'That’ll be the title.'"

2. BOTH THE DIRECTOR AND THE LEADING MAN ALREADY KNEW AND LOVED THE STORY BEFORE FILMING EVEN BEGAN.

Cary Elwes' stepfather had given him Goldman's book in 1975, when the future actor was just 13 years old. Rob Reiner, who directed the movie, first read the book in his 20s when Goldman gave it to his father. It quickly became Reiner's favorite book of all time, and he had long wanted to turn it into a movie—but he had no idea that many before him had tried and failed.

3. FOR A LONG TIME, NO ONE WAS ABLE TO MAKE THE MOVIE.

At one point or another, Robert Redford, Norman Jewison, John Boorman, and François Truffaut all tried to get the book made into a movie, but due to a series of unrelated incidents—"green-lighters" getting fired, production houses closing—it languished for years. (In one of these proto-Princess Brides, a then-unknown Arnold Schwarzenegger was supposed to play Fezzik.) 

After several false starts, Goldman bought back the rights to the book. The movie only got made because Reiner had built up so much good will with movies like This is Spinal Tap and The Sure Thing that the studio, 20th Century Foxoffered to make any project of his choice.

4. MANDY PATINKIN FELT A PERSONAL CONNECTION TO THE CHARACTER OF INIGO MONTOYA.

Andre the Giant, Mandy Patinkin and Wallace Shawn in The Princess Bride (1987).
MGM

"The moment I read the script, I loved the part of Inigo Montoya," Patinkin told Entertainment Weekly. "That character just spoke to me profoundly. I had lost my own father—he died at 53 years old from pancreatic cancer in 1972. I didn’t think about it consciously, but I think that there was a part of me that thought, If I get that man in black, my father will come back. I talked to my dad all the time during filming, and it was very healing for me."

5. ANDRÉ THE GIANT COULD REALLY, REALLY DRINK.

Three bottles of cognac and 12 bottles of wine reportedly made him just a little tipsy. When the cast would go out for dinner, André—who, according to Robin Wright, ordered four appetizers and five entrees—would drink out of a 40-ounce beer pitcher filled with a mix of liquors, a concoction he called "The American."

6. ANDRÉ HAD AN UNCONVENTIONAL METHOD FOR LEARNING HIS LINES.

Reiner and Goldman met André, then a famous wrestler, at a bar in Paris. "I brought him up to the hotel room to audition him. He read this three-page scene, and I couldn’t understand one word he said," Reiner recalled. "I go, ‘Oh my God, what am I going to do? He’s perfect physically for the part, but I can’t understand him!’ So I recorded his entire part on tape, exactly how I wanted him to do it, and he studied the tape. He got pretty good!"

7. WILLIAM GOLDMAN WAS INCREDIBLY NERVOUS ON THE SET.

Of all the projects he’d written and worked on—which included the Academy Award-winning Butch Cassidy and the Sundance Kid—Goldman loved The Princess Bride best of all. This manifested itself as extreme nervousness about the project. Reiner invited Goldman to be on set for the duration of the filming—which Goldman did not want to do, saying, “I don’t like being on set. If you’re a screenwriter, it’s boring”—but on the first day, he proved to be a slight nuisance. The first couple takes were plagued by a barely-audible chanting, which turned out to be Goldman praying things would go well. And when Wright's character's dress caught on fire, he panicked, yelling, "Oh my god! Her dress is on fire!"—even though Goldman himself had written that into the script.

8. WALLACE SHAWN WAS BRILLIANT, BUT ALWAYS ON EDGE.

Wallace Shawn and Robin Wright in The Princess Bride (1987)
MGM

Shawn, who played Vizzini the Sicilian, really is, like his character, a man of "dizzying intellect." He has a history degree from Harvard and studied philosophy and economics at Oxford. In fact, on a day off from filming The Princess Bride, Shawn went to Oxford to give a guest lecture on British and American literature. But Shawn was inconsolably nervous for the entirety of filming.

After learning from his agent that Reiner had originally wanted Danny DeVito for the part, Shawn was wracked with insecurity, perpetually convinced that he was going to be fired after every bad take. "Danny is inimitable," Shawn said. "Each scene we did, I pictured how he would have done it and I knew I could never possibly have done it the way he could have done it," he said.

9. THE DUEL BETWEEN WESTLEY AND INIGO WAS EXCRUCIATINGLY RESEARCHED AND REHEARSED.

Goldman spent months researching 17th-century swordfighting manuals to craft Westley and Inigo's duel; all the references the characters make to specific moves and styles are completely accurate. Then Elwes and Patinkin, neither of whom had much (if any) fencing experience, spent more months training to perfect it—right- and left-handed.

"I knew that my job was to become the world’s greatest sword fighter," Patinkin recalled in Elwes's book. "I trained for about two months in New York and then we went to London and Cary and I trained every day that we weren’t shooting for four months. There were no stuntmen involved in any of the sword fights, except for one flip in the air.” Even after months of pre-shooting training, the fencing instructors came to set and, when there were a few free minutes, would pull Elwes and Patinkin aside to work on the choreography for the scene, which was intentionally one of the last to be shot.

10. IT WAS ELWES'S IDEA TO DIVE HEADFIRST INTO THE "QUICKSAND."

That particular Fire Swamp stunt was accomplished by having a trap door underneath a layer of sand, below which there was foam padding for the actors to fall onto. Originally, the direction called for Westley to jump in feet-first after Buttercup, but Elwes argued this wasn't particularly heroic. Switching up the direction was a risky move—if the trap door wasn't opened at exactly the right instant, Elwes risked banging his head—or even breaking his neck. After the stunt double successfully executed the dive, Elwes himself tried it, and nailed it perfectly on the first take.

11. MIRACLE MAX REALLY WAS THAT FUNNY—AND YOU'RE NOT EVEN SEEING HIS BEST STUFF.

Billy Crystal brought two photos for his makeup artist, Peter Montagna, to draw inspiration from when creating Miracle Max: Crystal’s grandmother and Casey Stengel. As for the acting, Elwes wrote in his book, "For three days straight and 10 hours a day, Billy improvised 13th-century period jokes, never saying the same thing or the same line twice." Unfortunately for viewers, many of the improvised jokes were not fit for a family-friendly film. Only the cast and crew knows how funny his more crude Miracle Max takes were, but judging from the fact that Patinkin bruised a rib trying to stifle his laughter, as he recounts in the book, they were probably pretty good.

12. BILLY CRYSTAL AND CAROL KANE, WHO PLAYED HIS WIFE, INVENTED AN ENTIRE BACKSTORY.

Carol Kane and Billy Crystal in The Princess Bride (1987)
MGM

"Billy came over to my apartment in Los Angeles and we took the book and underlined things and made up a little more backstory for ourselves," Kane said. "We added our own twists and turns and stuff that would amuse us, because there’s supposed to be a long history—who knows how many hundreds of years Max and Valerie have been together?" How has that pair not gotten a spin-off film yet? 

13. ELWES FILMED MANY OF HIS SCENES WITH A BROKEN TOE.

Six weeks into production, André convinced Elwes to go for a spin on the ATV that was used to transport the larger man to and from filming locations because he didn’t fit in the van. Almost immediately, the vehicle hit a rocky patch and Elwes got his foot stuck between two mechanisms in the vehicle, breaking his big toe. The young actor tried to hide the injury from his director, but, of course, Reiner quickly found out. He didn't find a new Westley, as Elwes feared he might, but they did have to work some movie magic to allow Elwes to limp around in many of the scenes undetected.

14. ONE PARTICULAR ON-SCREEN INJURY WASN'T FAKED.

As soon as Westley recognizes Count Rugen as the six-fingered man, the script calls for the Count to knock our hero unconscious with the butt of his sword. In filming, Christopher Guest, who played Rugen, was naturally reluctant to really hit Elwes for fear of hurting him. Unfortunately, this reticence was reading on screen and take after take failed to look convincing. Finally, Elwes suggested Guest just go for, at least tap him on the head to get the reaction timing right. The tap came a little too hard, however, and Elwes was knocked legitimately unconscious; he later awoke in the hospital emergency room. It's that take, with Elwes actually passing out, that appears in the film.

15. ONE OF THE FINAL SCENES NEVER MADE IT INTO THE FINAL FILM.

In an alternate ending that was eventually cut, Fred Savage—who plays the initially reluctant audience to Peter Falk's reading of The Princess Bride—goes to his window after his grandfather has left and sees Fezzik, Inigo, Westley, and Buttercup all on their white horses.

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