The Forgotten Lens: 50mm

When my fifteenth birthday came around, I wanted just one thing: a real camera. My father gave me his treasured Minolta 201 camera body, a handful of filters, and three lenses. The lenses were a 35mm wide-angle, a 50mm "standard" lens, and a 135mm telephoto. "But you're only going to need the 50mm," Dad said. Why? "Because it mimics the human eye. It makes your photos look natural." Of course, I immediately grabbed the 35mm wide-angle, ignoring him. I liked the wide-angle because I could take photos of people without having to back up, or bother composing the frame (walking around to set up a photo? Total bummer!). I shot a lot of expired Agfachrome (on mega-discount at the local camera shop) with that combination, and even picked up a 28mm wider-angle lens, which suffered from chromatic aberration around the edges.

About a year into my teenage camera adventure, I decided to try out the 50mm that had come so highly recommended. And guess what? Dad was right -- that lens made things look "real" in a way that I hadn't expected. It was far better for taking pictures of people, making their faces look natural. Also, the 50mm happened to be a faster lens, which finally allowed me to explore and begin to understand depth of field -- something I hadn't done with my wide-angle, which I kept locked at f/3.5 (the best it could do). I was shocked to look back at my older photos and see how my wide-angle lens (and the f/3.5 aperture) affected the look of the photos -- it was a distinctive look, but I was no longer sure it was a good one.

Photographer Gary Voth has posted a lovely article on the 50mm lens: The Forgotten Lens. Here's a sample:

The 50mm lens is called a "normal" or "standard" lens because the way it renders perspective closely matches that of the human eye. Consequently, images made with a 50mm lens have a natural and uncontrived look. This is the lens that likely would have come with your camera had you bought it 10-15 years ago. Before falling to its current level of disfavor, the 50mm lens had a long and distinguished pedigree. For many years the defining documentary instrument of the 20th century was the small format rangefinder camera (Leica, Contax, Nikon, Canon) with 50mm lens. Some of the world's best-known photographers such as Henri Cartier-Bresson and Ralph Gibson made virtually their entire careers with this combination.

Check out the rest of the article for a primer on camera lenses, and why you might not want super-zoom or super-wide-angle.

Link via 43 Folders.

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iStock
Photographer's Amazing Snap of an Osprey Is Holding Two Big Surprises
iStock
iStock

As a wildlife photographer, Doc Jon understands the importance of being in the right place at the right time. But it took getting home and really squinting at his own work to realize that he recently captured a “one-in-a-trillion shot” while taking a photo of an osprey in Madeira Beach, Florida. While demonstrating the power of his lens to a fellow beach-goer, Jon pointed his camera at an osprey flying about 400 feet above their heads, and snapped a quick photo.

“I started shooting and my settings were off,” Jon told Fstoppers. “I had no tripod. I was trying to hold it steady, but it was windy out," he said. "I could see the osprey had a fish, but it was far away. It wasn't until I got home, cropped in on it, lightened the shadows, and applied some sharpening that I suddenly saw. ‘Oh my god, that's a shark's tail.’ Then I saw the fish in its mouth and I knew it was going to go viral.”

Jon predicted correctly.

Photos courtesy of Doc Jon via Facebook

Jon’s photo, which has already been shared by thousands of people, features the osprey holding a shark, which is holding a fish—making it sort of like the photographic version of a turducken. News of Jon’s amazing photo spread after he posted it to his Facebook page and a local news station saw it. Since then, he told Fstoppers, he’s been receiving requests for interviews from as far away as Israel and India.

Of course, with all that exposure comes the inevitable question of authenticity. Fortunately, Jon is taking that part in stride.

"The fun part for me is some people are commenting that it's Photoshopped, and obviously, those people don't know the limitations of Photoshop," Jon told Fstoppers. "Then, other people are telling me I should have sold it instead of sharing it online. I'm laughing, because really, it's not a good photo. The photo itself kind of sucks. But it tells a great story and it's getting me a lot of recognition for my other work now."

[h/t: Fstoppers]

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Harry Trimble
Delightful Photo Series Celebrates Britain’s Municipal Trash Cans
Harry Trimble
Harry Trimble

Not all trash cans are alike. In the UK, few know this better than Harry Trimble, the brains behind #govbins, a photo project that aims to catalog all the trash can designs used by local governments across Britain.

Trimble, a 29-year-old designer based in South London, began the series in 2016, when he noticed the variation in trash can design across the cities he visited in the UK. While most bins are similar sizes and shapes, cities make trash cans their own with unique graphics and unusual colors. He started to photograph the cans he happened to see day-to-day, but the project soon morphed beyond that. Now, he tries to photograph at least one new bin a week.

A bright blue trash can reads ‘Knowsley Council: Recycle for Knowsley.’
Knowsley Village, England

“I got impatient,” Trimble says in an email to Mental Floss. “Now there’s increasingly more little detours and day trips” to track down new bin designs, he says, “which my friends, family and workmates patiently let me drag them on.” He has even pulled over on the road just to capture a new bin he spotted.

So far, he’s found cans that are blue, green, brown, black, gray, maroon, purple, and red. Some are only one color, while others feature lids of a different shade than the body of the can. Some look very modern, with minimalist logos and city website addresses, Trimble describes, “while others look all stately with coats of arms and crests of mythical creatures.”

A black trash can features an 'H' logo.
Hertsmere, England

A blue trash can reads ‘South Ribble Borough Council: Forward with South Ribble.’
South Ribble, England

A green trash can with a crest reads ‘Trafford Council: Food and Garden Waste Only.’
Trafford, Greater Manchester, England

Trimble began putting his images up online in 2017, and recently started an Instagram to show off his finds.

For now, he’s “more than managing” his one-can-a-week goal. See the whole series at govbins.uk.

All images by Harry Trimble

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