CLOSE

The Gender Genie

Although it has existed since 2003, BookBlog's Gender Genie was news to me. Based on the research of Moshe Koppel, Bar-Ilan University in Israel, and Shlomo Argamon, Illinois Institute of Technology, the Gender Genie implements an algorithm that (sometimes) predicts the sex of the author of a piece of text.

I must say, this premise seemed odd to me. I don't tend to assume that there is some algorithmically determinable masculinity or femininity to any text, but of course, the first thing I tried was pasting in my own writing sample (from a piece of fiction). And the results...correct! "The Gender Genie thinks the author of this passage is: male!" With a "Male Score" of 843 and a "Female Score" of 403, my 663-word passage was apparently way-male.

So what's the story here? Here's info from the author of the Gender Genie:

Most of the time, people drop their writing into [The Gender Genie] and, when they don't get the result they expect, declare it to be wrong, wrong, wrong. Yet, a lot of its users still find it and its analysis to be a fun time waster. Despite having written the program, I didn't come up with the algorithm and believe that the Genie works no better than the flip of a coin. However, I don't think it to be a complete time waster since there actually is some academic study that went into it.

In the most basic terms, the computational linguists behind the algorithm, Koppel and Argamon, took a bunch of fiction and looked for trends based on gender. Using complicated formulas, they determined that male writers tended to write more about specific things like an apple, a book, or the car. In contrast, female writers wrote about connections to things like my apple, your book, or our car. The nouns themselves (apple, book, car) didn't matter much but the preceding qualifier, whether an article (a, an, the) or possessive (my, your, our), did.

Read more about the Gender Genie or try the Gender Genie yourself.

Original image
iStock
arrow
Big Questions
Why Do Ghosts Say ‘Boo’?
Original image
iStock

People have screamed "boo," or at least some version of it, to startle others since the mid-16th century. (One of the earliest examples documented by the Oxford English Dictionary appeared in that 1560s poetic thriller, Smyth Whych that Forged Hym a New Dame.) But ghosts? They’ve only been yowling "boo" for less than two centuries.

The etymology of boo is uncertain. The OED compares it with the Latin boare or the Greek βοᾶν, meaning to “cry aloud, roar, [or] shout.” Older dictionaries suggest it could be an onomatopoeia mimicking the lowing of a cow.

Whatever the origins, the word had a slightly different shade of meaning a few hundred years ago: Boo (or, in the olden days, bo or bu) was not used to frighten others but to assert your presence. Take the traditional Scottish proverb “He can’t say bo to a goose,” which for centuries has been a slick way to call somebody timid or sheepish. Or consider the 1565 story Smyth Whych that Forged Hym a New Dame, in which an overconfident blacksmith tries to hammer a woman back into her youth, and the main character demands of his dying experiment: “Speke now, let me se / and say ones bo!”

Or, as Donatello would put it: “Speak, damn you, speak!”

But boo became scarier with time. After all, as the OED notes, the word is phonetically suited “to produce a loud and startling sound.” And by 1738, Gilbert Crokatt was writing in Presbyterian Eloquence Display’d that, “Boo is a Word that's used in the North of Scotland to frighten crying children.”

(We’re not here to question 250-year-old Scottish parenting techniques, but over at Slate, Forrest Wickman raises a good point: Why would anybody want to frighten a child who is already crying?)

In 18th century Scotland, bo, boo, and bu would latch onto plenty of words describing things that went bump in the night. According to the Dictionary of the Scots Language, the term bu-kow applied to hobgoblins and “anything frightful,” such as scarecrows. The word bogey, for “evil one,” would evolve into bogeyman. And there’s bu-man, or boo-man, a terrifying goblin that haunted man:

Kings, counsellors, and princes fair,

As weel's the common ploughman,

Hae maist their pleasures mix'd wi' care,

An' dread some muckle boo-man.

It was only a matter of time until ghosts got lumped into this creepy “muckle boo-man” crowd.

Which is too bad. Before the early 1800s, ghosts were believed to be eloquent, sometimes charming, and very often literary speakers. The spirits that appeared in the works of the Greek playwrights Euripides and Seneca held the important job of reciting the play’s prologue. The apparitions in Shakespeare’s plays conversed in the same swaying iambic pentameter as the living. But by the mid-1800s, more literary ghosts apparently lost interest in speaking in complete sentences. Take this articulate exchange with a specter from an 1863 Punch and Judy script.

Ghost: Boo-o-o-oh!

Punch: A-a-a-ah!

Ghost: Boo-o-o-o-oh!

Punch: Oh dear ! oh dear ! It wants’t me!

Ghost:  Boo-o-o-o-oh!

It’s no surprise that boo’s popularity rose in the mid-19th century. This was the age of spiritualism, a widespread cultural obsession with paranormal phenomena that sent scores of people flocking to mediums and clairvoyants in hopes of communicating with the dead. Serious scientists were sending electrical shocks through the bodies of corpses to see if reanimating the dead was possible; readers were engrossed in terrifying Gothic fiction (think Frankenstein, Zastrozzi, and The Vampyre); British police departments were reporting a heightened number of ghost sightings as graveyards were plagued by “ghost impersonators,” hoaxsters who camped out in cemeteries covered in white robes and pale chalk. It’s probably no coincidence that ghosts began to develop their own vocabulary—limited as it may be—during a period when everybody was curious about the goings-on within the spirit realm.

It may also help that boo was Scottish. Many of our Halloween traditions, such as the carving of jack-o’-lanterns, were carried overseas by Celtic immigrants. Scotland was a great exporter of people in the middle of the 1800s, and perhaps it’s thanks to the Scots-Irish diaspora that boo became every ghost’s go-to greeting.

Have you got a Big Question you'd like us to answer? If so, let us know by emailing us at bigquestions@mentalfloss.com.

Original image
iStock
arrow
Words
How New Words Become Mainstream
Original image
iStock

If you used the words jeggings, muggle, or binge-watch in a sentence 30 years ago, you would have likely been met with stares of confusion. But today these words are common enough to hold spots in the Oxford English Dictionary. Such lingo is a sign that English, as well as any other modern language, is constantly evolving. But the path a word takes to enter the general lexicon isn’t always a straightforward one.

In the video below, TED-Ed lays out how some new words become part of our everyday speech while others fade into obscurity. Some words used by English speakers are borrowed from other languages, like mosquito (Spanish), avatar (Sanskrit), and prairie (French). Other “new” words are actually old ones that have developed different meanings over time. Nice, for example, used to only mean silly, foolish, or ignorant, and meat was used as blanket term to describe any solid food given to livestock.

The internet alone is responsible for a whole new section of our vocabulary, but even the words most exclusive to the web aren’t always original. For instance, the word meme was first used by Richard Dawkins in his 1976 book The Selfish Gene.

To learn more about the true origins of the words we use on a regular basis, check out the full story from TED-Ed below.

[h/t TED-Ed]

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios