We at mental_floss may not be able to squeeze into European-size-36 pants (we need at least a 38), but that doesn't mean we can't appreciate Paris Fashion Week, which is ongoing -- and which we're marking all week long with a series of faaabulous posts. Nonetheless, feeling a bit self-conscious about our thighs, we decided to make today's post about the surroundings, rather than the doings. Hope you enjoy this little travelogue from our upcoming book, In the Beginning:
Ah, Paris: land of the crepe, the beret, and the River Seine"¦ Of course, only the river was there when Paris was founded. The place wasn't even called Paris at the time "“ Julius Caesar's legions, who controlled the area starting in 52 B.C., called it "Lutetia." (The word "Paris" comes from the Parisii tribe of Celtic traders who had settled the banks of the Ile de la Cite about 250 years earlier.) Lutetia was just a sleepy town in Gaul for most of the Roman Empire, and by the fall of said empire it was little more than a military outpost. Over the next 600 years or so, though, it served alternately as the home of the Frankish king Clovis I (who gave it its tribal-based name), the target of Viking raids, the feudal equivalent of a county seat "“ and, finally, in 987 AD, with the elevation of a local nobleman named Hugh Capet to the king's throne, a real capital of France.
Many of the landmarks associated with Paris weren't built until much later, in the 1200s. The Louvre was originally designed as a fortress (and later used as a palace), not a repository of great works of art. Notre Dame was mostly built by 1245 but wouldn't be completely finished for another 100 years. (Hey, you try building something like that without cranes and bulldozers.) Sainte Chapelle, another gorgeous church, opened its doors in 1248 as a house for Holy Land relics, including (supposedly) pieces of the "True Cross" and Jesus' crown of thorns. And the Sorbonne started enrolling students five years later at the behest of its founder, the infamous Armand Jean du Plessis. You know him as the Cardinal de Richelieu "“ the royal adviser so powerful that some historians consider him the world's first secretary of state.
Then there are the modern-day landmarks. Parisians are famously snobbish about their architecture "“ the Centre Pompidou and the Louvre's glass pyramid designed by I. M. Pei (and, alas, immortalized by Dan Brown) both provoked outrage when they were built. Their designers must have taken some solace in the fact that the Eiffel Tower, that symbol of all things Parisian, was also initially considered an eyesore when it was constructed for the International Exposition of 1889. The writer Guy de Maupassant, one of the fathers of the short story, famously patronized a restaurant inside the tower because it was the one place he wouldn't have to look at the building. Today, of course, the Eiffel Tower the most popular tourist draw in the city "“ and the Louvre and the Centre Pompidou are second and third.
Though Hulu has been producing original content for more than five years now, 2017 turned out to be a banner year for the streaming network with the debut of The Handmaid’s Tale on April 26, 2017. The dystopian drama, based on Margaret Atwood’s 1985 book, imagines a future in which a theocratic regime known as Gilead has taken over the United States and enslaved fertile women so that the group’s most powerful couples can procreate.
If it all sounds rather bleak, that’s because it is—but it’s also one of the most impressive new series to arrive in years (as evidenced by the slew of awards it has won, including eight Emmy and two Golden Globe Awards). Fortunately, fans left wanting more don’t have that much longer to wait, as season two will premiere on Hulu in April. In the meantime, here’s everything we know about The Handmaid’s Tale’s second season.
1. IT WILL PREMIERE WITH TWO EPISODES.
When The Handmaid’s Tale returns on April 25, 2018, Hulu will release the first two of its 13 new episodes on premiere night, then drop another new episode every Wednesday.
2. MARGARET ATWOOD WILL CONTINUE TO HELP SHAPE THE NARRATIVE.
Fans of Atwood’s novel who didn’t like that season one went beyond the original source material are in for some more disappointment in season two, as the narrative will again go beyond the scope of what Atwood covered. But creator/showrunner Bruce Miller doesn’t necessarily agree with the criticism they received in season one.
“People talk about how we're beyond the book, but we're not really," Miller told Newsweek. "The book starts, then jumps 200 years with an academic discussion at the end of it, about what's happened in those intervening 200 years. We're not going beyond the novel. We're just covering territory [Atwood] covered quickly, a bit more slowly.”
Even more importantly, Miller's got Atwood on his side. The author serves as a consulting producer on the show, and the title isn’t an honorary one. For Miller, Atwood’s input is essential to shaping the show, particularly as it veers off into new territories. And they were already thinking about season two while shooting season one. “Margaret and I had started to talk about the shape of season two halfway through the first [season],” he toldEntertainment Weekly.
In fact, Miller said that when he first began working on the show, he sketched out a full 10 seasons worth of storylines. “That’s what you have to do when you’re taking on a project like this,” he said.
3. MOTHERHOOD WILL BE A CENTRAL THEME.
As with season one, motherhood is a key theme in the series. And June/Offred’s pregnancy will be one of the main plotlines. “So much of [Season 2] is about motherhood,” Elisabeth Moss said during the Television Critics Association press tour. “Bruce and I always talked about the impending birth of this child that’s growing inside her as a bit of a ticking time bomb, and the complications of that are really wonderful to explore. It’s a wonderful thing to have a baby, but she’s having it potentially in this world that she may not want to bring it into. And then, you know, if she does have the baby, the baby gets taken away from her and she can’t be its mother. So, obviously, it’s very complicated and makes for good drama. But, it’s a very big part of this season, and it gets bigger and bigger as the show goes on.”
4. THE RESISTANCE IS COMING.
Just because June is pregnant, don’t expect her to sit on the sidelines as the resistance to Gilead continues. “There is more than one way to resist," Moss said. “There is resistance within [June], and that is a big part of this season.”
5. WE’LL GET TO SEE THE COLONIES.
Miller, understandably, isn’t eager to share too many details about the new season. “I’m not being cagey!” he swore to Entertainment Weekly. “I just want the viewers to experience it for themselves!” What he did confirm is that the new season will bring us to the colonies—reportedly in episode two—and show what life is like for those who have been sent there.
It will also delve further into what life is like for the refugees who managed to escape Gilead, like Luke and Moira.
6. MARISA TOMEI WILL APPEAR IN AN EPISODE.
Though she won’t be a regular cast member, Miller recently announced that Oscar winner Marisa Tomei will make a guest appearance in the new season’s second episode. Yes, the one that will show us the Colonies. In fact, that’s where we’ll meet her; Tomei is playing the wife of a Commander.
7. WE’LL LEARN MORE ABOUT THE ORIGINS OF GILEAD.
As a group shrouded in secrecy, we still don’t know much about how and where Gilead began. That will change a bit in season two. When discussing some of the questions viewers will have answered, executive producer Warren Littlefield promised that, "How did Gilead come about? How did this happen?” would be two of them. “We get to follow the historical creation of this world,” he said.
8. THERE WILL BE AT LEAST ONE HANDMAID FUNERAL.
While Miller wouldn’t talk about who the handmaids are mourning in a teaser shot from season two that shows a handmaid’s funeral, he was excited to talk about creating the look for the scene. “Everything from the design of their costumes to the way they look is so chilling,” Miller toldEntertainment Weekly. “These scenes that are so beautiful, while set in such a terrible place, provide the kind of contrast that makes me happy.”
9. ELISABETH MOSS SAYS THE TONE WILL BE DARKER.
Like season one, Miller says that The Handmaid’s Tale's second season will again balance its darker, dystopian themes with glimpses of hopefulness. “I think the first season had very difficult things, and very hopeful things, and I think this season is exactly the same way,” he told the Los Angeles Times. “There come some surprising moments of real hope and victory, and strength, that come from surprising places.”
Moss, however, has a different opinion. “It's a dark season,” she told reporters at TCA. “I would say arguably it's darker than Season 1—if that's possible.”
10. IT WILL ALSO BE BLOODIER.
When pressed about how the teaser images for the new season seemed to feature a lot of blood, Miller conceded: “Oh gosh, yeah. There may be a little more blood this season.”
There's something peculiar about the new swans floating around reservoirs in Singapore. They drift across the water like normal birds, but upon closer inspection, onlookers will find they're not birds at all: They're cleverly disguised robots designed to test the quality of the city's water.
As Dezeen reports, the high-tech waterfowl, dubbed NUSwan (New Smart Water Assessment Network), are the work of researchers at the National University of Singapore [PDF]. The team invented the devices as a way to tackle the challenges of maintaining an urban water source. "Water bodies are exposed to varying sources of pollutants from urban run-offs and industries," they write in a statement. "Several methods and protocols in monitoring pollutants are already in place. However, the boundaries of extensive assessment for the water bodies are limited by labor intensive and resource exhaustive methods."
By building water assessment technology into a plastic swan, they're able to analyze the quality of the reservoirs cheaply and discreetly. Sensors on the robots' undersides measure factors like dissolved oxygen and chlorophyll levels. The swans wirelessly transmit whatever data they collect to the command center on land, and based on what they send, human pilots can remotely tweak the robots' performance in real time. The hope is that the simple, adaptable technology will allow researchers to take smarter samples and better understand the impact of the reservoir's micro-ecosystem on water quality.
NUS Environmental Research Institute, Subnero
This isn't the first time humans have used robots disguised as animals as tools for studying nature. Check out this clip from the BBC series Spy in the Wild for an idea of just how realistic these robots can get.