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11 Awesomely Unexpected Things in St. Louis’s City Museum

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It’s hard to describe St. Louis’s City Museum to people who haven’t been there, but calling it a giant playground is a good place to start. The 600,000 square foot building, formerly home to the International Shoe Factory, was purchased in 1995 by Bob Cassilly (who died last year while creating a new, similarly whimsical tourist attraction, Cementland). The classically-trained sculptor set out to make a funhouse for young and old out of unique, reclaimed objects found within the city’s municipal borders. Today, the museum accepts things from all over. “As we have grown we have had greater opportunities presented to us of stuff from outside St. Louis,” says museum director Rick Erwin III. “If you have something cool you want to give us, I’m not going to say no just because it’s not from St. Louis. Cool stuff is cool stuff.”

The museum space is based on repetition, solid lines, curves, and colors. "People will call and say, 'Hey, do you want a vacuum cleaner?'" Erwin says. "I'll say, 'No. Do you have a thousand vacuum cleaners? I'll take that. I want a lot of stuff!'" They hate dead ends and columns, and built a full-scale bowhead whale for their first floor. Because the museum is constantly finding things and accepting donations, the space is always growing and changing. The newest space is a series of tunnels underneath the building, a giant indoor treehouse, and a slide that goes into the museum's pump room. Erwin calls it "The Fungeon."

The collection includes cranes, old bridges, a human-sized hamster wheel, vintage opera posters, a room of preserved insects, a bank vault, a fish tank full of turtles (and one very friendly 39-pound catfish), and at least one alien dressed like Elvis in a coffin—all accessible via stairs, elevator, tunnel, or slide. (The museum also houses an aquarium and an old-fashioned shoelace-making facility.) "It was all Bob's idea," Erwin says. "People think I made him up." A sign outside reads: “The City Museum is full of creativity, adventure, and learning … and is fraught with DANGER. Enter at your own risk!”

So basically, it’s the coolest—and most entertaining—place on Earth. Here are just 11 of the many awesome things you’ll find at the City Museum.

1. The 10-Story Slide

The International Shoe Company didn’t have freight elevators, so workers sent shoes to different floors on chutes. “Workers would stop the shoes when they saw their size, switch shoes and then send their old shoes down,” Erwin says. Cassilly and company converted the chutes into a dizzyingly fun spiral slide that deposits visitors in the museum’s caves. (There's also a 5-story slide.)

2. Two Planes

“The story goes that we purchased them after the flood of 1993,” Erwin says. “One of them belonged to Wayne Newton.” Now, the planes are part of the museum's MonstroCity; visitors can crawl through a series of wire tubes and explore the interior of the planes.

3. Big Eli

This 30-foot-high Ferris wheel, which was manufactured in 1940, was found in a barn. "It used to be on a flatbed, so it's actually safer up here," Erwin says. Before it was put on the roof, it was fully restored.

4. A School Bus

To create the museum's exhibits, a team of artisans will often cut through the building’s floors or hoist objects up the side of the building—sometimes without permits, as they did with this school bus, donated by the Roxana School District, that overhangs the roof. "You can actually make it bounce," Erwin says. "It's on hydraulics. We spent a lot of money proving that it's safe." Also on top of the building: a giant praying mantis sculpture created by Cassilly; a pair of Beluga whale sculptures placed to look like they’re swimming; a dome with a rope swing; and a splash pond. (There were plans to put a water park on the roof—including a slide down the side of the building—but unfortunately the building couldn’t support the weight of the water.) Everything is constructed by the in-house team.

5. The World’s Largest Pencil …

This 76-plus foot, 21,500 pound No. 2 pencil was made and donated by Ashrita Furman, who is currently the world record holder of the most world records. It contains 4000 pounds of graphite and is the equivalent of 1,900,000 regular pencils. If you could lift it, you could write with it—and its 250 pound rubber eraser can do its job, too. "It took a crane to get this into the building," Erwin says. "It was in two pieces."

6. … And The Largest Pair of Underpants

These 7-foot-tall tighty-whiteys once went missing from the museum’s walls. "They just disappeared one day," Erwin says. "We vowed that we would go commando until they showed up." They reappeared 3.5 weeks later, freshly laundered.

7. Fiberglass

Those things that look like icicles hanging from the City’s first floor ceiling? It’s actually fiberglass donated by Boeing. "It's the same stuff you wrap around the outside of an airplane," Erwin says.

8. Cooling Tube

This cooling tube, located on the museums's first floor, came from St. Louis-based brewery Anheuser-Busch. "It used to be inside the beer [tank], to keep the beer cold," Erwin says. Now, visitors can climb up it to other floors of the museum.

9. The Puking Pig


This is a boiler expansion tank, with the face of a pig, that’s bolted to the back end of a 1899 fire truck. Every 90 seconds, the tank fills with water and tips—which makes the pig look like it’s puking.

10. Pipe Organ

This organ was built in 1924 for the Rivoli Theater in New York City. It's been fully restored and is now operated with an electronic console.

11. Cross

This cross came from the east wing of the Alexian Brothers Hospital in St. Louis. That's where, in the 1940s, the exorcism that inspired the novel and film The Exorcist took place. "The story goes that during the exorcism, the cross was struck by lightning," Erwin says. "This became very famous in the last year or so. People want to sleep under it. It's a little weird."

BONUS! Stuff they have that’s not on display … yet.

The Museum is constantly expanding and tweaking its space as it gets new stuff. Currently, the world's largest tennis racket—also built by Furman, it measures 50 feet, 3.01 inches long by 16 feet, 8.6 inches wide—is sitting in storage, just waiting for a place in the museum. And there's more: Various cast iron store fronts from St. Louis, thousands of glass bottles, 50,000 paver bricks, a merry-go-round, an airplane, neon signs, corbels from Chicago Union Passenger Depot, and, says Erwin, "so much terra cotta that we could build an addition."

Have you been to the City Museum? If so, what's your favorite part? What cool treasures did we leave out?

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Courtesy of Crumbs & Whiskers
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Animals
Inside Crumbs & Whiskers, the Bicoastal Cat Cafe That's Saving Kitties' Lives
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Courtesy of Crumbs & Whiskers

It took a backpacking trip to Thailand and a bit of serendipity for Kanchan Singh to realize her life goal of saving cats while serving lattes. “I met these two guys on the road [in 2014], and we became friends,” Singh tells Mental Floss about Crumbs & Whiskers, the bicoastal cat cafe she founded in Washington, D.C. in 2015 which, in addition to selling coffee and snacks, fosters adoptable felines from shelters. “They soon noticed that I was feeding every stray dog and cat in sight," and quickly picked up on the fact that their traveling companion was crazy about all things furry and fluffy.

On Singh’s final day in Thailand, which happened to be her birthday, her friends surprised her with a celebratory trip to a cat cafe in the city of Chiang Mai. “I remember walking in there being like, ‘This is the coolest, most amazing, weirdest thing I’ve ever done,'” Singh recalls. “I just connected with it so much on a spiritual level.”

Singh informed her friends that she planned to return to the U.S., quit her corporate consulting job, and open up her own cat cafe in the nation’s capital. They thought she was joking. But three years and two storefronts later, the joke is on everyone except for Singh—and the kitties she and her team have helped to rescue.

A customer pets cats while drinking coffee at the flagship Washington, D.C. location of cat cafe Crumbs & Whiskers.
A customer pets cats while drinking coffee at the flagship Washington, D.C. location of cat cafe Crumbs & Whiskers.
Courtesy of Crumbs & Whiskers

Washington, D.C. customers stroke a furry feline while enjoying coffee at cat cafe Crumbs & Whiskers.
Washington, D.C. customers stroke a furry feline while enjoying coffee at Crumbs & Whiskers.
Courtesy of Crumbs & Whiskers

Crumbs & Whiskers—which, in addition to its flagship D.C. location, also has a Los Angeles outpost—keeps a running count of the cats they've saved from risk of euthanasia and those who have been adopted. At press time, those numbers were 776 and 388, respectively, between the brand’s two locations.

Prices and services vary between establishments, but customers can typically expect to shell out anywhere from $6.50 to $35 to enjoy coffee time with cats (food and drinks are prepared off-site for health and safety reasons), activities like cat yoga sessions, or, in D.C., an entire day of coworking with—you guessed it—cats. Patrons can also participate in the occasional promotion or campaign, ranging from Black Friday fundraisers for shelter kitties to writing an ex-flame's name inside a litter box around Valentine's Day (where the cats will then do their business).

Cat cafes have existed in Asia for nearly 20 years, with the world’s first known one, Cat Flower Garden, opening in Taipei, Taiwan in 1998. The trend gained traction in Japan during the mid 2000s, and quickly spread across Asia. But when Singh visited Chiang Mai, the cat cafe craze—while alive and thriving in Thailand—had not yet hit the U.S. "Why does Thailand get this, but not the U.S.?" Singh remembers thinking.

Once she arrived back home in D.C., Singh set her sights on founding the nation’s first official cat cafe, launching a successful Kickstarter campaign that helped her secure a two-story space in the city’s Georgetown neighborhood. Ultimately, though, she was beat to the punch by the Cat Town Cafe in Oakland, California, which opened to the public in 2014, followed shortly after by establishments like New York City’s Meow Parlour.

LA customers at cat cafe Crumbs & Whiskers
LA customers at cat cafe Crumbs & Whiskers
Courtesy of Crumbs & Whiskers

Still, Crumbs & Whiskers—which officially launched in D.C. in the summer of 2015—was among the nation’s first wave of businesses (and the District's first) to offer customers the chance to enjoy feline companionship with a side of java, along with the opportunity to maybe even save a tiny life. Ultimately, the altruistic concept proved to be so successful that Singh, sensing a market for a similar storefront in Los Angeles, opened up a second location there in the fall of 2016. "I always felt like what L.A. is, culturally, just fits with the type of person that would go to a cat café," she says.

Someday, Singh hopes to bring Crumbs & Whiskers to Chicago and New York, and “for cat cafes as a concept, as an industry, to grow,” she says. “I think that it would be great for this to be the future of adoptions and animal rescues.” Until then, you can learn more about Crumbs & Whiskers (and the animals they rescue) by stopping by if you're in D.C. and LA, or by visiting their website.

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MGM
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entertainment
15 Inconceivable Facts About The Princess Bride
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MGM

It's no wonder The Princess Bride is such a beloved film: It's action-packed but still lighthearted, sweet but not saccharine, silly but still smart—and, of course, endlessly quotable. Fortunately, in 2012, the movie's leading man Cary Elwes was inspired to write a behind-the-scenes book about the making of the movie in honor of its 25th anniversary, for which he interviewed nearly all of the key cast and crew (sadly, André the Giant, who played Fezzik, passed away in 1993).

Pulling from the impressively detailed text of As You Wish: Inconceivable Tales from the Making of The Princess Bride and various interviews Elwes and others have given over the years, we rounded up a series of fun facts and anecdotes sure to delight any fan of the film, which was released 30 years ago today.

1. IT WAS WRITTEN FOR THE AUTHOR'S DAUGHTERS.

William Goldman, who wrote the novel The Princess Bride in 1973 and penned the screenplay, told Entertainment Weekly that, "I had two little daughters, I think they were 7 and 4 at the time, and I said, 'I’ll write you a story. What do you want it to be about?' One of them said 'a princess' and the other one said 'a bride.' I said, 'That’ll be the title.'"

2. BOTH THE DIRECTOR AND THE LEADING MAN ALREADY KNEW AND LOVED THE STORY BEFORE FILMING EVEN BEGAN.

Cary Elwes' stepfather had given him Goldman's book in 1975, when the future actor was just 13 years old. Rob Reiner, who directed the movie, first read the book in his 20s when Goldman gave it to his father. It quickly became Reiner's favorite book of all time, and he had long wanted to turn it into a movie—but he had no idea that many before him had tried and failed.

3. FOR A LONG TIME, NO ONE WAS ABLE TO MAKE THE MOVIE.

At one point or another, Robert Redford, Norman Jewison, John Boorman, and François Truffaut all tried to get the book made into a movie, but due to a series of unrelated incidents—"green-lighters" getting fired, production houses closing—it languished for years. (In one of these proto-Princess Brides, a then-unknown Arnold Schwarzenegger was supposed to play Fezzik.) 

After several false starts, Goldman bought back the rights to the book. The movie only got made because Reiner had built up so much good will with movies like This is Spinal Tap and The Sure Thing that the studio, 20th Century Foxoffered to make any project of his choice.

4. MANDY PATINKIN FELT A PERSONAL CONNECTION TO THE CHARACTER OF INIGO MONTOYA.

Andre the Giant, Mandy Patinkin and Wallace Shawn in The Princess Bride (1987).
MGM

"The moment I read the script, I loved the part of Inigo Montoya," Patinkin told Entertainment Weekly. "That character just spoke to me profoundly. I had lost my own father—he died at 53 years old from pancreatic cancer in 1972. I didn’t think about it consciously, but I think that there was a part of me that thought, If I get that man in black, my father will come back. I talked to my dad all the time during filming, and it was very healing for me."

5. ANDRÉ THE GIANT COULD REALLY, REALLY DRINK.

Three bottles of cognac and 12 bottles of wine reportedly made him just a little tipsy. When the cast would go out for dinner, André—who, according to Robin Wright, ordered four appetizers and five entrees—would drink out of a 40-ounce beer pitcher filled with a mix of liquors, a concoction he called "The American."

6. ANDRÉ HAD AN UNCONVENTIONAL METHOD FOR LEARNING HIS LINES.

Reiner and Goldman met André, then a famous wrestler, at a bar in Paris. "I brought him up to the hotel room to audition him. He read this three-page scene, and I couldn’t understand one word he said," Reiner recalled. "I go, ‘Oh my God, what am I going to do? He’s perfect physically for the part, but I can’t understand him!’ So I recorded his entire part on tape, exactly how I wanted him to do it, and he studied the tape. He got pretty good!"

7. WILLIAM GOLDMAN WAS INCREDIBLY NERVOUS ON THE SET.

Of all the projects he’d written and worked on—which included the Academy Award-winning Butch Cassidy and the Sundance Kid—Goldman loved The Princess Bride best of all. This manifested itself as extreme nervousness about the project. Reiner invited Goldman to be on set for the duration of the filming—which Goldman did not want to do, saying, “I don’t like being on set. If you’re a screenwriter, it’s boring”—but on the first day, he proved to be a slight nuisance. The first couple takes were plagued by a barely-audible chanting, which turned out to be Goldman praying things would go well. And when Wright's character's dress caught on fire, he panicked, yelling, "Oh my god! Her dress is on fire!"—even though Goldman himself had written that into the script.

8. WALLACE SHAWN WAS BRILLIANT, BUT ALWAYS ON EDGE.

Wallace Shawn and Robin Wright in The Princess Bride (1987)
MGM

Shawn, who played Vizzini the Sicilian, really is, like his character, a man of "dizzying intellect." He has a history degree from Harvard and studied philosophy and economics at Oxford. In fact, on a day off from filming The Princess Bride, Shawn went to Oxford to give a guest lecture on British and American literature. But Shawn was inconsolably nervous for the entirety of filming.

After learning from his agent that Reiner had originally wanted Danny DeVito for the part, Shawn was wracked with insecurity, perpetually convinced that he was going to be fired after every bad take. "Danny is inimitable," Shawn said. "Each scene we did, I pictured how he would have done it and I knew I could never possibly have done it the way he could have done it," he said.

9. THE DUEL BETWEEN WESTLEY AND INIGO WAS EXCRUCIATINGLY RESEARCHED AND REHEARSED.

Goldman spent months researching 17th-century swordfighting manuals to craft Westley and Inigo's duel; all the references the characters make to specific moves and styles are completely accurate. Then Elwes and Patinkin, neither of whom had much (if any) fencing experience, spent more months training to perfect it—right- and left-handed.

"I knew that my job was to become the world’s greatest sword fighter," Patinkin recalled in Elwes's book. "I trained for about two months in New York and then we went to London and Cary and I trained every day that we weren’t shooting for four months. There were no stuntmen involved in any of the sword fights, except for one flip in the air.” Even after months of pre-shooting training, the fencing instructors came to set and, when there were a few free minutes, would pull Elwes and Patinkin aside to work on the choreography for the scene, which was intentionally one of the last to be shot.

10. IT WAS ELWES'S IDEA TO DIVE HEADFIRST INTO THE "QUICKSAND."

That particular Fire Swamp stunt was accomplished by having a trap door underneath a layer of sand, below which there was foam padding for the actors to fall onto. Originally, the direction called for Westley to jump in feet-first after Buttercup, but Elwes argued this wasn't particularly heroic. Switching up the direction was a risky move—if the trap door wasn't opened at exactly the right instant, Elwes risked banging his head—or even breaking his neck. After the stunt double successfully executed the dive, Elwes himself tried it, and nailed it perfectly on the first take.

11. MIRACLE MAX REALLY WAS THAT FUNNY—AND YOU'RE NOT EVEN SEEING HIS BEST STUFF.

Billy Crystal brought two photos for his makeup artist, Peter Montagna, to draw inspiration from when creating Miracle Max: Crystal’s grandmother and Casey Stengel. As for the acting, Elwes wrote in his book, "For three days straight and 10 hours a day, Billy improvised 13th-century period jokes, never saying the same thing or the same line twice." Unfortunately for viewers, many of the improvised jokes were not fit for a family-friendly film. Only the cast and crew knows how funny his more crude Miracle Max takes were, but judging from the fact that Patinkin bruised a rib trying to stifle his laughter, as he recounts in the book, they were probably pretty good.

12. BILLY CRYSTAL AND CAROL KANE, WHO PLAYED HIS WIFE, INVENTED AN ENTIRE BACKSTORY.

Carol Kane and Billy Crystal in The Princess Bride (1987)
MGM

"Billy came over to my apartment in Los Angeles and we took the book and underlined things and made up a little more backstory for ourselves," Kane said. "We added our own twists and turns and stuff that would amuse us, because there’s supposed to be a long history—who knows how many hundreds of years Max and Valerie have been together?" How has that pair not gotten a spin-off film yet? 

13. ELWES FILMED MANY OF HIS SCENES WITH A BROKEN TOE.

Six weeks into production, André convinced Elwes to go for a spin on the ATV that was used to transport the larger man to and from filming locations because he didn’t fit in the van. Almost immediately, the vehicle hit a rocky patch and Elwes got his foot stuck between two mechanisms in the vehicle, breaking his big toe. The young actor tried to hide the injury from his director, but, of course, Reiner quickly found out. He didn't find a new Westley, as Elwes feared he might, but they did have to work some movie magic to allow Elwes to limp around in many of the scenes undetected.

14. ONE PARTICULAR ON-SCREEN INJURY WASN'T FAKED.

As soon as Westley recognizes Count Rugen as the six-fingered man, the script calls for the Count to knock our hero unconscious with the butt of his sword. In filming, Christopher Guest, who played Rugen, was naturally reluctant to really hit Elwes for fear of hurting him. Unfortunately, this reticence was reading on screen and take after take failed to look convincing. Finally, Elwes suggested Guest just go for, at least tap him on the head to get the reaction timing right. The tap came a little too hard, however, and Elwes was knocked legitimately unconscious; he later awoke in the hospital emergency room. It's that take, with Elwes actually passing out, that appears in the film.

15. ONE OF THE FINAL SCENES NEVER MADE IT INTO THE FINAL FILM.

In an alternate ending that was eventually cut, Fred Savage—who plays the initially reluctant audience to Peter Falk's reading of The Princess Bride—goes to his window after his grandfather has left and sees Fezzik, Inigo, Westley, and Buttercup all on their white horses.

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