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World War I Centennial: Wilson Takes The White House

The First World War was an unprecedented catastrophe that killed millions and set the continent of Europe on the path to further calamity two decades later. But it didn’t come out of nowhere.

With the centennial of the outbreak of hostilities coming up in 2014, Erik Sass will be looking back at the lead-up to the war, when seemingly minor moments of friction accumulated until the situation was ready to explode. He'll be covering those events 100 years after they occurred. This is the 42nd installment in the series. (See all entries here.)

November 5, 1912: Wilson Takes the White House

There aren’t many times in U.S. history when a candidate for president could take 41.8 percent of the popular vote and have it called a landslide victory, but that’s exactly what happened in the bizarre four-way election of 1912, when Democrat Woodrow Wilson swept to power with considerably less than half the vote.

The election of 1912 occurred in a time of economic, social, and political upheaval. Thanks to high birth rates, an improving standard of living, and massive immigration from Europe, the U.S. population soared from 63 million in 1890 to 76.2 million in 1900 and 95.3 million in 1912, a 51 percent jump in just over two decades (for comparison, from 1990 to 2012, the U.S. population increased 26.5 percent from 248.7 million to 314.7 million).

While the population was growing fast, voting rights were still confined to a relatively small number of Americans. On November 5, 1912, just over 14.8 million American men turned out to vote across the 48 continental United States. Because women and most immigrant non-citizens couldn’t vote in federal elections, and African-Americans were widely prevented from voting by Jim Crow laws or simple intimidation, the participating electorate represented just 15.5 percent of the total U.S. population of 95.3 million in 1912; that compares to a popular vote tally of 43.2 percent of the total population in 2008.

Although activists for women’s suffrage and black civil rights were already demanding reform, gender and race were still mostly background issues in 1912: the most prominent social divisions of the era pitted the city against the countryside, and labor against business. These tensions resulted from rapid, sweeping change and were the source of mounting popular anxiety.

From 1880 to 1910, the United States completed its transition from a mostly agrarian economy, based on farm production, to a mostly industrial economy based on manufacturing. While industry’s share of gross domestic product had been increasing throughout the 19th century, its contribution to GDP passed agriculture’s for the first time in the 1880s. Subsequently farming’s contribution to GDP slipped from around a third in 1890 to a quarter in 1909, while the proportion of the American work force engaged in agricultural work fell from 50 percent in 1870 to 32 percent in 1910, and the share of the population living in rural areas fell from 64.9 percent in 1890 to 54.4 percent in 1910.

Accompanying all these changes was the sense that America’s traditional self-image as a rustic Arcadia was fading, and the countryside was in retreat (as indeed it was in the Northeast, where the number of acres under cultivation fell from 23.5 million in 1900 to 22 million in 1910 and 21.3 million in 1920). This transition also gave rise to growing political tension between urban and rural America. In 1896, for example, William Jennings Bryan won the Democratic nomination with his famous “Cross of Gold” speech calling for free coinage of silver to inflate the money supply and reduce the burden on indebted farmers, even if it hurt big business: “The merchant at the crossroads store is as much a businessman as the merchant of New York. The farmer who goes forth in the morning and toils all day… is as much a businessman as the man who goes upon the Board of Trade and bets upon the price of grain.”

At the same time there was also growing tension within the cities themselves, as factory workers confronted wealthy industrialists and the government with demands for better pay and working conditions. As the industrial economy expanded, wages often failed to keep pace with the cost of living—although the average yearly income of a factory worker increased from $426 in 1899 to $579 in 1914, this actually represented a 10 percent decline in terms of real purchasing power. Unsurprisingly, labor disputes were commonplace, and around this time they reached a boiling point: According to the New York State Department of Labor, the number of employees involved in strikes and lockouts in New York (the most populous and industrialized state) soared from 23,236 in 1908 to 206,922 in 1910 and 304,301 in 1913.

The presidential election of 1912 reflected all the conflicts at work in a society undergoing rapid transformation. Aggrieved workers were represented by Eugene Debs, a radical socialist who had helped found the “Wobblies” (the Industrial Workers of the World) and already run for president on three previous occasions, in 1900, 1904, and 1908; a fiery speaker, Debs would succeed in attracting 6 percent of the popular vote—the most ever garnered by a Socialist candidate in U.S. history. During the Great War, which few if any foresaw, Debs’ opposition to U.S. involvement would land him in prison. At his sentencing in November 1918, Debs famously declared that “while there is a lower class, I am in it, and while there is a criminal element I am of it, and while there is a soul in prison, I am not free.”

Among the mainstream parties, the Republicans were split by former President Teddy Roosevelt’s decision to run again. Roosevelt had fallen out with fellow Republican William Howard Taft, his friend and successor, over a variety of social and economic issues. As the leader of the “progressive” Republicans, Roosevelt wanted to pursue social reforms and improve conditions for industrial workers, which put him on the side of unions; indeed, in October 1912, he declared, “It is essential that there should be organizations of labor. This is an era of organization. Capital organizes and therefore labor must organize.” Meanwhile, Taft and the “conservative” Republicans sided with the captains of industry against the unions, which Taft criticized for “lawlessness in labor disputes,” and opposed any further legislation protecting organized labor. There was some common ground, however, as both conservatives and progressives tended to support tariffs to protect American industry.

The split in the Republican Party ended up handing the White House to the Democratic contender, Woodrow Wilson—a professor of political science who previously served as president of Princeton and then governor of New Jersey. In a rancorous national convention, Wilson clinched the Democratic nomination only after receiving the endorsement of William Jennings Bryan, who continued to speak for the interests of American farmers. Wilson’s platform reflected the desires of this rural base, including cotton growers in the Deep South: Like Bryan, he opposed protective tariffs which favored industry at the expense of agriculture, and in 1916 he signed the Federal Farm Loan Act. But he also co-opted the Republicans by adopting key progressive policies, including trust-busting and social reforms.

In the end, the divided Republicans together took 50.6 percent of the popular vote, with 27.4 percent going to the Progressive Teddy Roosevelt and 23.2 percent going to Taft, the actual Republican nominee. Roosevelt won considerably more states, however, including Pennsylvania, Michigan, Minnesota, Iowa, Washington, and most of California (which could divide its Electoral College votes, as Maine and Nebraska do today), giving him a total 88 votes in the Electoral College; Taft only managed to win Vermont and Utah, giving him a grand total of eight votes in the Electoral College (he even lost his home state of Ohio).

Thus Wilson managed to win a huge victory in the Electoral College despite getting less than half the popular vote. His 41.8 percent of the popular vote translated into victories in 40 out of 48 states, for a whopping 435 votes in the Electoral College.

See previous installment, next installment, or all entries.

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Courtesy New York Academy of Medicine Library
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10 Treasures From the New York Academy of Medicine Library
A urine wheel from Fasciculus Medicinae
A urine wheel from Fasciculus Medicinae
Courtesy New York Academy of Medicine Library

Tucked away on a side street near Central Park, the New York Academy of Medicine Library is one of the most significant historical medical libraries in the world. Open to the public by appointment since the 19th century, its collection includes 550,000 volumes on subjects ranging from ancient brain surgery to women's medical colleges to George Washington's dentures. A few weeks ago, Mental Floss visited to check out some of their most fascinating items connected to the study of anatomy. Whether it was urine wheels or early anatomy pop-up books, we weren't disappointed.

1. FASCICULUS MEDICINAE (1509)

The Fasciculus Medicinae is a compilation of Greek and Arabic texts first printed in Venice in 1491. While it covers a variety of topics including anatomy and gynecology, the book begins with the discipline considered most important for diagnosing all medical issues at the time: uroscopy (the study of urine). The NYAM Library's curator, Anne Garner, showed us the book's urine wheel, which once had the various flasks of urine colored in to help aid physicians in their diagnosis. Each position of the wheel corresponded to one of the four humors, whether it was phlegmatic, choleric, sanguine, or melancholic. The image on the left, Garner explains, "shows the exciting moment where a servant boy brings his flasks to be analyzed by a professor." Other notable images in the book include one historians like to call "Zodiac Man," showing how the parts of the body were governed by the planets, and "Wound Man," who has been struck by every conceivable weapon, and is accompanied by a text showing how to treat each type of injury. Last but not least, the book includes what's believed to be the first printed image of a dissection.

2. ANDREAS VESALIUS, DE HUMANI CORPORIS FABRICA (1543)

Andreas Vesalius's Fabrica
Frontispiece of Andreas Vesalius's Fabrica
Courtesy New York Academy of Medicine Library

Andreas Vesalius, born 1514, was one of the most important anatomists who ever lived. Thanks to him, we moved past an understanding of the human body based primarily on the dissection of animals and toward training that involved the direct dissection of human corpses. The Fabrica was written by Vesalius and published when he was a 28-year-old professor at the University of Padua. Its detailed woodcuts, the most accurate anatomical illustrations up to that point, influenced the depiction of anatomy for centuries to come. "After this book, anatomy divided up into pre-Vesalian and post-Vesalian," Garner says. You can see Vesalius himself in the book's frontispiece (he's the one pointing to the corpse and looking at the viewer). "Vesalius is trying to make a point that he himself is doing the dissection, he believes that to understand the body you have to open it up and look at it," Garner explains.

3. THOMAS GEMINUS, COMPENDIOSA (1559)

Flap anatomy from Thomas Geminus's Compendiosa
Courtesy New York Academy of Medicine Library

There was no copyright in the 16th century, and Vesalius's works were re-used by a variety of people for centuries. The first was in Flemish printer and engraver Thomas Geminus’s Compendiosa, which borrowed from several of Vesalius's works. The first edition was published in London just two years after the Fabrica. Alongside a beautiful dedication page made for Elizabeth I and inlaid with real gemstones, the book also includes an example of a "flap anatomy" or a fugitive leaf, which was printed separately with parts that could be cut out and attached to show the various layers of the human body, all the way down to the intestines. As usual for the time, the female is depicted as pregnant, and she holds a mirror that says "know thyself" in Latin.

4. WILLIAM COWPER, THE ANATOMY OF HUMANE BODIES (1698)

Illustration from William Cowper's The Anatomy of Humane Bodies
Courtesy New York Academy of Medicine Library

After Vesalius, there was little new in anatomy texts until the Dutch anatomist Govard Bidloo published his Anatomia humani corporis in 1685. The work was expensive and not much of a financial success, so Bidloo sold excess plates to the English anatomist William Cowper, who published the plates with an English text without crediting Bidloo (a number of angry exchanges between the two men followed). The copperplate engravings were drawn by Gérard de Lairesse, who Garner notes was "incredibly talented." But while the engravings are beautiful, they're not always anatomically correct, perhaps because the relationship between de Lairesse and Bidloo was fraught (Bidloo was generally a bit difficult). The skeleton shown above is depicted holding an hourglass, by then a classic of death iconography.

5. 17TH-CENTURY IVORY MANIKINS

17th Century Ivory Manikin
Courtesy New York Academy of Medicine Library

These exquisite figures are a bit of a mystery: It was originally thought that they were used in doctors’ offices to educate pregnant women about what was happening to their bodies, but because of their lack of detail, scholars now think they were more likely expensive collector's items displayed in cabinets of curiosity by wealthy male physicians. The arms of the manikins (the term for anatomical figures like this) lift up, allowing the viewer to take apart their removable hearts, intestines, and stomachs; the female figure also has a little baby inside her uterus. There are only about 100 of these left in the world, mostly made in Germany, and NYAM has seven.

6. BERNHARD SIEGFRIED ALBINUS, TABULAE SCELETI (1747)

Illustration from Bernhard Siegfried Albinus's Tabulae Sceleti
Courtesy New York Academy of Medicine Library

One of the best-known anatomists of the 18th century, the Dutch anatomist Bernhard Siegfried Albinus went to medical school at age 12 and had a tenured position at the University of Leiden by the time he was 24. The Tabulae Sceleti was his signature work. The artist who worked on the text, Jan Wandelaar, had studied with Gérard de Lairesse, the artist who worked with Bidloo. Wandelaar and Albinus developed what Garner says was a bizarre method of suspending cadavers from the ceiling in the winter and comparing them to a (very cold and naked) living person lying on the floor in the same pose. Albinus also continued the dreamy, baroque funerary landscape of his predecessors, and his anatomy is "very, very accurate," according to Garner.

The atlas also features an appearance by Clara, a celebrity rhinoceros, who was posed with one of the skeletons. "When Albinus is asked why [he included a rhinoceros], he says, 'Oh, Clara is just another natural wonder of the world, she's this amazing creation,' but really we think Clara is there to sell more atlases because she was so popular," Garner says.

7. FERDINAND HEBRA, ATLAS DER HAUTKRANKHEITEN (1856–1876)

Circus performer Georg Constantin as depicted in Ferdinand Hebra's dermatological atlas
Courtesy New York Academy of Medicine Library

By the mid-19th century, dermatology had started to emerge as its own discipline, and the Vienna-based Ferdinand Hebra was a leading light in the field. He began publishing this dermatological atlas in 1856 (it appeared in 10 installments), featuring chromolithographs that showed different stages of skin diseases and other dermatological irregularities.

"While some of the images are very disturbing, they also tend to adhere to Victorian portrait conventions, with very ornate hair, and [subjects] looking off in the distance," Garner says. But one of the most famous images from the book has nothing to do with disease—it's a depiction of Georg Constantin, a well-known Albanian circus performer in his day, who was covered in 388 tattoos of animals, flowers, and other symbols. He travelled throughout Europe and North America, and was known as "Prince Constantine" during a spell with Barnum's Circus. (The image is also available from NYAM as a coloring sheet.)

8. KOICHI SHIBATA, OBSTETRICAL POCKET PHANTOM (1895)

19th century Obstetrical Pocket Phantom
Courtesy New York Academy of Medicine Library

Obstetrical phantoms, often made of cloth, wood, or leather, were used to teach medical students about childbirth. This "pocket phantom" was originally published in Germany, and Garner explains that because it was made out of paper, it was much cheaper for medical students. The accompanying text, translated in Philadelphia, tells how to arrange the phantom and describes the potential difficulties of various positions.

9. ROBERT L. DICKINSON AND ABRAM BELSKIE, BIRTH ATLAS (1940)

Image from Robert Dickinson's Birth Atlas
Courtesy New York Academy of Medicine Library

Robert Dickinson was a Brooklyn gynecologist, early birth control advocate, and active member of NYAM. His Birth Atlas is illustrated with incredibly lifelike terracotta models created by New Jersey sculptor Abram Belskie. The models were exhibited at the 1939 New York World's Fair, where they became incredibly popular, drawing around 700,000 people according to Garner. His depictions "are very beautiful and serene, and a totally different way of showing fetal development than anything that had come before," Garner notes.

10. RALPH H. SEGAL, THE BODYSCOPE (1948)

The Bodyscope
Courtesy New York Academy of Medicine Library

This midcentury cardboard anatomy guide contains male and female figures as well as rotating wheels, called volvelles, that can be turned to display details on different parts of the body as well as accompanying explanatory text. The Bodyscope is also decorated with images of notable medical men—and "wise" sayings about God's influence on the body.

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23 Funny Historical Letters to Santa
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At the end of the 19th century, illustrator Thomas Nast popularized our current version of Santa Claus: a fat, jolly man with a white beard and a red suit who lives at the North Pole. Nast’s cartoons in publications like Harper’s Weekly also helped spread the idea of sending St. Nick mail. By the late 1870s, American children had begun mailing their Christmas wish lists to Santa, but the Post Office considered these letters undeliverable. Around this time, newspapers began prompting children to send wish lists to them, which would then be published so that Santa (and parents) could read the letters all in one place. We’ve collected 23 funny historical letters from children to Santa Claus, as printed in newspapers across the U.S.

1. CONRAD FROM NEBRASKA (1896)

The Courier, Dec. 19, 1896

Conrad tries to mask his violent tendencies by interspersing the weapons between non-threatening gifts, but he shows his hand with that threat at the end.

2. CLIFFORD FROM NEBRASKA (1896)

The Courier, Dec. 19, 1896

Clifford sounds ... intense.

3. MARIE FROM NEBRASKA (1896)

The Courier, Dec. 19, 1896

“As I can not have it I will not ask for it" ... but I will mention it, just in case.

4. LYNWOOD FROM VIRGINIA (1903)

“I smashed everything you sent me last year." I won’t tell you what I want this year, but you better not mess up.

5. PAUL FROM VIRGINIA (1903)

This 4-year-old is very concerned about his infant brother’s lack of teeth. Since the local doctor has proved useless to rectify the situation, Paul hopes Santa might be able to lend a hand. He is magical, after all.

6. HARRY FROM MONTANA (1903)

Fergus County Argus, Dec. 16, 1903

Who knew keeping your feet dry was such an important part of staying off the Naughty list?

7. RAYMOND FROM WEST VIRGINIA (1907)

Clarence doesn’t sound very nice.

8. PERCY FROM WEST VIRGINIA (1907)

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Poor Opal and Mildred. They’re just girls. Do girls even have preferences?

9. VIRGINIA FROM MISSOURI (1907)

Virginia understands that sometimes Santa needs to delegate.

10. ROBERT FROM TENNESSEE (1913)

The Commercial, Dec. 19, 1913

Old people get lonely.

11. WILLIE FROM FLORIDA (1915)

Sure, an axe sounds like an age-appropriate gift for a five-year-old.

12. ELEANOR FROM FLORIDA (1915)

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“Bring both if possible.”

13. UNSIGNED LETTER FROM FLORIDA (1913)

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This transplant from Maine would really like a basketball, but he doesn’t quite believe that a Santa Claus can exist in Florida, where there isn’t even any snow.

14. WALTER FROM FLORIDA (1915)

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The Daytona Daily News, Dec. 17, 1915

Good choice not to act a pig, Walter.

15. MERLA FROM FLORIDA (1915)

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The Pensacola Journal, Dec. 24, 1915

Merla will not be ignored!

16. ROY FROM FLORIDA (1915)

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The Pensacola Journal, Dec. 24, 1915

A doll dressed in a cowboy suit could not be called Raymond. A lack of sailor suit is a dealbreaker.

17. MAXWELL FROM FLORIDA

The Pensacola Journal, Dec. 24, 1915

Ways to improve your chances of getting a pony from Santa, according to Maxwell Hudson: 1. Admit right off it’s expensive. 2. Say you will use it to take your sisters to school. 3. Promise to be grateful for anything Santa brings, so as not to seem greedy. 4. Make yourself seem extra kindhearted (and thus deserving of a pony) by showing concern for your fatherless neighbors. Did it work? We will never know.

18. MOXIE FROM TENNESSEE (1916)

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Perhaps a kid known for being mean shouldn’t be given a firearm.

19. DICK FROM SOUTH CAROLINA (1916)

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The County Record, Dec. 21, 1916

No, Santa certainly wouldn’t want to get “fastened in” the chimney.

20. JOHN FROM NEW MEXICO (1918)

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World War I devastated Western Europe, decimating a generation of young men—and apparently killing the French Santa Claus.

21. MARY FROM NEW MEXICO (1922)

Screen Shot 2016-12-09 at 3.13.18 PM.png

The Carlsbad Current, Dec. 15, 1922

Come on, Mary, Santa’s not a mind reader.

22. JEWEL FROM NEW MEXICO (1922)

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The Carlsbad Current, Dec. 15, 1922

No apology for the door-slamming incident. That might have helped your cause, Jewel.

23. R.B. FROM NEW MEXICO (1922)

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The Carlsbad Current, Dec. 15, 1922

R.B. is very thoughtful to provide such specific instructions; otherwise, Santa might get confused.

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