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How Do 3D Glasses Work?

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Stereoscopy—the illusion of depth created by showing a separate image to each eye—is at least as old as photography itself. In the last few years, however, stereoscopic 3D movies have come back in a big way. Theaters show you 3D movies by projecting two images on one screen and giving you specialized glasses that separate the images. But how do those glasses work?

Polar Opposites

There are several competing 3D technologies, but the most prevalent one in theaters today is based on polarized light. The technology that fueled the 1950s 3D boom, which is still in use today, is linearly polarized stereoscopy. Two images are projected through polarizers of two different orientations, typically 45 and 135 degrees relative to the horizon. The projected images are then filtered using polarizer films in the lenses of your glasses en route to your eyes. In this way, one image is excluded from your left eye while the other image is excluded from your right.

In the original formulation of this system, two projectors were used, and projectionists needed to take great care to make sure the two images were well aligned, perfectly synchronized, and equally bright. This problem has been eliminated with the rise of digital projectors. One of the other major problems, though, is inherent to the linearly polarized system: It requires the glasses to be parallel to the projector screen in order to prevent the images from leaking through their respective 'dark' lenses. This means that if you bend down to grab the popcorn, or turn to whisper to your friend, or if you sit off to the side of the theater instead of in the center, then the 3D effect will be compromised and you may get a bit of a headache.

The latter problem is corrected with circularly polarized 3D, patented in 1989. This is the method used by the RealD system, the most widely used system in theaters today. Here, one of the images is projected using light waves that trace out a left-handed spiral, and the other using light that traces out a right-handed spiral. Each lens contains a quarter wave plate, which is a passive device that transforms the two counterspiraling waves into two perpendicular linear waves. Then the familiar linear polarizers cut out one image from your left eye and the other image from your right.

So how do you know what kind of 3D glasses you're wearing? Slip into the bathroom during the movie and look in the mirror with one eye closed. The handedness of circularly polarized light is reversed when it reflects off a mirror, but the orientation of linearly polarized light is preserved. So, if the lens in front of your open eye is blacked out, then you are wearing circularly polarized glasses. If the lens in front of your closed eye is blacked out, then you are wearing linearly polarized glasses (or possibly active shutter 3D glasses—a topic for another post).

Andrew Koltonow is a graduate student in Materials Science and Engineering at Northwestern University. He's part of our College Weekend extravaganza.

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Big Questions
Who Was Chuck Taylor?
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From Betty Crocker to Tommy Bahama, plenty of popular labels are "named" after fake people. But one product with a bona fide backstory to its moniker is Converse's Chuck Taylor All-Star sneakers. The durable gym shoes are beloved by everyone from jocks to hipsters. But who's the man behind the cursive signature on the trademark circular ankle patch?

As journalist Abraham Aamidor recounted in his 2006 book Chuck Taylor, All Star: The True Story of the Man behind the Most Famous Athletic Shoe in History, Chuck Taylor was a former pro basketball player-turned-Converse salesman whose personal brand and tireless salesmanship were instrumental to the shoes' success.

Charles Hollis Taylor was born on July 24, 1901, and raised in southern Indiana. Basketball—the brand-new sport invented by James Naismith in 1891—was beginning to take the Hoosier State by storm. Taylor joined his high school team, the Columbus High School Bull Dogs, and was named captain.

After graduation, instead of heading off to college, Taylor launched his semi-pro career playing basketball with the Columbus Commercials. He’d go on to play for a handful of other teams across the Midwest, including the the Akron Firestone Non-Skids in Ohio, before finally moving to Chicago in 1922 to work as a sales representative for the Converse Rubber Shoe Co. (The company's name was eventually shortened to Converse, Inc.)

Founded in Malden, Massachusetts, in 1908 as a rubber shoe manufacturer, Converse first began producing canvas shoes in 1915, since there wasn't a year-round market for galoshes. They introduced their All-Star canvas sports shoes two years later, in 1917. It’s unclear whether Chuck was initially recruited to also play ball for Converse (by 1926, the brand was sponsoring a traveling team) or if he was simply employed to work in sales. However, we do know that he quickly proved himself to be indispensable to the company.

Taylor listened carefully to customer feedback, and passed on suggestions for shoe improvements—including more padding under the ball of the foot, a different rubber compound in the sole to avoid scuffs, and a patch to protect the ankle—to his regional office. He also relied on his basketball skills to impress prospective clients, hosting free Chuck Taylor basketball clinics around the country to teach high school and college players his signature moves on the court.

In addition to his myriad other job duties, Taylor played for and managed the All-Stars, a traveling team sponsored by Converse to promote their new All Star shoes, and launched and helped publish the Converse Basketball Yearbook, which covered the game of basketball on an annual basis.

After leaving the All-Stars, Taylor continued to publicize his shoe—and own personal brand—by hobnobbing with customers at small-town sporting goods stores and making “special appearances” at local basketball games. There, he’d be included in the starting lineup of a local team during a pivotal game.

Taylor’s star grew so bright that in 1932, Converse added his signature to the ankle patch of the All Star shoes. From that point on, they were known as Chuck Taylor All-Stars. Still, Taylor—who reportedly took shameless advantage of his expense account and earned a good salary—is believed to have never received royalties for the use of his name.

In 1969, Taylor was inducted into the Basketball Hall of Fame. The same year, he died from a heart attack on June 23, at the age of 67. Around this time, athletic shoes manufactured by companies like Adidas and Nike began replacing Converse on the court, and soon both Taylor and his namesake kicks were beloved by a different sort of customer.

Still, even though Taylor's star has faded over the decades, fans of his shoe continue to carry on his legacy: Today, Converse sells more than 270,000 pairs of Chuck Taylors a day, 365 days a year, to retro-loving customers who can't get enough of the athlete's looping cursive signature.

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Big Questions
What Is the Difference Between Generic and Name Brand Ibuprofen?
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What is the difference between generic ibuprofen vs. name brands?

Yali Friedman:

I just published a paper that answers this question: Are Generic Drugs Less Safe than their Branded Equivalents?

Here’s the tl;dr version:

Generic drugs are versions of drugs made by companies other than the company which originally developed the drug.

To gain FDA approval, a generic drug must:

  • Contain the same active ingredients as the innovator drug (inactive ingredients may vary)
  • Be identical in strength, dosage form, and route of administration
  • Have the same use indications
  • Be bioequivalent
  • Meet the same batch requirements for identity, strength, purity, and quality
  • Be manufactured under the same strict standards of FDA's good manufacturing practice regulations required for innovator products

I hope you found this answer useful. Feel free to reach out at For more on generic drugs, you can see our resources and whitepapers at Pharmaceutical strategic guidance and whitepapers

This post originally appeared on Quora. Click here to view.


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