Dennis is a menace who terrorizes his neighborhood, and one elderly man in particular, poor Mr. Wilson. Yet Dennis's parents don't seem to have a problem with the fact that he always carries a slingshot in his pocket. Nowadays, this menace would find himself in juvenile hall by his sixth birthday.
2. George Jetson
George Jetson always seems to be irritated and angry, which often leads to him yelling and screaming at his wife. I would assume his neighbors would have heard at least a few of these tantrums. If his temper didn't get him arrested for domestic violence, his mistreatment of Astro, the family dog, would make him an obvious target of various anti-animal-cruelty societies.
3. Bam Bam
As with the case of Dennis the Menace's slingshot, no one in Bedrock seems to be concerned that Bam Bam always carries a club. Nor do his parents appear to be concerned with his frequent displays of aggressive and violent behavior. Bam Bam has no regard for others' safety, and today this would cause him to be in counseling and/or medicated for his ADHD.
4. Nelson Muntz
One of America's most beloved bullies, Nelson's "haw, haw" is one of TV's most iconic catch phrases. But he is a bully and, with anti-bullying legislation being passed in every state, it is safe to assume that Springfield would fall under similar laws to protect children from all forms of bullying. So, Nelson would likely find himself under the watchful eye of a child psychiatrist, medicated, or placed into a special class with students who have similar aggression issues.
5. The Little Rascals
Who doesn't love a bunch of cute kids who always seem to be up to no good, causing mayhem wherever they go? Well, that kind of reckless vandalism and disregard for common courtesy doesn't sit too well with people in the present. They would be rounded up by the police in five minutes. Not to mention, they have a dog that is obviously not registered nor neutered.
6. Pepe Le Pew
In every cartoon we've ever seen of Pepe Le Pew, he's chasing a female and not taking "no" for an answer. In today's world, we call that stalking, and this would likely result in a restraining order.
7. Wile E. Coyote
In a day and age with a lingering fear of terrorist attacks, when even saying the word "bomb" can result in a heavy fine and some jail time, anyone with unlimited stockpiles of dynamite and rockets would be very suspicious to the FBI. His reckless behavior and obsession with explosives would make him a serious national concern.
8. Elmer Fudd
We all love Elmer's antics and can quote his iconic phrase: "Be very, very quiet. I'm hunting wabbits." But with all the hunting laws and regulations today, I have to believe that Elmer's obsession with hunting "wabbits" year round would definitely not always coincide with official rabbit-hunting season and regulations.
9. Donald Duck
Donald Duck is one of Disney's most beloved characters, and he's also one of history's most confusing cartoons. The big question often asked in reference to Donald is not about his apparent speech impediment, but "Why does he wrap a towel around his waist when he gets out of the shower, but he doesn't wear pants?" It would be safe to assume that Donald's exhibitionism would get him locked up for indecency in nearly any town or city.
Making its debut in 1989, MTV Unplugged—in whichfamous musicians perform stripped-down arrangements of their biggest hits—was a hit for both the cable network and the music industry, particularly in the early- to mid-'90s. Though it lost its regular time slot in 1999, in the near-20 years since, a handful of artists have popped in for brief revivals. But now it looks as if Unplugged is ready for a reboot; MTV has announced that the series will be back beginning on September 8, 2017, with Shawn Mendes as its first guest. In the meantime, here's a look behind the scenes of the music series that became a phenomenon.
1. OPINIONS VARY ON WHO CAME UP WITH THE IDEA.
Singer/songwriter Jules Shear has said that he came up with the concept for MTV Unplugged to promote his acoustic album, The Third Party. In 1992, TheNew York Timeswrote that Shear was inspired by Jon Bon Jovi and Richie Sambora's two-song acoustic set at the 1989 MTV Video Music Awards.
That's all well and good, but producers Jim Burns and Bob Small claim they got the idea for MTV Unplugged after Bruce Springsteen treated the two—and the thousands of other fans at one of his concerts—to a final encore featuring just himself and his acoustic guitar. (Springsteen would find his way onto Unplugged in 1992.)
Executive producer Joel Gallen has referred to Unplugged as his "baby" as well and, like Shear, was inspired by Bon Jovi and Sambora's VMA set, which he called a "jumping off point." In I Want My MTV: The Uncensored Story of the Music Video Revolution, Small said: “Please do not credit Bon Jovi for creating Unplugged. Jon Bon Jovi thinks he was the inspiration for it. He wouldn’t even do the f***ing show until almost 20 years later.”
2. BOTH HBO AND PBS SAID NO.
HBO passed on Unplugged when Shear proposed the concept to the pay channel. Burns and Small pitched the series to PBS after MTV initially said no. PBS simply echoed MTV and HBO. It was only when Burns and Small ally Judy McGrath got a promotion at MTV that a pilot got a greenlight.
3. IT WAS A CHEAP PILOT TO SHOOT.
Bob Small said he had just four hours to set up for the Unplugged pilot, with another four hours to film it—and all on a budget of $18,000. "I couldn't get money to hire a director," Small said. "They said, 'You direct it.'"
4. THERE WAS A HOST FOR THE FIRST 13 EPISODES.
None other than Jules Shear was the undisputed master of ceremonies for the first season. He also joined in on some songs.
5. THE FIRST GUESTS DIDN'T QUITE GRASP THE CONCEPT OF UNPLUGGED.
Glenn Tilbrook and Chris Difford from Squeeze were the stars of the first episode, which aired on November 26, 1989. But they were unprepared. "Chris and Glenn showed up for rehearsal with electric guitars," Alex Coletti, who would end up producing the show through 2001, recalled. "I said: 'Very funny, guys. Where are the acoustics? It’s Unplugged.' They looked at each other and went, 'Riiight… Make a phone call, quick!'"
6. PRODUCERS SCRAMBLED TO GIVE JOE WALSH ACTUAL FRIENDS.
"The fifth episode was billed as Joe Walsh and Friends, and Joe showed up with only one friend—Ricky, his bass player," Coletti remembered. "We thought it meant his famous friends, but apparently that got lost in translation." Walsh had been a member of The Eagles, who had an infamous falling-out, but Walsh's claim of buddies gave MTV employees false hope. Producer Bruce Leddy found Dr. John recording at a neighboring studio and convinced him to come on and be Walsh's "friend."
7. DON HENLEY WAS NOT HAPPY THAT WALSH PLAYED "DESPERADO."
Walsh's former Eagles bandmate wrote "Desperado," as well as a three-page fax explaining to MTV that he didn't want Walsh to play it and he was refusing permission to air the performance. It was after the fax that the network invited Henley to come on the show himself to perform it. Henley was the first artist to get an entire half-hour on his own as the only artist, which quickly became the status quo for Unplugged. In 1994, when The Eagles reunited, they appeared on an MTV Unplugged special.
8. LL COOL J HAD NEVER WORKED WITH A LIVE BAND BEFORE.
The first Unplugged featuring rap artists took place in 1991. Pop's Cool Love backed LL Cool J, MC Lyte, De La Soul, and A Tribe Called Quest. “[It’s like] you drink milk for 10 years and then [you have to] drink fruit punch,” Quest's Q-Tip said about performing with the band. “It’s not that the fruit is bad, but you have to get used to it.”
But LL seemed able to adapt. "We rehearsed the night before and LL Cool J had never worked with a live band," Coletti said. "Before long, he was calling the shots like he'd been doing it his whole life."
9. LL COOL J KNOWS YOU SAW HIS DEODORANT.
"People have teased me about the deodorant for years, but I love it," he said. "It was raw! It was nasty! At least you know I wasn’t stinking.”
10. PAUL MCCARTNEY WAS THE FIRST ARTIST TO OFFICIALLY RELEASE HIS UNPLUGGED SET.
Before Paul McCartney, no other Unplugged artist body had thought to release their acoustic set as an album. But after he performed in 1991, the former Beatle was worried about it getting out to the masses illegally. “I figured that as Unplugged would be screened around the world there was every chance that some bright spark would tape the show and turn it into a bootleg, so we decided to bootleg the show ourselves," he admitted. "We heard the tapes in the car driving back. By the time we got home, we’d decided we’d got an album—albeit one of the fastest I’ve ever made.” He even titled the live performance collection Unplugged (The Official Bootleg).
11. ERIC CLAPTON WAS HESITANT TO RELEASE HIS SHOW AS AN ALBUM.
"Slowhand" performed to acclaim in 1992, but he initially didn't think it was good enough to be released officially as a CD. So naturally, his live album Unplugged won the Grammy for Album of the Year. His "Tears in Heaven" performance in particular won Song and Record of the Year. Two years later, Tony Bennett followed suit, winning the 1994 Album of the Year prize for his time on the show.
12. NEIL YOUNG WALKED OUT ON HIMSELF.
Neil Young's Unplugged was supposed to have been taped at the Ed Sullivan Theater in New York on December 12, 1992. Instead, on that night—at that venue—the audience saw something they would probably never forget: Neil Young walking out the door after numerous mistakes. The "stunned" crew members managed to get him to come back to try again that night. Young opted to junk the performance entirely, and tried again two months later—this time with a band, and with much more success.
13. TORI AMOS WALKED OUT, TOO.
Amos was thrown off and "couldn't harness the energy." But unlike Young, she was able to walk back onstage, perform, and not have to try again with another set on a different night. As the singer/songwriter remembered it, she and her manager paced "beneath the MTV thing" backstage thinking about the problem. "Then my [lighting director] came down and said, 'Something just doesn't feel right. I can’t put my finger on it,'" Amos told Worstgig.com. "For 700 shows over the five years (prior to that), I'd played with the lights down. So all the lights were up to catch the audience and I felt like somebody was watching me take a shower. So they dimmed the lights, I felt better. By that point because I'd made the choice to stop it and make some changes, I felt like I began again. And I turned the whole show around."
14. ALEX COLETTI FOUGHT TO CUT "THE MAN WHO SOLD THE WORLD" FROM NIRVANA'S EPISODE.
"Maybe I shouldn't give this secret away, but I built a fake box out in front of the amp to make it look like a monitor wedge," Coletti admitted to Guitar World in 1995. "It's an acoustic guitar, but he's obviously going through an amp," he added, talking about the now iconic David Bowie cover. "I actually fought pretty hard to leave that song out [of the final edit of the show], because I felt it wasn't as genuine as the rest of the songs. But I'm a huge Bowie fan, so I couldn't fight too hard against the song."
15. DAVE GROHL WAS ALMOST UNINVITED TO NIRVANA'S SHOW.
The Nirvana drummer remembered that it was a minor miracle that the band's Unplugged performance went so well. “That show was supposed to be a disaster,” Grohl said. “We hadn’t rehearsed. We weren’t used to playing acoustic. We did a few rehearsals and they were terrible. Everyone thought it was horrible. Even the people from MTV thought it was horrible. Then we sat down and the cameras started rolling and something clicked. It became one of the band’s most memorable performances.”
As Coletti told it, Kurt Cobain was thinking of just replacing Grohl behind the kit, or maybe not using a drummer at all. “What I didn’t know was up until the day [of the Unplugged performance], there was talk of Dave [Grohl] not playing at all in the show,” the producer revealed in 2014. “Kurt wasn’t happy with the way rehearsals were going; he didn’t like the way Dave sounded playing drums with sticks."
But Grohl turned up the day of filming, and Coletti gifted him some brushes and sizzle sticks to give his drumming a softer sound. "I was afraid Dave would just roll his eyes, like, 'Oh great, the a**hole from MTV is trying to be my friend,'" the producer remembered thinking. "But instead he opened the package and said, 'Cool, I've never had brushes before. I've never even tried using them.'" The album Unplugged in New York won the Grammy for Best Alternative Music Album in 1996. It was the band's lone Grammy win.
16. YES, THEY TRIED TO GET ROBERT PLANT AND JIMMY PAGE TO PLAY "STAIRWAY TO HEAVEN."
The Led Zeppelin bandmates reunited in 1994 for the Unplugged special: No Quarter: Robert Plant and Jimmy Page Unledded, which at the time was the highest-rated episode of the series ever. MTV suggested they film it in Queens, New York. Plant suggested Morocco and Wales because it was where he wrote "Kashmir" and "Down by the Seaside," respectively. Network executives explicitly requested "Stairway" but were shot down. "I think we're in a disposable world and 'Stairway to Heaven' is one of the things that hasn't quite been thrown away yet," Plant said in 1994. "I think radio stations should be asked not to play it for 10 years, just to leave it alone for a bit so we can tell whether it's any good or not."
17. LIAM GALLAGHER HECKLED HIS BROTHER.
Oasis lead vocalist Liam Gallagher backed out of the Royal Festival Hall gig in London at the last minute due to a "sore throat," so songwriter/guitarist/brother Noel took over the vocal duties. Noel would later disclose that Liam in fact appeared an hour before showtime "sh*tfaced," and when he tried to sing it sounded "f**king dreadful." Liam watched the performance from the balcony and at times jeered the band. Noel told him to shut up. Coletti thought it was all for the best. "There's something when the songwriter himself sings it. Maybe he's a little more connected to the song."
If Emilio Estevez had opted to pay for his movie ticket, the Brat Pack might never have been born. It was spring 1985, and Estevez—then the 23-year-old co-star of St. Elmo’s Fire—was being profiled in New York Magazine. The angle was that Estevez had just signed a deal to write, direct, and star in his own feature, That Was Then... This is Now, an opportunity that was rarely afforded to young Hollywood talent. Estevez was two years younger than Orson Welles was when he performed similar duties for 1941’s Citizen Kane.
That youthful exuberance was on display as New York writer David Blum followed Estevez in and around Los Angeles for several days gathering material for the story. With Blum in tow, Estevez decided that he wanted to catch a screening of Ladyhawke, a fantasy film starring Matthew Broderick. For reasons not made entirely clear, he preferred not to have to pay for a ticket. According to Blum, Estevez called the theater and politely asked for free admission before entering an 8 p.m. screening.
It's likely Estevez was just having a little fun with his celebrity. But to Blum, it was indicative of a mischievous, slightly grating sense of entitlement. Blum’s assessment was that Estevez was acting “bratty,” an impression he felt was reinforced when he witnessed a gathering of other young actors at LA’s Hard Rock Cafe for the same story.
What was supposed to be a modest profile of Estevez turned into a cover story declaration: Hollywood’s “Brat Pack” was here, and they had decided to forego the earnest acting study preferred by their predecessors to spend their nights partying instead.
The day the story hit newsstands, Blum received a call from Estevez. “You’ve ruined my life,” he said.
New York, Google Books
Blum’s label had its roots in the Rat Pack of the 1960s, so named for the carousing boys' club led by Frank Sinatra, Dean Martin, and Sammy Davis Jr. Whether it was accurate or not, the performers developed reputations for squeezing every last drink, perk, and joke they could out of their celebrity well into middle age.
That dynamic was on Blum’s mind when New York dispatched him to cover Estevez. After he arrived in California, Blum took note of the fact that a tight cluster of actors seemed to have formed a group, both on- and off-screen. Estevez was close friends with Rob Lowe and Tom Cruise, and all of them appeared in 1983’s The Outsiders; Lowe and Estevez were co-starring in St. Elmo’s Fire, a coming-of-age drama that also featured Andrew McCarthy and Judd Nelson; Estevez and Nelson gained a lot of attention for 1984’s The Breakfast Club.
To Blum, Estevez was more than just a multi-hyphenate; he appeared to be the nucleus of a group that spent a lot of time working and playing together. And in fairness to Blum, Estevez didn’t dissuade the writer from that take: Fearing he was coming off as too serious in the profile, Estevez asked Lowe and Nelson to hang out with him at Los Angeles’s Hard Rock Cafe so Blum could see the actor's lighter side.
Nelson would later recall that he felt uneasy around Blum. “Why is this guy having dinner with us?” he asked Estevez. Lowe, meanwhile, was busy flirting with women approaching their table. The group later went to a "punk rock" club, with a Playboy Playmate tagging along.
As celebrity hedonism goes, it was a tame evening. But Blum walked away with the idea that Estevez was the unofficial president of an exclusive club—attractive actors who were soaking up success while idling late into the night.
Blum returned to New York with a different angle for his editors. He wanted to capture this “Brat Pack,” a “roving band” of performers “on the prowl” for good times. Although the magazine had just run a cover story about a teenage gang dubbed “the wolf pack” and feared repetition, they agreed.
As far as Estevez and the others were concerned, Blum was busy executing a piece on Estevez’s ambitions as a writer and director. When Estevez, Nelson, and Lowe appeared on the cover—taken from a publicity still for St. Elmo’s Fire—with his newly-coined phrase, they were horrified.
Blum began getting calls from angry publicists from each of the actors mentioned in the article—and there had been a lot of them. In addition to Estevez, the de facto leader, and lieutenants Lowe and Nelson, Blum had dubbed go-to John Hughes geek Anthony Michael Hall the “mascot”; Timothy Hutton was said to be on the verge of excommunication for his film “bombs”; Tom Cruise, Sean Penn, Nicolas Cage, and Matt Dillon were also mentioned.
To the actors, the effect was devastating. Independent of how they spent their free time, all of them were pursuing serious careers as performers, with producers, directors, and casting agents mindful of their portrayal in the media. Being a Brat Packer was synonymous with being listless, or not taking their craft seriously.
Nelson recalled the blowback was immediate: Managers told him to stop socializing with his friends for fear he’d be stigmatized as unreliable. “These were people I worked with, who I really liked as people, funny, smart, committed to the work,” he said in 2013. “I mean, no one was professionally irresponsible. And after that article, not only [were] we strongly encouraged not to work with each other again, and for the most part we haven’t, but it was insinuated we might not want to be hanging out with these people.”
Some of the actors went on The Phil Donahue Show to criticize the profile, asserting that their remarks to Blum had been off-the-record. (Blum denied this.) Lowe told the media that Blum had “burned bridges” and that he was “no Hunter S. Thompson.” Andrew McCarthy called Blum a “lazy … journalist” and found the idea of an actor “tribe” absurd—he had never even met Anthony Michael Hall.
Unfortunately, the name stuck. “Brat Pack” was infectious—a catch-all for the kind of young performer emerging in the ‘80s who could be seen in multiple ensemble movies. While Blum would later express regret over the label, it’s never quite left the public consciousness. In 2005, Universal released a DVD boxed set—The Breakfast Club, Weird Science, and Sixteen Candles—as The Brat Pack Collection.
Nelson, Estevez, and Lowe never again appeared in a movie together. “Personally, the biggest disappointment about it is that ‘Brat Pack’ will somehow figure in my obituary at [the] hands of every lazy and unoriginal journalist,” Estevez told a reporter in 2011. “Warning: My ghost will come back and haunt them.”
Nelson was slightly less forgiving. In a 2013 podcast, he chastised Blum for his mischaracterization of the group of young actors. “I would have been better served following my gut feeling and knocking him unconscious.”