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"Peter and the Wolf," 1946

Remember that animated, professionally narrated version of Peter and the Wolf you saw as a kid? Sure you do -- somewhere in the depths of your memory, you'll probably remember this fifteen-minute Disney short from 1946. It's odd to think now that this came out just a decade after Prokofiev's original composition in 1936 -- they both seem sufficiently remote to be ancient history to kids these days. In any case, "Peter and the Wolf" was written to be performed with a narrator (in Russian); Disney added animation and recruited Sterling Holloway to narrate an Americanized version. (You may recognize Holloway's voice from the Winnie the Pooh and Jungle Book films.)

Wikipedia explains some changes in the Disney version versus the original Russian version:

• During the character introduction, the pets are given names: "Sasha" the bird, "Sonia" the duck, and "Ivan" the cat.

• As the cartoon begins, Peter and his friends already know there is a wolf nearby, and are preparing to catch him.

• The hunters get names at a later point in the story: "Misha", "Yasha" and "Vladimir".

• Peter day-dreams of hunting and catching the wolf and exits the garden carrying a wooden "pop-gun" rifle with the purpose of hunting the wolf down.

• At the end, in a complete reversal of the original (and to make the story more child-friendly), it turns out that the duck has not been eaten by the wolf. (The wolf is shown chasing the duck, who hides in a tree's trunk. The wolf attacks out of view, and returns in view with some of the duck's feathers in his mouth and licking his jaws. Peter, the cat, and the bird assume the duck has been eaten. After the wolf has been caught, the bird is shown mourning the duck. The duck comes out of the tree trunk at that point and they are happily reunited).

In the original Russian version, the story ends with the line: "If you listen very carefully, you'd hear the duck quacking inside the wolf's belly, because the wolf in his hurry had swallowed her alive." Anyway, enjoy:

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Amy Meredith, Flickr // CC BY-ND 2.0
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You Can Still Visit This Forgotten Flintstones Theme Park in Arizona
Amy Meredith, Flickr // CC BY-ND 2.0
Amy Meredith, Flickr // CC BY-ND 2.0

Like many pop culture institutions of the 20th century, Hanna-Barbera’s The Flintstones hasn’t been relegated to just one medium. The animated cast of America's favorite modern Stone Age family sold cigarettes, starred in a live-action 1994 film, and inspired all sorts of merchandise, including video games and lunchboxes. In 1972, it also got the theme park treatment.

Bedrock City, located 30 minutes from the Grand Canyon in Williams, Arizona, was the brainchild of Linda and Francis Speckels, a married couple who bought the property and turned it into a 6-acre tourist attraction. Concrete houses were built to resemble the Flintstone and Rubble residences and are furnished with props; a large metal slide resembles a brontosaurus, so kids can mimic the show’s famous title credits sequence; and statues of the characters are spread all over the premises. The site also doubles as an RV campground and parking site.

A Flintstones theme park house
Matthew Dillon, Flickr // CC BY 2.0

A statue of Bam-Bam at the Flintstones park in Arizona
Matthew Dillon, Flickr // CC BY 2.0

A statue of Wilma Flintstone at Bedrock City in Arizona
Matthew Dillon, Flickr // CC BY 2.0

When it first opened, Bedrock City employed actors to stay in character, but the remote location proved challenging to retain both employees and visitors. Over the past four decades, it's had a steady stream of tourists, but not enough to turn a huge profit. Atlas Obscura reports the attractions are in various stages of disrepair.

Linda Speckels put the property up for sale in 2015 with an asking price of $2 million, but it has yet to sell. One possible hold-up: The new owner would have to negotiate a fresh licensing deal with Hanna-Barbera and Warner Bros. for the right to continue using the show’s trademarks. (A separate Flintstones park in South Dakota, owned by another member of the Speckels family, was sold and closed in 2015.) With its proximity to the Canyon, the 30 total acres could be converted into almost anything, from a mall to a golf course. For Flintstones enthusiasts, the hope is that the park’s unique attractions won’t be reduced to rubble.

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Carlo Allegri/Getty Images
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Watch Terry Gilliam's 1968 Animated Christmas Card
Carlo Allegri/Getty Images
Carlo Allegri/Getty Images

In 1968, future Monty Python member Terry Gilliam was kicking around London, working as an animator. He was asked to put together an animated segment for a Christmas show, so he hopped over to the Tate and photocopied a bunch of Victorian Christmas cards for inspiration. The resulting film, The Christmas Card, is brilliant, bizarre, and delightful. Enjoy some pre-Python madness from the master:

If you liked that, check out Terry Gilliam explaining his animation technique in 1974.

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