The Favorite Movies of 30 Famous People

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From classic comedies to cowboy-filled westerns, celebrities play favorites when it comes to movies, too. Here are some of the favorite films of politicians, musicians, actors, directors, and other celebrities.

1. BARACK OBAMA // THE GODFATHER (1972) AND THE GODFATHER: PART II (1974)

When Katie Couric asked then-presidential-candidate Barack Obama what his favorite movie is, he replied, "Oh, I think it would have to be The Godfather. One and Two. Three not so much. That saga—I love that movie."

2. RONALD REAGAN // HIGH NOON (1952)

Reagan appreciated Will Kane's dedication to duty and law in Fred Zinnemann's High Noon. (Reagan was also rumored to have been a fan of Frank Capra's It's a Wonderful Life.)

3. RICHARD NIXON // PATTON (1970)

Nixon's preference for Patton was mentioned in a 1970 TIME article: "The martial epic Patton so stirs Richard Nixon that he has seen the film at least twice." According to American Experience: Nixon on PBS, "Richard Nixon loved the movie Patton and watched it again and again in the White House." The Telegraph reported that Nixon "urged aides to see the film and became, in the words of Secretary of State William Rogers, a 'walking ad' for it. He screened it three times in the weeks before the US invasion of Cambodia in April 1970 ..." Nixon's love for Patton was also mentioned in Woodward and Bernstein's 2005 book, The Final Days.

4. BILL CLINTON // HIGH NOON (1952)

Clinton was such a fan of the Western that he apparently screened the film a record 17 times at the White House.

5. GEORGE W. BUSH // FIELD OF DREAMS (1989)

According to a May 2001 article in The Atlantic, "Bush's favorite movie is Field of Dreams, which made him cry, he once said, because it reminded him of playing catch in the back yard with his father—a pretty fair ballplayer himself once."

6. DWIGHT EISENHOWER // HIGH NOON (1952)

Like to many other presidents, Eisenhower was reportedly a big fan of High Noon, screening it several times at the White House (though not quite as many times as Clinton).

7. JOHN MCCAIN // VIVA ZAPATA! (1952)

During his presidential campaign, John McCain was asked about his favorite film by Katie Couric. His response: "Viva Zapata ... It's a heroic tale of a person who sacrificed everything for what he believed in and there's some of the most moving scenes in that movie that I've ever seen."

8. DAN QUAYLE // FERRIS BUELLER'S DAY OFF (1986)

During the 1990 presidential campaign, Quayle declared Ferris Bueller his favorite movie, with the explanation, "It reminded me of my time in school."

9. JUSTIN BIEBER // STEP BROTHERS (2008)

In 2010, Bieber provided US Weekly with a list of "25 Things You Don't Know About Me." #17: "Step Brothers is my favorite movie."

10. JENNIFER LOPEZ // WEST SIDE STORY (1961)

During a West Side Story-themed photo shoot for Vanity Fair in 2009, Lopez revealed that she watched the classic musical "37 times" growing up. She identifies with Anita, explaining: "I never wanted to be that wimpy Maria... I wanted to be Anita, who danced her way to the top."

11. GEORGE HARRISON // THE PRODUCERS (1968)

Harrison reportedly liked the film so much that it inspired him to become a producer himself.

12. JOHN TRAVOLTA // A MAN AND A WOMAN (1966)

IMDb.com lists Travolta's favorite movie as A Man And A Woman, also noting that he was partial to Yankee Doodle Dandy (1946) as a child.

13. HEATH LEDGER // THE WIZARD OF OZ (1939)

Ledger favored the classic film because, he stated, "It was the only film my parents allowed me to see as a kid."

14. TOM HANKS // 2001: A SPACE ODYSSEY (1968)

Hanks has frequently discussed his love for Kubrick's classic, including at a forum for the film's 40th anniversary, where he said of the movie, "You can look at it over and over and ponder its meaning," he once said. According to a Tom Hanks fan site, the actor has seen 2001 approximately 40 times.

15. BILL PAXTON // SPLENDOR IN THE GRASS (1961) AND HAROLD AND MAUDE (1971)

In a 2006 interview with TV Guide, Paxton said, "You've got to understand something about me and my career: I'm a romantic in life philosophy, in how I look at the world, the beauty of nature, of relationships. But I never got to do those roles. In my twenties, I wanted to be in a Splendor in the Grass." The late actor listed both Splendor in the Grass and Harold and Maude for Cindy Pearlman's 2007 book You Gotta See This.

16. SALMA HAYEK // WILLY WONKA & THE CHOCOLATE FACTORY (1971)

The "Times Topics" page for Hayek at The New York Times website reported: "At 6, she was smitten with acting after seeing Willy Wonka and the Chocolate Factory."

17. VIN DIESEL // GONE WITH THE WIND (1939)

In 2006, ELLE asked Diesel, "Have you ever watched a movie and identified with a character romantically?" The actor replied, "Clark Gable in Gone With the Wind. Here's this guy saying, 'I may be rough around the edges, but I'm the better man for you, and you're still locked over there with pretty boy.'" He also listed it as his favorite movie for Pearlman's You Gotta See This.

18. TIM ALLEN //THE SEVEN SAMURAI (1954)

AFI interviewed celebrities about their films in a lead-up to their "100 Years, 100 Movies" event in 2007. In his interview, Allen named The Seven Samurai as his favorite.

19. OWEN WILSON // PUNCH-DRUNK LOVE (2002) AND THE INSIDER (1999)

Wilson reportedly stated, "I loved Punch-Drunk Love. It revved me up to write something. It's a simple story, but it proves it's all in the details." He also told Glen Whipp of the Los Angeles Daily News, "I loved Punch-Drunk Love, The Insider, and United 93."

20. ANTONIO BANDERAS // TOUCH OF EVIL (1958) AND THE MAGNIFICENT AMBERSONS (1942)

Banderas is an Orson Welles fan. He listed Touch of Evil as one of his five favorite films (as well as the ever-popular Lawrence of Arabia and The Godfather) for Rotten Tomatoes, and he listed it again for Pearlman's You Gotta See This, along with another Welles film, The Magnificent Ambersons.

21. JULIANNE MOORE // ROSEMARY'S BABY (1968)

For The New York Times' "Watching the Movies With" feature, Moore picked Rosemary's Baby, stating, "This is the first movie that came to mind when I thought of what I wanted to watch," and "Wow, I love the beginning of this movie."

22. CHARLIZE THERON // I COULD GO ON SINGING (1963)

For You Gotta See This, Theron told Pearlman that I Could Go On Singing is "the best movie I've ever seen," and then said—twice—"It's my favorite film of all time."

23. RICHARD GERE // THE PASSENGER (1975)

For You Gotta See This, Gere told Pearlman that The Passenger "has always been" one of his favorites.

24. UMA THURMAN // PILLOW TALK (1959)

For Pearlman's You Gotta See This, Thurman revealed her favorite, explaining: "All my life I wanted to be Doris Day. One of my favorites is Pillow Talk. It’s a light, breezy romp of a film that’s so much fun to watch. I love that Doris didn’t play anyone but herself in her movies."

25. REESE WITHERSPOON // OVERBOARD (1987)

Witherspoon disclosed this factoid during the 84th Annual Academy Awards telecast in 2012.

26. DENNIS QUAID // LAWRENCE OF ARABIA (1962)

In an interview with US Weekly, Quaid said, "Lawrence of Arabia is, for me, a perfect movie."

27. SETH MACFARLANE // THE SOUND OF MUSIC (1964)

When interviewed by IGN in 2003, MacFarlane was asked what his favorite film is. His answer: "I gotta give it to The Sound of Music. I'm sorry. I know that's, like, a lame answer, but I f***in' love The Sound of Music. It's The Sound of Music ... It's not like it's some obscure independent film. There are those who would be expecting me to say Caddyshack—which is number two."

28. ORSON WELLES // CITY LIGHTS (1931)

Of the Chaplin film, Welles once said, "...but you must see City Lights... You’ll see Chaplin in City Lights."

29. STEVEN SPIELBERG // LAWRENCE OF ARABIA (1962)

Spielberg helped restore Lawrence of Arabia for a 2000 DVD release; in the accompanying documentary, "A Conversation with Steven Spielberg," the director discusses the impact the movie had on his life and why it's his favorite film.

30. ROGER EBERT // LA DOLCE VITA (1960)

In a 2008 column for The Chicago Sun-Times, the late critic asked himself, "What is my favorite film?" The answer: "Right now, this moment, the answer that would spring most quickly to mind is Fellini's La Dolce Vita (1960). I've seen it, oh, at least 25 times, maybe more. It doesn't get old for me. ...I've grown so worked up just writing this paragraph that I want to slide in the DVD and start watching immediately."

An earlier version of this article appeared in 2012.

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
UpgradedPoints.com

An Atlantica travel poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Disney-inspired poster
UpgradedPoints.com

A Lion King travel poster
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A Neverland travel poster
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11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

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